Budapest String Quartet plays Beethoven

80222-2

Price: £9.99

“Things are even better with the second Rasumovsky. The cello line is coiled and dynamic and they take a persuasive tempo in the slow movement. In fact they always did, even in 1960 when their tonal resources were on the wane but their sense of emotive warmth was barely compromised. The scherzo is daintily phrased and the finale sports a fine pomposo gait, with both Roisman and second violin Alexander Schneider blending together with great élan. The Op.130 quartet sounds rather more immediate than Op.59 No.2 even though it as recorded somewhat earlier.” (MusicWeb June 2018)

1-4 String Quartet E Minor, Op.59/2 (Razumovsky)

i Alegro
ii Molto adagio
iii Allegretto
iv Finale: Presto

5-10 String Quartet No. 13 in Bb major, Op.130

i Adagio ma non troppo – Allegro
ii Presto
iii Andante con moto ma non troppo
iv Alla danza tedseca: Allegro assai
v Cavatina: Adagio molto espressivo
vi Finale: Allegro

Barcode: 744718022229

Myra Hess plays Favourite Encores

LHW 050

All best recordings 1924-41

Price: £9.99

“Nothing is forced and whether you consider her regal tonal resource (tirelessly celebrated by Stephen
Kovacevich, her finest pupil), or a naturalness and candour easy to underestimate, everything is achieved
with supreme authority; an illusion achieved by only the truest artists.” (Gramophone)

Track list:

[1] BACH Jesu, Joy of Man’s Desiring  (BWV147)                         3:25
recorded 9 January 1940; first issued on HMV B 9035 (matrix OEA 8340) 
[2] BACH Allegro from Toccata in G                                             1:53
recorded April 1929; first issued on Columbia 1931 D (matrix W 148376)
[3] SCARLATTI Sonata in C (L.104)                                              1:32
recorded February 1928; first issued on Columbia 168M (matrix W145638)
[4] SCARLATTI Sonata in G (L.387)                                              2:49
recorded 9 January 1940; first issued on HMV R 9035 (matrix OEA 8341)
[5]  SELIM PALMGREN Cradle Song (Op.17, No.9)                     3:22
recorded 1931; first issued on Columbia 4086M (matrix W148473) 
[6]  CHARLES TOMLINSON GRIFFES  The White Peacock      4:32
(Op.7, No.1)  recorded April 1929; first issued on Columbia 50149D (matrix W98656)
[7] TOBIAS MATTHAY Elves (Op.17)                                           2:03
recorded 25 April 1938; first issued on HMV B 8758 (matrix OEA 6606)
HOWARD FERGUSON Piano Sonata in F minor , Op.8 [21:36] 
recorded 19 November 1942; first issued on HMV C 3335/7 (matrices 2EA 9292/6)
[8] I  Lento – Allegro inquieto                                                          8:15
[9] II  Poco adagio                                                                         6:34
[10] III  Allegro non troppo                                                              6:39
[11] SCHUMANN Vogel als Prophet (Waldszenen; Op.82  No.7)     3:30
recorded February 1931; first issued on Columbia 2512 D   (matrix W151458) 
[12] BRAHMS Intermezzo in A-flat (Op.76 No.3)                           3:12
Recorded 29 April 1941; first issued on HMV B 9189 (matrix OEA 9303)
[13] SCHUBERT (arr.Ganz) Rosamunde Ballet Music                  3:43
recorded February 1928; first issued on Columbia 67419D (matrix W 98465)
SCHUMANN Carnaval (Op.9)    [26:48]
recorded on 27 March & 25 April 1938; first issued on HMV c/3008/10 (matrices 2EA 6136/9&6188/9)
[14] Préambule                                                                                 2:26
[15] Pierrot                                                                                       l:16
[16] Arlequin                                                                                   0:43
[17] Valse noble                                                                               1:23
[18] Eusebius                                                                                   1:58
[19] Florestan                                                                                   1:00
[20] Coquette                                                                                   1:05
[21] Réplique                                                                                   0:29
[22] Papillons                                                                                   0:45
[23] A.S.C.H.-S.C.H.A. (Lettres dansantes)                                       0:38
[24] Chiarina                                                                                    1:09
[25] Chopin                                                                                      1:38
[26] Estrella                                                                                     0:32
[27] Reconnaissance                                                                         1:35
[28] Pantalon et Colombine                                                               0:56
[29] Valse allemande                                                                        0:52
[30] Paganini                                                                                    1:10
[31] Aveu                                                                                        1:04
[32] Promenade                                                                               1:51
[33] Pause & Marche des Davidsbündler contre les Philistins             4:09

 

Barcode: 5055354480508

Complete pre-War HMV Recordings

WHL 006/7

Price: £13.99

Wilhelm Furtwängler, Berlin Philharmonic Orchestra * with Edwin Fischer (pno)

Beethoven: Symphony No.5
Wagner: Excerpts from Tristan and Parsifal
Tchaikovsky: Symphony No.6
Furtwängler: Adagio solemne from Symphonic Concerto

“Mark Obert-Thorn’s transfers amount to truthful reportage of the original 78s, and Furtwangler’s legendary 1938 Pathetique is a real performance – a tragic comedy on difficult times with searing climaxes and a mastery of musical transition that no other conductor could surpass…..
Furtwangler’s artful handling of the first movement’s main melody is as breathtaking as his panic-stricken through the, finale’s last climax, but both gestures seem wholly to Tchaikovsky’s.structure. The Wagner excerpts with broad arched lines are typically compelling “. (Gramophone)
As to the Brucknerian Solemne, it may not be ‘great’music, but I find it both endearing and peculiarly moving.

Track list:

1-4 Beethoven: Symphony No.5
5-6 Wagner: Excerpts from Tristan und Isolde
7-8 Wagner: Excerpts from Parsifal
9 Furtwängler: Adagio Solemne (from Symphonic  Concerto*)
10-13 Tchaikovsky Symphony No.6 ‘Pathetique’

Barcode: 744718300723

Maxim Vengerov – Debut Album

LAW 001

Price: £9.99

With Irina Vinogradova (Piano)

(Gramophone Young Artist of the Year 1994; Award: Artist of the Year 2002)

Schubert: Fantasy in C D934
Tchaikovsky: Valse-Scherzo
Ernst: Concert Variations ‘Last Rose of Summer’
Ysaye: Sonata No.3 in D minor ‘Ballade’
Ravel: Tzigane
Debussy (arr Heifetz) extract ‘Prelude a L’Apres-midid d’une Faune’
Waxman: Fantasy on Themes from Bizet’s ‘Carmen’

Barcode: 744718100125

 

Alban Berg Violin Concerto; Beethoven Romance; Robert Fuchs Fantasy Pieces, Joachim: Hebrew Melodies

80251-2

Price: £14.99

Beethoven Romance in F
First release of 1995 recording
Pinkas Zukerman
London Philharmonic Orchestra
Zubin Mehta

“Beethoven’s F major Romance is inflated to Brahmsian dimensions by a plushly upholstered accompaniment from what sounds like a full-strength London Philharmonic … (Gramophone January 2016)

The sharp contours of Berg’s Concerto are rounded off by Zukerman, with Mehta an observant and willing accomplice; so too the Sony engineers, who tuck the more Expressionist details away … it often rewards a balance struck between Romantically inclined soloist and incisive conductor, and provides the model of a beating heart within a glinting suit of armour. The second disc has more to offer. Brahms is in the room again, this time not as uninvited guest but welcome host to recital works with a charm as unaffected as Zukerman’s portamento. The central section of Robert Fuchs’s Op 82 No 1 is unthinkable without the examples of Brahms’s vocal and instrumental Regenlieder, and if the remaining Fantasiestücke of this selection are hardly less indebted to the master’s Hungarian dances, especially in the harmony they are written from the inside out, never a moment too long, and caught on the wing here not only by Zukerman’s unfailing cantabile but also by Marc Neikrug’s alertly sprung accompaniments. The 24-year-old Joachim had met Brahms for the first time only two years before writing these Hebrew Melodies, which sing with a personal if rather unrelieved contralto. Zukerman and his viola are placed further from the microphones than his violin in the Fuchs, but uses the space to advantage No 2 is in C minor, marked Grave, but a true Nigun in all but name!

Track list:

CD1
[1] Beethoven: Romance in F, op.50                                       9:51
Alban Berg Violin Concerto (1935)
[2] Andante (Prelude) – Allegretto (Scherzo)                           11:13
[3] Allegro (Cadenza) – Adagio (Chorale Variations)                14:57
Pinchas Zukerman, violin/ London Philharmonic Orchestra, Zubin Mehta
CD2
Robert Fuchs: Nine Fantasy Pieces
[1] Etwas Langsam, sehr innig, op.74, no.2 (D major)                2:03
[2] Leidenschaftlich, aber nicht rasch, op.82, no.1 (C minor)     7:51
[3] Langsam, wehmütig, op.74, no.9 (G minor)                           3:15
[4] Leicht bewegt, op.74, no.6 (E minor)                                     2:59
[5] Andante, quasi Allegretto, op.40, no.3 (G minor)                   2:48
[6] Allegro Scherzoso ma non troppo, op.40, no.2 (B-flat major) 2:23
[7] Ziemlich langsam, träumerisch, op.74. no.1 (B minor)          3:10
[8] Langsam, schwebend, op.74, no.7 (C major)                         2:58
[9] Kräftig und entschloßen, op.82, no.5 (D minor)                     3:14
Joseph Joachim Hebrew Melodies, op.9
[10] Sostenuto (G minor)                                                             4:41
[11] Grave (C minor)                                                                    7:56
[12] Andante cantabile (F major)                                                 9:39
Pinchas Zukerman (viola)

Marc Neikrug, piano

Companies, etc.

  • Copyright (c) – Biddulph Recordings – 2015
  • Phonographic Copyright (p) – Sony Music Entertainment – 2015

Credits

  • Conductor – Zubin Mehta (tracks: 1-1 – 1-3)
  • Engineer – James Nichols (tracks: 2-1 – 2-9), Kevin Boutote (tracks: 2-10 – 2-12), Tony Faulkner (tracks: 1-1 – 1-3)
  • Executive Producer – Eric Wen
  • Liner Notes – Douglas Jarman
  • Mastered By – Tom Lazarus
  • Orchestra – The London Philharmonic Orchestra (tracks: 1-1 – 1-3)
  • Piano – Marc Neikrug (tracks: 2-1 – 2-12)
  • Producer – Philip Traugott
  • Viola – Pinchas Zukerman (Viola) (tracks: 2-10 – 2-12)
  • Violin – Pinchas Zukerman (tracks: 1-1 – 2-9)

Barcode: 744718025121

 

Zukerman & Neikrug play Schubert Complete Works for Violin & Piano

80250-2 

Price: £13.99

CD I
Sonata No. I in D for violin & piano. 
D.384 ‘Sonatina No.I’
[1]   I     Allegro molto                        4:51
[2]   II    Andante                                 4:49
[3]   III    Allegro vivace                       4:14
Sonata No.2 in A minor for violin and piano, 
D.385 ‘Sonatina No.2’
[4]   I     Allegro moderato                  6:54
[5]   II   Andante                                   7:04
[6]   III   Menuetto: Allegro                  2:17     
[7]   IV   Allegro                                    5:09
Sonata No.3 in G minor for violin & piano, 
D.408 ‘Sonatina No.3’
[8]   I     Allegro giusto                        5:24
[9]   II    Andante                                  5:29
[10] III    Menuetto                              2:39
[11] IV   Allegro moderato                  4:33
Sonata in A for violin & piano, 
D.574 ‘Duo’
[12] I     Allegro moderato                  9:28
[13] II    Scherzo: Presto                    4:06
[14] III    Andantino                              4:39
[15] IV   Allegro vivace                          5:14
All tracks recorded at the Manhattan Center Studios in New York City.
CD 2
Sonata in A minor for viola and piano, 
D.82I ‘Arpeggione’ *
[1]   I     Allegro moderato                 11:33
[2]   II    Adagio                                  4:35
[3]   III   Allegretto                              9:28
Rondeau brillant in B minor for violin & piano, 
D.895
[4]   Andante –                                     3:56 
[5]   Allegro                                       11:49
Fantasy in C for violin and piano, D.934  
[6]   I    Andante molto                        3:15
[7]   II    Allegretto                              5:30
[8]   III    Andantino                           10:16
[9]   IV   Tempo primo – 
               Allegro vivace – Presto         5:42

 

Barcode: 744718025022

Beethoven, Schubert & Brahms Sonatas

80228-2

Price: £9.99

Joseph Szigeti
Mieczyslaw Horszowski (pno) * also Myra Hess (pno)

Beethoven Violin Sonata No.10 in G, Op.96
Schubert Violin Sonata* in A ‘Duo’, D574
Brahms Violin Sonata No.3 in D minor, Op.108

Total track time: 72:46

“These are beautiful performances, full of subtle shades and asides but definitely not for those who prioritise a firm, vibrant violin line” (Gramophone)

Barcode: 744718022823

Brahms Re-Discovered

80227-2

Price: £9.99

Amati Chamber Players

String Quintent in F minor (after Piano Quintet Op.34) 4 movements
1st movement, Allegro non troppo – Johannes Brahms/Sebastian Brown

Trio for Piano and Strings in A major

Barcode: 74471802272

Budapest String Quartet plays Schubert

80223-2

Price: £13.99

Georges Moleau (bass) Mieczyslaw Horszowski (pno)

Schubert String Quartet No.13 in A minor, D804
No.14 in D minor, “Death & The Maiden” D810
Schubert String Quartet No.15 in G, D887
Schubert ‘Trout’ Piano Quintet in A, D667

Full track time: 148:34

Barcode: 744718022328

Tokyo String Quartet plays Mozart

80215-2

Price: £9.99

“King of Prussia” Quartets

Mozart: String Quartets in D, K575
Mozart: String Quartet in B-flat K589
String Quartet in F K590

 

“It is particularly nice to hear this set because it features the Tokyo’s relatively new cellist, Clive Greensmith, who was formerly principal cellist of the Royal Philharmonic, and he does a bang-up job of it here. The Tokyo is known for their elegance and probing musicianship. They’ve been together for more than thirty years but have two newish members: Greensmith and first violinist Martin Beaver. The so-important inner voices of the quartets are played by two founding members of the quartet, Kikuei Ikeda, violin, and Kazuhide Isomura, viola. The funny thing is that when I listened to this one and then to an older set by the original four members I couldn’t hear much difference at all. One must presume that the older members of the quartet have initiated the newer ones in the ways of the group. At any rate, these are terrific readings of the three last wonderful quartets and they are worthy of inclusion in one’s library whether one’s first recordings of K.575, 589, and 590, or one’s tenth such set.” (J Scott Morrison)

Barcode: 744718021529