{"id":1864,"date":"2016-10-27T15:47:34","date_gmt":"2016-10-27T15:47:34","guid":{"rendered":"http:\/\/altocd.com\/northernflowers\/?p=402"},"modified":"2024-01-24T00:32:21","modified_gmt":"2024-01-24T00:32:21","slug":"nfpma9919","status":"publish","type":"product","link":"https:\/\/altocd.com\/northernflowers\/product\/nfpma9919\/","title":{"rendered":"Franz Schubert. Winterreise"},"content":{"rendered":"

Franz Schubert<\/strong> (1797 \u2013 1828)<\/p>\n

Winterreise, <\/strong>a vocal cycle to words by W. Muller Op. 89, D 911 (1827)<\/p>\n

 <\/p>\n

Zeger Vandersteene, <\/strong>tenor
\nLevente Kende, <\/strong>piano<\/p>\n

 <\/p>\n

\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/tr>\n
1.<\/td>\nGute Nacht<\/td>\n\n

5.49<\/p>\n<\/td>\n<\/tr>\n

2.<\/td>\nDie Wetterfahne<\/td>\n\n

1.54<\/p>\n<\/td>\n<\/tr>\n

3.<\/td>\nGefror\u2019ne Tr\u00e4nen<\/td>\n\n

3.01<\/p>\n<\/td>\n<\/tr>\n

4.<\/td>\nErstarrung<\/td>\n\n

2.39<\/p>\n<\/td>\n<\/tr>\n

5.<\/td>\nDer Lindenbaum<\/td>\n\n

4.51<\/p>\n<\/td>\n<\/tr>\n

6.<\/td>\nWasserflut<\/td>\n\n

5.12<\/p>\n<\/td>\n<\/tr>\n

7.<\/td>\nAuf dem Flusse<\/td>\n\n

4.01<\/p>\n<\/td>\n<\/tr>\n

8.<\/td>\nR\u00fcckblick<\/td>\n\n

2.01<\/p>\n<\/td>\n<\/tr>\n

9.<\/td>\nIrrlicht<\/td>\n\n

3.09<\/p>\n<\/td>\n<\/tr>\n

10.<\/td>\nRast<\/td>\n\n

3.41<\/p>\n<\/td>\n<\/tr>\n

11.<\/td>\nFr\u00fchlingstraum<\/td>\n\n

4.12<\/p>\n<\/td>\n<\/tr>\n

12.<\/td>\nEinsamkeit<\/td>\n\n

3.17<\/p>\n<\/td>\n<\/tr>\n

13.<\/td>\nDie Post<\/td>\n\n

2.22<\/p>\n<\/td>\n<\/tr>\n

14.<\/td>\nDer greise Kopf<\/td>\n\n

3.13<\/p>\n<\/td>\n<\/tr>\n

15.<\/td>\nDie Kr\u00e4he<\/td>\n\n

2.17<\/p>\n<\/td>\n<\/tr>\n

16.<\/td>\nLetzte Hoffnung<\/td>\n\n

1.59<\/p>\n<\/td>\n<\/tr>\n

17.<\/td>\nIm Dorfe<\/td>\n\n

3.09<\/p>\n<\/td>\n<\/tr>\n

18.<\/td>\nDer st\u00fcrmische Morgen<\/td>\n\n

0.53<\/p>\n<\/td>\n<\/tr>\n

19.<\/td>\nT\u00e4uschung<\/td>\n\n

1.32<\/p>\n<\/td>\n<\/tr>\n

20.<\/td>\nDer Wegweiser<\/td>\n\n

4.45<\/p>\n<\/td>\n<\/tr>\n

21.<\/td>\nDas Wirtshaus<\/td>\n\n

4.23<\/p>\n<\/td>\n<\/tr>\n

22.<\/td>\nMut<\/td>\n\n

1.27<\/p>\n<\/td>\n<\/tr>\n

23.<\/td>\nDie Nebensonnen<\/td>\n\n

2.58<\/p>\n<\/td>\n<\/tr>\n

24.<\/td>\nDer Leiermann<\/td>\n\n

4.23<\/p>\n<\/td>\n<\/tr>\n

Total Time<\/td>\n\n

77.25<\/p>\n<\/td>\n<\/tr>\n

Recorded in Belgium in 1987
\nText: Northern Flowers.
\nEnglish\u00a0text: Sergey Suslov
\nDesign: Anastasiya Evmenova<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n
\n
\n
FRANZ SCHUBERT: WINTER JOURNEY<\/strong><\/div>\n
Joseph Spaun, one of the most devoted and keen friends of the composer, called Schubert\u2019s Winter Journey<\/i> \u201ca cycle of excellent\u2026 and probably the most beautiful songs ever written to German lyrics\u201d. Since then, the German and Austrian lyrical vocal genre has been enriched with a lot of remarkable pieces, but Spaun’s opinion still does not seem an exaggeration, for this string of songs to words by Wilhelm M\u00fcller is a special phenomenon even among great opuses of Schumann and Liszt, Mahler and Wolff (and of Schubert himself too).<\/div>\n
In February 1827, in the library of one of his numerous friends, Schubert came across 12 poems by M\u00fcller out of his \u201cWinter Journey\u201d cycle. The composer was fascinated with them, and immediately set them to music. The poems were written by the author of the lyrics of his Die sch\u00f6ne M\u00fcllerin<\/i>, and again depicted wanderings, sufferings, hopes, and disappointments of a lonely romantic soul. In the summer of the same year, the composer saw the poems of M\u00fcller again, this time in their complete edition published in Volume 2 of \u201cPoems From Papers Left by a Traveling French Horn Player\u201d (Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten<\/i>), and composed another twelve superb songs as the second part of Winter Journey<\/i>.<\/div>\n
The narrator of Winter Journey<\/i> is wandering through snowstorms and snow heaps, seeing bare trees and frozen rivers. His journey is bleak, cheerless, and aimless \u2014 just further away from home, from the memories of happy days spent there once. The traveler is tired, and nothing in the world can cheer him up any more. He is lonely and unhappy, with no one around but the dead wintry landscape echoing with howls of wind and creaks of trees.<\/div>\n
M\u00fcller\u2019s poems are sincere and artless, and Schubert\u2019s music is alike. Simplicity, intimacy, and insight, these marvelous elements of Schubertian art, show up in Winter Journey<\/i> with incredible, astounding might. The cycle was finalized one year before the composer\u2019s death, and absorbed all the main achievements of his creative progress, to become a kind of final coup in his colossal song heritage. Schubert\u2019s fantastic insight in the essence of a poem, ability to depict in music any subtle nuances of the hero\u2019s inner world and psychology, sophisticated diversity in technique, and a richest gamut of melodies and harmonies are matched here with his main discovery that was absolutely novel for that time. The composer implements the idea of superior unity previously applied only to large instrumental opuses, to the song format. Winter Journey<\/i> lasts for over 70 minutes. The history of music does not know a similar Cyclopean amplitude in the chamber vocal genre, neither before nor after Schubert<\/div>\n
Schubert worked on M\u00fcller\u2019s poems with a tremendous, sometimes feverish passion, and distinguished Winter Journey<\/i> among his other works. The composer did not want to let the opus \u201cout of his hands\u201d, and it was nothing but his deep poverty that forced him to sell the manuscript to a publisher. Several researchers even believe that exhausting work on the cycle was a cause of Schubert\u2019s early death.<\/div>\n
Today, 170 years after, this song masterpiece of Schubert has not lost its freshness and is still loved by all who value the German Romantic musical tradition and poetry. The performing archive of the Schubert \u2014 M\u00fcller cycle now comprises hundreds and thousand of interpretations and recordings. The Northern Flowers are happy to offer their contribution, a deep, refined, and inspired one, now available also to music lovers in Russia.<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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