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<channel>
	<title>Nov 2011 &#8211; Alto CD</title>
	<atom:link href="https://altocd.com/product-category/nov-2011/feed/" rel="self" type="application/rss+xml" />
	<link>https://altocd.com</link>
	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Thu, 27 Jun 2024 20:18:57 +0000</lastBuildDate>
	<language>en-US</language>
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	<item>
		<title>Joan Baez: Voice from the People</title>
		<link>https://altocd.com/product/joan-baez-voice-from-the-people/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:39:12 +0000</pubDate>
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					<description><![CDATA[<strong>Joan Baez: Voice from the People</strong>

Joan Baez

<strong>Catalogue Number:</strong> ALN 1930
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> 77:01 ADD stereo 1960/1]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“Joan Baez was exactly what the folk scene needed: a striking young raven-haired beauty with a sweet, pure voice &#8230;.she turned a new younger generation onto folk music&#8230;her debut albums reflected what was happening on the campuses and in coffee-houses&#8230;no wonder Bob Dylan initially idolised her &#8211; his own rise would have been impossible without her” (Mojo &#8211; ultimate music companion)</span></p>
<ul>
<li>[1] Silver Dagger (traditional, arranged by J. Baez) 2:31</li>
<li>[2] East Virginia (traditional, arranged by J. Baez) 3:42</li>
<li>[3] House Of The Rising Sun (traditional, arranged by J. Baez) 2:55</li>
<li>[4] All My Trials (traditional, arranged by J. Baez) 4:38</li>
<li>[5] Wildwood Flower (traditional, arranged by J. Baez) 2:37</li>
<li>[6] Donna Donna (A. Zeitlin, S. Secunda, A. Keuess, T. Schwartz) 3:13</li>
<li>[7] John Riley (traditional, arranged by J. Baez) 3:53</li>
<li>[8] Rake And Rambling Boy (traditional, arranged by J. Baez) 1:57</li>
<li>[9] Little Moses (traditional, arranged by J. Baez) 3:29</li>
<li>[10] Mary Hamilton (traditional, arranged by J. Baez) 5:57</li>
<li>[11] El Preso Numero Nueve (H. Cantorell) 2:49</li>
<li>[12] Wagoner&#8217;s Lad (traditional) 2:12</li>
<li>[13] The Trees They Do Grow High (traditional) 2:58</li>
<li>[14] The Lily Of The West (traditional, arranged by J. Baez) 3:20</li>
<li>[15] Silkie (traditional, arranged by J. Baez) 3:59</li>
<li>[16] Engine 143 (traditional, arranged by J. Baez) 3:33</li>
<li>[17] Lonesome Road (traditional, arranged by J. Baez) 2:21</li>
<li>[18] Banks Of The Ohio (traditional, arranged by J. Baez) 3:08</li>
<li>[19] Pal Of Mine (traditional, arranged by J. Baez) 2:49</li>
<li>[20] Barbara Allen (traditional, arranged by J. Baez) 4:18</li>
<li>[21] The Cherry Tree Carol (traditional, arranged by J. Baez) 3:29</li>
<li>[22] Railroad Boy (traditional, arranged by J. Baez) 2:29</li>
<li>[23] Plaisir D&#8217;Amour (copyright control) 3:09</li>
</ul>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The Bricklayer (17 Comedy Classics)</title>
		<link>https://altocd.com/product/the-bricklayer-17-comedy-classics/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:39:12 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51321</guid>

					<description><![CDATA[<strong>The Bricklayer (17 Comedy Classics)</strong>

Gerard Hoffnung, Peter Sellers &#38;
Sphia Loren; Tony Hancock;
Flanders &#38; Swann; Tom Lehrer;
Peter Cook; Bob Newhart

<strong>Catalogue Number:</strong> ALN 1929
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> 78mins ADD stereo]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;"> ‘Gerard Hoffnung was a true original, in his brief 34 years he negotiated careers as a schoolmaster, cartoonist, music festival organizer, exhibited painter and tuba player, produced five best-selling books of humorous drawings about music and become an accomplished raconteur and broadcaster. We sample a brace of his immortals in The Bricklayer and French Widows, both from his speech to the Oxford Union’.(J.Tracy)</span></p>
<ul>
<li>1.   Goodness Gracious Me (Lee/Kretzmer)                                                       3:11<br />
      Peter Sellers &#038; Sophia Loren / Orchestra conducted Ron Goodwin 1960</li>
<li>2.   The Bricklayer (Hoffnung)                                                                           7:27<br />
      Gerard Hoffnung at the Oxford Union 1958</li>
<li>3.   The Blood Donor – Excerpt  (Galton &#038; Simpson)                                      3:57<br />
      Tony Hancock with Patrick Cargill   1961</li>
<li>4.   Hand Up Your Sticks (Cook) (From “One over the Eight”)                          2:28<br />
      Kenneth Williams and Lance Percival 1961</li>
<li>5.   The Ballad Of Bethnal Green (Roberts) Paddy Roberts 1959                     2:43</li>
<li>6.   The Critics (Goodwin/Schreiner) Peter Sellers and Irene Handl 1959        6:48    </li>
<li>7.   French Widows (Hoffnung) Gerard Hoffnung at the Oxford Union            5:08</li>
<li>8.   Shadows On The Grass (Handl) Peter Sellers and Irene Handl                   6:46
<li>9.   Aftermyth Of War (from ‘Beyond The Fringe’) Bennett/Cook/Moore/</li>
<p>      Miller) Alan Bennett, Peter Cook, Jonathan Miller &#038; Dudley Moore 1961  7:37      </li>
<li>10. Not An Asp (Cook) (from “Pieces of Eight”)                                                 4:44<br />
      Kenneth Williams and Peter Brett  Rec.1959</li>
<li>11. Bangers And Mash (Lee/Kretzmer)                                                              2:43<br />
      Peter Sellers &#038; Sophia Loren /Orchestra conducted Ron Goodwin 1960</li>
<li>12. Madeira M’Dear (Swann/Flanders)                                                               3:57<br />
      Michael Flanders and Donald Swann Rec.1959</li>
<li>13. Bus Drivers’ School (Newhart) Bob Newhart  Rec.1960                             6:20     </li>
<li>14. Department Store (Berman) Shelley Berman  Rec.1959                              6:08      </li>
<li>15. The Elements (Lehrer) Tom Lehrer 1959                                                      2:19</li>
<li>16. Misalliance (Swann/Flanders)                                                                       3:55<br />
      Michael Flanders and Donald Swann Rec.1957</li>
<li>17. The Wiener Schnitzel Waltz (Lehrer) Tom Lehrer  Rec.1953                      2:22</li>
</ul>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Glenn Gould and Andras Schiff play Bach</title>
		<link>https://altocd.com/product/glenn-gould-and-andras-schiff-play-bach/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:38:50 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51277</guid>

					<description><![CDATA[<strong>Glenn Gould and Andras Schiff play Bach</strong>

Glenn Gould &#38; Andras Schiff

<strong>Catalogue Number:</strong> ALC 1164
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> ADD, 1955/78 79:40 mins]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“in terms of sheer keyboard wizadry, commands admiration&#8230;a remarkable performance” (Penguin Guide) “Gould&#8217;s pianistic skills have been universally and freely acknowledged, but his musical vision has elicited a range of critical response that has few parallels&#8230;.. he was supremely skilful in showing the&#8230; patterns woven by its contrapuntal threads&#8230;.As an exposition of the music&#8217;s mechanism this is a remarkable performance (Gramophone).</span></p>
<p><span style="color: #0000ff;">(of Schiff’s Bach) “I never recall hearing Bach better played on a piano. He has obviously profited from the return to the baroque style exemplified by modern harpsichordists, (he studied with George Malcolm) but bearing in mind that Bach on the piano must be in the nature of a modern arrangement he is sparing with baroque conventions.”(Gramophone).</span></p>
<p><span style="color: #0000ff;">(Schiff on Gould): “I was so impressed with his Bach because it was so different from anyone else&#8217;s. The clarity is remarkable, so are the rhythmic liveliness and the fantastic command of counterpoint”</span></p>
<p><strong>J.S. BACH: GOLDBERG VARIATIONS BWV 988 (Aria &#038; 30 Variations) (Glenn Gould)</strong></p>
<ul>
<li>1.    Aria                                 1.55</li>
<li>2.    Variation No.1                0.44</li>
<li>3.    Variation No.2                0.37</li>
<li>4.    Variation No.3                0.54</li>
<li>5.    Variation No.4                0.29</li>
<li>6.    Variation No.5                0.36</li>
<li>7.    Variation No.6                0.34</li>
<li>8.    Variation No.7                1.08</li>
<li>9.    Variation No.8                0.45</li>
<li>10.  Variation No.9                0.38</li>
<li>11.  Variation No.10              0.42</li>
<li>12.  Variation No.11              0.53</li>
<li>13.  Variation No.12              0.55</li>
<li>14.  Variation No.13              2.10</li>
<li>15.  Variation No.14              0.58</li>
<li>16.  Variation No.15              2.19</li>
<li>17.   Variation No.16            1.18</li>
<li>18.   Variation No.17            0.53</li>
<li>19.   Variation No.18            0.46</li>
<li>20.   Variation No.19            0.42</li>
<li>21.   Variation No.20            0.47</li>
<li>22.   Variation No.21            1.42</li>
<li>23.   Variation No. 22           0.42</li>
<li>24.   Variation No.23            0.54</li>
<li>25.   Variation No.24            0.56</li>
<li>26.   Variation No.25            6.27</li>
<li>27.   Variation No.26            0.52</li>
<li>28.   Variation No.27            0.49</li>
<li>29.   Variation No.28            1.10</li>
<li>30.   Variation No.29            1.00</li>
<li>31.   Variation No.30            0.48</li>
<li>32.   Aria da capo                 2.10</li>
</ul>
<p><strong>András Schiff, piano (rec. 1978):</strong><br />
Overture in the French Manner, French Suite No. 5 in G,<br />
BWV 831 (Partita in B Minor) BWV 816</p>
<ul>
<li>33. Ouverture                      6.28</li>
<li>34. Courante                       1.53</li>
<li>35. Gavottes I and II           3.30</li>
<li>36. Passepieds I and II       2.13</li>
<li>37. Sarabande                     3.13</li>
<li>38. Bourées I and II            2.23</li>
<li>39. Gigue                             2.12</li>
<li>40. Echo                              2.32</li>
<li>41. Allemande  2.58</li>
<li>42. Courante  1.31</li>
<li>43. Sarabande  4.30</li>
<li>44. Gavotte  1.11</li>
<li>45. Bourée  1.03</li>
<li>46. Loure  1.53</li>
<li>47. Gigue 3.22</li>
</ul>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Dvořák Played on Dvořák&#8217;s own Bösendorfer (II)</title>
		<link>https://altocd.com/product/dvorak-played-on-dvoraks-own-bosendorfer-ii/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:38:50 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51278</guid>

					<description><![CDATA[<strong>Dvořák Played on Dvořák's own Bösendorfer (II)</strong>

Radoslav Kvapil

<strong>Catalogue Number:</strong> ALC 1171
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> Time: 77:41 DDD, 1998]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“the same preoccupation with authenticity persuaded Kvapil to record on the Bösendorfer…the outspoken freshness of the sweet timbres of the instrument testify to the precise sound the composer had available to compose with.(La Montagne, Paris)</span></p>
<p><span style="color: #0000ff;">“Kvapil has an exemplary approach to Dvořák: his imagination always alert, his gestures always spontaneous, he thus establishes a benchmark with this new collection, finding as before the most eloquent phrases, the most sparkling (oh the liveliness of the Valse op.54/8 !), and the most expressive that he can…..Squaring the circle is here resolved by a perfect stylist who has the emotional language for this music. The interpretations demonstrate similar qualities, whilst nourishing a sustained interest in the piano output of Dvořák (Repertoire magazine, Paris)</span></p>
<p><strong>Valses op. 54</strong></p>
<ul>
<li>[1]    Moderato                       3:41      </li>
<li>[2]    Allegro con fuoco   3:23     </li>
<li>[3]    Poco allegro               3:11   </li>
<li>[4]    Allegro vivace           2:35    </li>
<li>[5]    Allegro                           3:08      </li>
<li>[6]    Allegro                           4:23   </li>
<li>[7]    Allegro                            2:44    </li>
<li>[8]    Allegro vivace            2:51    </li>
</ul>
<p><strong>Eclogues B 103</strong>                 </p>
<ul>
<li>[9]    Allegro non tanto     3:06</li>
<li>[10]  Quasi Allegretto        5:19 </li>
<li>[11]  Moderato                       3:13 </li>
<li>[12]  Allegretto                     4:58 </li>
<p><strong> Pièces pour piano op. 52</strong></p>
<li>[13] Impromptu                                        3:36</li>
<li>[14]  Intermezzo                                       3:20</li>
<li>[15]  Gigue                                                 2:21</li>
<li>[16]  Eglogue                                             4:56</li>
</ul>
<p><strong>Mazurkas op. 56</strong></p>
<ul>
<li>[17]  Allegro non tanto                           3:34</li>
<li>[18]  Vivo e risoluto                                 2:47</li>
<li>[19]  Allegro                                                 2:25</li>
<li>[20]  Lento, ma non troppo                4:12</li>
<li>[21]  Allegro non troppo              4:08</li>
<li>[22]  Allegro        3:40</li>
</ul>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Smetana: Polkas, MacBeth &#038; The Witches, Bagatelles &#038; Impromptus</title>
		<link>https://altocd.com/product/smetana-polkas-macbeth-the-witches-bagatelles-impromptus/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:38:50 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51279</guid>

					<description><![CDATA[<strong>Smetana: Polkas, MacBeth &#38; The Witches, Bagatelles &#38; Impromptus</strong>

Radoslav Kvapil

<strong>Catalogue Number:</strong> ALC 1173
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> 71:11 DDD, 1992/4]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“Kvapil is entirely inside this repertoire&#8230;..a highly sensitive exponent” (Penguin Guide) “They (Dances) should be better known, and domestic pianists would find a good many of them well within finger-reach; anyone can take pleasure in Kvapil&#8217;s expert, sensitive performances, which touch delicately on the emotions lying beneath the music&#8217;s surface&#8230;.allusive pieces which bear the same relationship as Chopin&#8217;s Mazurkas do to their parent dance&#8230;. The second set &#8230;.form an attractive and well-contrasted group. The earlier Bagatelles and Impromptus of 1844 are much simpler, and have a direct lyricism that was coloured by his love for his future wife Katerina” (Gramophone)</span></p>
<ul>
<li>1 <strong>Macbeth a čarodějnice (Macbeth and the Witches)</strong> (Op. post. 1858-59) 10:56<br />
(from) <strong>Tří salonni polky</strong> (Three Salon Polkas) (Op.7 1854)</li>
<li>2  Polka in F minor 4:45<br />
(from) Tří poetické polky (Three Poetic Polkas) (Op.8 1854)</li>
<li>3  Polka in Eb major 2:31</li>
<li>4  Polka in G minor 4:12</li>
</ul>
<p><strong>Vzpominka na Čechy ve formě polek (Memories of Bohemia in Polka Form)</strong><br />
(Op.12 1859-60)</p>
<ul>
<li>5  Polka in A minor 3:36</li>
<li>6  Polka in E minor 6:38</li>
</ul>
<p><strong>Vzpominka na Čechy ve formě polek (Memories of Bohemia in Polka Form)</strong><br />
(Op.133 1859-60)</p>
<ul>
<li>7  Polka in E minor 2:46</li>
<li>8  Polka in Eb minor 5:53</li>
</ul>
<p><strong>České tance (Czech Dances) 1 (1877)</strong></p>
<ul>
<li>9  Polka in F sharp minor    3:22</li>
<li>10 Polka in A minor    2:55 12. Polka in B flat        3:49</li>
<li>11 . Polka in F 3:36</li>
</ul>
<p><strong>Bagately a Impromptus (Bagatelles and Impromptus) (1844)</strong></p>
<ul>
<li>13 Nevinnost (Innocence) 2:51</li>
<li>14 Skličenost (Depression) 1:28</li>
<li>15 Idyla (Idyll)  1:12</li>
<li>16 Touha (Longing) 1:56</li>
<li>17 Radost (Joy) 0:44</li>
<li>18 Pohádka (Fairytale) 3:10</li>
<li>19 Láska (Love) 2:58</li>
<li>20 Nesvár (Discord) 1:41</li>
</ul>
]]></content:encoded>
					
		
		
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		<item>
		<title>35 Singers of the Century (in their prime)</title>
		<link>https://altocd.com/product/35-singers-of-the-century-in-their-prime/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:38:50 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51280</guid>

					<description><![CDATA[<strong>35 Singers of the Century (in their prime)</strong>

Sutherland, Bergonzi,
Di Stefano, Tebaldi, Nilsson,
Gencer, Lisitsian, Lemeshev
Wunderlich, Fischer-Dieskau
Flagstad, Simoneau, Blachut
&#38; many more !

<strong>Catalogue Number:</strong> ALC 2016
<strong>Number of Discs:</strong> 2
<strong>Date/Runtime:</strong> AAD/ADD (many stereo) 150 mins 1950-61]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;"> “A generous collection of definitive performances chosen to best illustrate the vocal art of 35 different golden voices of the 20th century. No individual major label could have produced a varied list of this standard and breadth” (James Murray)” ‘we include a breath-taking rarity: the Di Stefano USA live broadcast gem in ‘Faust’’</span></p>
<p><strong>CD One</strong></p>
<ul>
<li>1.  Dich teure halle (Tannhäuser:Wagner)                                                                           4.47<br />
     Birgit Nilsson /Philharmonia Orchestra / Otto Ackermann Rec.1957</li>
<li>2.  Blick ich’ umher (Tannhäuser:Wagner) Dietrich Fischer-Dieskau /                             4.59<br />
     Orchestra of Berlin Staatsoper / Franz Konwitschny Rec.1958</li>
<li>3.  Du bist der Lenz (Die Walküre:Wagner) Rec.1954                                                        2.08<br />
     Leonie Rysanek /Vienna Philharmonic Orchestra / Wilhelm Furtwängler </li>
<li>4.  Brunnhilde’s War Cry (Die Walküre:Wagner)                                                                2.07<br />
     Kirsten Flagstad / Philadelphia Orchestra/ Eugene Ormandy Rec.1937</li>
<li>5.  Hat man nicht auch Gold beineben  (Fidelio: Beethoven) Rec.1953                              3.03<br />
     Gottlob Frick /Vienna Philharmonic Orchestra / Wilhelm Furtwängler  </li>
<li>6.  Smani implacbili (Cosi fan tutte:Mozart:Da Ponte)                                                         2.11<br />
     Christa Ludwig /Vienna Philharmonic Orchestra /Karl Böhm Rec.1956</li>
<li>7.  Deh vieni alla finestra (Don Giovanni:Mozart:Da Ponte)                                               2.00<br />
     Cesare Siepi /Vienna Philharmonic Orchestra / Josef Krips Rec.1956</li>
<li>8.  Dalla sua pace (Don Giovanni;Mozart:Da Ponte)                                                            4.29<br />
     Leopold Simoneau /Vienna Symphony Orchestra /Rudolf Moralt  Rec.1955</li>
<li>9.  Ah! Fuggi il traditor (Don Giovanni:Mozart:Da Ponte)                                                   1.17<br />
     Elisabeth Schwarzkopf / Philharmonia Orchestra /Carlo Maria Giulini Rec.1959</li>
<li>10.Ach so fromm (Martha:Flotow:Riese) –                                                                           2.52<br />
     Fritz Wunderlich /Berlin Symphony Orchestra / Artur Rother Rec.1958</li>
<li>11.Salut demeure (Faust:Gounod:Barbier &#038; Carré)                                                              5.04<br />
     Giuseppe Di Stefano with Orchestra /Gaetano Merola. Rec.1949 </li>
<li>12.Ah, Whose Is The Power? (Dalibor:Smetana:Wenzig)                                                    2.40<br />
    Beno Blachut / Prague Opera Orchestra / Jozka Charvat  Rec.1947</li>
<li>13.Onegin’s Aria (Eugene Onegin:Tchaikovsky:Pushkin) Rec.1951                                   4.59<br />
     Pavel Lisitsian /Orchestra of the Bolshoi Opera /Alexander Melik-Pashaev </li>
<li>14.I Love You Olga (Eugene Onegin:Tchaikovsky:Pushkin)                                               3.00<br />
     Sergei Lemeshev /Orchestra of the Bolshoi Opera / Boris Khaikin Rec.1956</li>
<li>15.Aleko’s Cavatina (Aleko:Rachmaninov:Nemirovich-Danchenko) Rec.1950                  7.19<br />
    Alexander Pirogov /Orchestra of the Bolshoi Theatre /Nikolai Golovanov </li>
<li>16.Deeper And Deeper Still…Waft Her Angels (Jephtha:Handel)                                        7.47<br />
Richard Lewis /London Symphony Orchestra /Sir Malcolm Sargent Rec.1959</li>
<li>17.Ancor non giunse!&#8230;Regnava nel silenzio…Quando rapito in estasi                             13.06<br />
     Joan Sutherland /Paris Conservatoire Orchestra / Nello Santi Rec.1959</li>
</ul>
<p><strong>CD Two</strong></p>
<ul>
<li>1. Povero Ernesto…Cerchero lontana in terra (Don Pasquale:Donizetti):                         6.49<br />
    Cesare Valletti / Orchestra of RAI Torino / Mario Rossi Rec.1952</li>
<li>2. Gualtier Maldé..Caro nome (Rigoletto:Verdi:Piavé) Rec.1960                                      6.57<br />
    Renata Scotto / Orchestra of Maggio Musicale, Fiorentino /Gianandrea Gavazzeni  </li>
<li>3. La donna è mobile (Rigoletto:Verdi:Piave)                                                                     2.30<br />
    Alfredo Kraus with Orchestral Accompaniment.  Rec.1960</li>
<li>4. Dio di Giuda (Nabucco:Verdi:Solera)                                                                             7.05<br />
     Paolo Silveri / Orchestra of RAI Rome /Fernando Previtali. Rec.1951</li>
<li>5. Stride la vampa (Il Trovatore:Verdi:Cammarano)Rec.1956                                           2.48<br />
    Giulietta Simionato /Orchestra of the Grand Theatre, Geneva /Alberto Erede</li>
<li>6. Timor di me?&#8230; D’amor sull’ali rosee (Il Trovatore:Verdi:Cammarano)                       5.17<br />
    Leontyne Price / Orchestra of the Rome Opera /Arturo Basile. Rec.1959</li>
<li>7. Di Provenza il mar (La Traviata:Verdi:Piave)                                                                4.11<br />
    Robert Merrill /Orchestra of the Rome Opera /Fernando Previtali. Rec.1960</li>
<li>8. Pace, pace mio Dio  (La Forza del Destino:Verdi:                                                         4.55<br />
     Leyla Gencer / Orchestra of RAI, Turin / Arturo Basile. Rec.1956</li>
<li>9. Io la vidi e al suo sorriso (Don Carlo:Verdi:Méry &#038; du Locle) Rec.1958                     2.07<br />
    Jon Vickers /Orchestra Royal Opera House, Covent Garden /Carlo Maria Giulini</li>
<li>10.Il lacerato spirito (Simon Boccanegra:Verdi:Piave) Rec.1957                                      4.09<br />
    Boris Christoff / Orchestra &#038; Chorus of the Rome Opera /Gabriele Santini    </li>
<li>11.Esultate (Otello:Verdi:Boito)                                                                                          1.10<br />
     Mario Del Monaco /Milan Symphony Orchestra / Argeo Quadri. Rec.1949</li>
<li>12.Voce di donna (La Gioconda:Ponchielli:Gorrio) Rec.1960                                            3.09<br />
     Fiorenza Cossotto / Orchestra of La Scala, Milan /Antonino Votto</li>
<li>13.Suicidio (La Gioconda:Ponchielli:Gorrio)                                                                      4.13<br />
     Maria Callas / Orchestra of La Scala, Milan / Antonino Votto. Rec.1960</li>
<li>14. Recitar!..Vesti la giúbba (I Pagliacci:Leoncavallo)                                                       3.34<br />
      Franco Corelli /Orchestra of RAI Turin / Arturo Basile. Rec,1956</li>
<li>15.Che gelida manina  (La Boheme;Puccini:Giacosa &#038; Illica) Rec.1958                           4.51<br />
     Carlo Bergonzi /Orchestra of Accedemia di Santa Cecilia, Rome /Tullio Serafin</li>
<li>16.Un bel di vedremo (Madama Butterfly:Puccini:Giacosa &#038; Illica) Rec.1958                4.49<br />
     Renata Tebaldi /Orchestra of Accademia di Santa Cecilia, Rome / Tullio Serafin    </li>
<li>17.Non piangere Liù  (Turandot:Puccini:Adami &#038; Simoni) Rec.1960                              2.54<br />
     Jussi Björling / Orchestra of the Rome Opera / Erich Leinsdorf  </li>
<li>18.O mio babbino caro (Gianni Schicchi:Puccini:Adami) Rec.1958                                2.03<br />
     Victoria De Los Angeles /Orchestra of the Rome Opera / Gabriele Santini</li>
</ul>
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		<item>
		<title>Czech Piano Anthology II</title>
		<link>https://altocd.com/product/czech-piano-anthology-ii/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:38:50 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51282</guid>

					<description><![CDATA[<p><strong>Czech Piano Anthology II</strong></p>
<p>Radoslav Kvapil</p>
<p><strong>Catalogue Number:</strong> ALC 6002<br />
<strong>Number of Discs:</strong> 6<br />
<strong>Date/Runtime:</strong> 439 mins, DDD, 1991-8</p>]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;"><img fetchpriority="high" decoding="async" class="size-medium wp-image-4922 alignleft" src="http://altocd.com/wp-content/uploads/2011/11/ALC-6002-do-1-320x320.jpg" alt="" width="320" height="320" /><span style="color: #000000;">Catalogue No: ALC 6002</span></span></p>
<p><span style="color: #0000ff;">(Dvořák): ‘Kvapil plays with great understanding ..deft and sensitive’ (Fibich): ‘An erotic diary for piano (Abraham)&#8230;played with great sensitivity and subtlety &#8230; haunting music, fine pianism’ (Penguin Guide) (Martinů) ‘there is scarcely a piece here without charm. Kvapil does not play them as a mere bag of sweets&#8230;..whenever Martinů gestures ..Kvapil knows exactly what the reference is and where it would lead eventually&#8230; Illuminating as well as entertaining’ (Smetana): anyone can take pleasure in Kvapil&#8217;s expert, sensitive performances, which touch delicately on the emotions beneath the surface’ (Voříšek): Kvapil’s enthusiastic performances stress the classical background &#8230;. much to enjoy’. (all except Fibich (c) Gramophone)</span></p>
<p><strong>(Dvořák:Dvorak x 2/ Fibich / MartinůMartinu / Smetana / VoříšekVorisek)</strong><br />
Dvořák: (2 cds played on Dvorak’s Bösendorfer): Humoresques;<br />
American Suite; Dumka &amp; Furiant; Silhouettes; Valses;<br />
Eclogues; Pieces op.52; Mazurkas; Fibich: Moods,<br />
Impressions &amp; Reminiscences; Studies of Paintings;<br />
Martinů: Les Marionettes; 3 Czech Dances; Borová Dances;<br />
Esquisses; Les Ritournelles; Fenetre sur le Jardin; Smetana:<br />
MacBeth &amp; The Witches; Salon Polka; Poetic Polka;<br />
Memories of Bohemia I &amp; II; Czech Dances I; Bagatelles<br />
&amp; Impromptus; Voříšek: Impromptus, Piano Sonata; Fantasie</p>
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		<item>
		<title>Oscar Peterson Trio &#8211; Play the Songbook Hits</title>
		<link>https://altocd.com/product/oscar-peterson-trio-play-the-songbook-hits/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:38:50 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51283</guid>

					<description><![CDATA[<strong>Oscar Peterson Trio - Play the Songbook Hits</strong>

Oscar Peterson Trio

<strong>Catalogue Number:</strong> ALN 1927
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> 71:04 ADD stereo]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“The great Oscar Peterson Trio’s inimitable swing style “crossed over” to some of the widest audiences that quality jazz has ever attracted and entertained, especially when playing American standards” (Music &amp; Merit)</span></p>
<ul>
<li>1. Just One of Those Things (Porter) Rec.1959 2.23</li>
<li>2. The Man I Love (G. &amp; I. Gershwin) Rec.1959 3.30</li>
<li>3. This Can’t be Love (Rodgers/Hart) with Ben Webster 1959 9.51</li>
<li>4. Night and Day (Porter) Rec.1959 2.31</li>
<li>5. Ev’ry Time We Say Goodbye (Porter) Rec.1959 2.19</li>
<li>6. Bye Bye Blackbird (Henderson/Dixon) with Ben Webster 1959 6.43</li>
<li>7. In The Wee Small Hours of the Morning (Hilliard/Mann)<br />
with Ben Webster Rec.1959 3.11</li>
<li>8. Lady Be Good (G. &amp; I. Gershwin) Rec.1959 3.51</li>
<li>9. Why Can’t You Behave? (Porter) Rec.1959 2.59</li>
<li>10. Summertime (G. &amp; I. Gershwin/Du Bose Heyward) Rec.1959 2.54</li>
<li>11. Love For Sale (Porter) Rec.1959 3.27</li>
<li>12. How Deep is the Ocean? (How High Is The Sky?) (Berlin)<br />
with Ben Webster Rec.1959 2.32</li>
<li>13. A Foggy Day (In London Town) (G. &amp; I. Gershwin) Rec.1959 3.36</li>
<li>14. I’ve Got You Under My Skin (Porter) Rec.1959 2.49</li>
<li>15. I Concentrate On You (Porter) Rec.1959 3.09</li>
<li>16.They All Laughed (G. &amp; I. Gershwin) Rec.1959 2.28</li>
<li>17.The Touch of Your Lips (Noble) with Ben Webster 1959 6.17</li>
<li>18. It Ain’t Necessarily So (G.&amp;I.Gershwin/DuBose Heyward) 1959 3.14</li>
<li>19. Nice Work if You Can Get it (G. &amp; I. Gershwin) 1959 2.05</li>
</ul>
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		<item>
		<title>Beethoven: PIANO CONCERTO No.4 in G, Op.58, No.5 in E flat, Op.73 (“EMPEROR”)</title>
		<link>https://altocd.com/product/beethoven-piano-concerto-no-4-in-g-op-58-no-5-in-e-flat-op-73-emperor/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:38:49 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51272</guid>

					<description><![CDATA[<strong>Beethoven: PIANO CONCERTO No.4 in G, Op.58, No.5 in E flat, Op.73 (“EMPEROR”)</strong>

Alfred Brendel
Vienna Symphony Orchestra
Angerer/ Mehta

<strong>Catalogue Number:</strong> ALC 1147
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> ADD, 1961 72:35]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">(No.4) “…deeply satisfying&#8230;Brendel’s control of phrase and colour….contrast of the slow movement are strongly and poetically made…uses the second of the cadenzas, not generally heard” (No.5): “splendidly bold and vigorous reading, well supported…..main rondo theme merges vividly and with great character” © 1992 Penguin Guide</span></p>
<p><strong>Piano Concerto No.4 in G, Op.58</strong></p>
<ul>
<li>1. Allegro moderato 17.52</li>
<li>2. Andante con moto 4.55</li>
<li>3. Rondo-vivace 10.49</li>
</ul>
<p><strong>Piano Concerto No.5 in E flat, Op.73 “Emperor”</strong></p>
<ul>
<li>4. Allegro 20.01</li>
<li>5. Adagio un poco mosso 8.33</li>
<li>6. Rondo -Allegro ma non troppo 10.25</li>
</ul>
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		<item>
		<title>Guitar Classics from South America</title>
		<link>https://altocd.com/product/guitar-classics-from-south-america/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:38:49 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51273</guid>

					<description><![CDATA[<strong>Guitar Classics from South America</strong>

Marcelo Kayath (guitar)

<strong>Catalogue Number:</strong> ALC 1149
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> Time: 75:19, DDD 1987/91]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“Kayath’s inspirational accounts of the Villa-Lobos Preludes can stand comparison with the finest on record…he plays everything here with consummate technical ease and the most appealing spontaneity…Recordings first class” (© Penguin Guide 3 stars) “colourful miniatures &#038; dances…enviable popularity…Kayath (a Brazilian) is a player of utmost refinement, fluent technique, and clear tone… warmly recommendable” (© Gramophone)</span></p>
<ul>
<li>1. Mauel Ponce, arr. Segovia: Valse 2.56</li>
<li>2. Astor Piázzola arr. Carlevaro: “La Muerte del Angel” 4.09</li>
</ul>
<p><strong>Agustin Barrios Mangoré:</strong></p>
<ul>
<li>3. Mazurca appassionata 5.10</li>
<li>4. Danza Paraguaya 2.20</li>
<li>5. Tremelo “Una limosna por el amor de Dios” 3.42</li>
<li>6. Tango No.2 3.27</li>
<li>7. Study in A “Las abejas” 1.59</li>
<li>8. Vals Op.8 No.3 (arr.Richard Stover) 4.19</li>
<li>9. Choro de Saudade (arr. Stover) 5.41</li>
<li>10. Julia Florida (arr. Stover) 3.38</li>
</ul>
<p><strong>Antonio Lauro</strong></p>
<ul>
<li>11. Vals Venezolanos No.2 1.32</li>
<li>12. El Negrito 1.50</li>
<li>13. El Marabino 1.22</li>
<li>14. Dilermando Reis: Si ela perguntar 3.01</li>
</ul>
<p><strong> Manuel Ponce</strong></p>
<ul>
<li>15. Preámbulo e allegro 4.19</li>
<li>16. Gavotte 3.21</li>
</ul>
<p><strong>Heitor Villa-Lobos: (Five Preludes)</strong></p>
<ul>
<li>17. Prelude No.1 4.18</li>
<li>18. Prelude No.2 3.00</li>
<li>19. Prelude No.3 6.30</li>
<li>20. Prelude No.4 3.14</li>
<li>21. Prelude No.5 4.09</li>
</ul>
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