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<channel>
	<title>Nov 2023 &#8211; Alto CD</title>
	<atom:link href="https://altocd.com/product-category/nov-2023/feed/" rel="self" type="application/rss+xml" />
	<link>https://altocd.com</link>
	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Wed, 31 Jan 2024 23:49:16 +0000</lastBuildDate>
	<language>en-US</language>
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		<title>Percy Grainger: The Warriors  &#038; more Orchestral Works</title>
		<link>https://altocd.com/product/percy-grainger-the-warriors-more-orchestral-works/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:48:57 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52784</guid>

					<description><![CDATA[<p>Melbourne Symphony Orchestra Conductor: Geoffrey Simon</p>
<p><strong>Catalogue Number:</strong> ALC 1469<br />
<strong>Number of Discs:</strong> 1 CD<br />
<strong>Date/Runtime:</strong> Total Time 66:12 DDD, 1989 <br />
<strong>Barcode:</strong> 5055354414695</p>]]></description>
										<content:encoded><![CDATA[<p>“If you have a weakness for Grainger the orchestral wizard, then this is one disc you simply cannot afford to be without … I hope Simon will soon follow it up (I long for new recordings of priceless miniatures like Children&#8217;s March and Colonial Song); in the meantime, see if you agree with Delius who thought The Warriors &#8220;by far Grainger&#8217;s greatest thing&#8221; . I know I do.” (critic’s Choice, Dec.1990, Gramophone)</p>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;">[1] The Warriors** 18:05</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;">[2] Beautiful Fresh Flower 2:39</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;">[3] Hill-Song No.1* 13:12</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;">[4] Irish Tune from County Derry 5:28</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;">[5] Hill-Song No.2* 4:40</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;">[6] Colleen Dhas* 3:09</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;"> </span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #00b050;">Danish Folk-Music Suite:</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;">[7] The Power of Love 3:34</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;">[8] Lord Peter&#8217;s Stable-Boy 2:51</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;">[9] The Nightingale and the Two Sisters 4:40</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #00b050;">[10] Jutish Medley 7:51</span></td>
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		<title>Saxophone Concertos &#038; Quartets</title>
		<link>https://altocd.com/product/saxophone-concertos-quartets/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:48:57 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52785</guid>

					<description><![CDATA[<p>Detlef Bensmann (sax) <br />
RIAS Berlin Sinfonietta <br />
Berlin Saxophone Quartet</p>
<p><strong>Catalogue Number:</strong> ALC 1493<br />
<strong>Number of Discs:</strong> 1 CD<br />
<strong>Date/Runtime:</strong> Time: 78:40 DDD 1984/91 <br />
<strong>Barcode:</strong> 5055354414930</p>]]></description>
										<content:encoded><![CDATA[<p>[Villa Lobos] ‘incorporates nationalistic musical elements of Brazil along with melodic, lullaby-like themes, to make a truly contrasting and interesting three-movement work.’ (Classic FM) ‘Brazilian sonorities and rhythms are a perfect match for the saxophone’ (WFMT) [Glazunov] ‘persistence paid off for Raschèr, who badgered Glazunov to write him a concerto. The Russian relented and the result – three short, pleasingly lyrical movements – was premiered by Raschèr’ (BBC Music Magazine) ‘Glaznov’s Quartet is a foundational piece for the instrument’ (WFMT)</p>
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<td align="left" valign="middle" height="18"><span style="color: #984807;">[1] Alexander Glazunov:</span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #984807;">Concerto in Eb for alto saxophone &amp; strings, Op.109 14:44</span></b></td>
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<td align="left" valign="middle" height="24"><span style="color: #984807; font-size: xx-small;"> </span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #984807;">Heitor Villa-Lobos:</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #984807;">Fantasia for soprano saxophone, 3 horns &amp; strings [10:33]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807;">[2] Animé 4:32 [3] Lent – Tres animé 6:01</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807; font-size: xx-small;"> </span></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807;">[4] Frank Martin: Ballade for tenor saxophone &amp; orchestra 8:30</span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #984807; font-size: xx-small;"> </span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #984807;">Jean Rivier: Concerto for alto saxophone, trumpet &amp; strings [17:02]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807;">[5] Allegro burlesco 5:25 [6] Adagio 5:59 [7] Vivacissimo 5:37</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807; font-size: xx-small;"> </span></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807;">[8] Alexander Glazunov: Canzona Variée (Quartet in Bb Op.109) 10:40</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807; font-size: xx-small;"> </span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #984807;">Jean Françaix: Petit Quatuor [6:50]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807;">[9] Gaguenardise (Allegro) 2:31 [10] Cantilène (Lento ma non troppo) 2:05</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807;">[11] Sérénade comique (Molto vivo) 2:13</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807; font-size: xx-small;"> </span></td>
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<td align="left" valign="middle" height="20"><span style="color: #984807;">[12] Nikolaus Schäuble: ‘Duke Ellington Medley’ 9:45</span></td>
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<td align="left" valign="middle" height="20"><i><span style="color: #984807; font-size: xx-small;">themes by Duke Ellington, Billy Strayhorn, Johnny Mercer, Juan Tizol, Tadd Dameron</span></i></td>
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</table>
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		<title>Chants of Hildegard von Bingen Luminous Spirit</title>
		<link>https://altocd.com/product/chants-of-hildegard-von-bingen-luminous-spirit/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:48:57 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52786</guid>

					<description><![CDATA[<p>Rosa Lamoreaux (sop) with Hesperus (original instruments) (Tina Chancey -vielle, kamenj, lyra, viola da gamba, recorder; Scott Reiss - recorder, dulcimer)</p>
<p><strong>Catalogue Number:</strong> ALC 1495<br />
<strong>Number of Discs:</strong> 1 CD<br />
<strong>Date/Runtime:</strong> Time 71:53 DDD, 1998 <br />
<strong>Barcode:</strong> 5055354414954</p>]]></description>
										<content:encoded><![CDATA[<p>[Gramophone Editor’s Choice 12/1998] ‘Lamoreaux&#8217;s sensitive recital throws new light upon the genius of the abbess. Her voice, pellucid and supple, is perfectly at ease with Hildegard&#8217;s demands. The instrumental additions, of other periods and styles, are drawn from the melodies, and musically rather clever.’(Gramophone)</p>
<p>&nbsp;</p>
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<td align="left" valign="middle" height="20"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">1. Hodie Aperuit &#8211; Antiphon 2:48</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">2. O Gloriosissimi Lux &#8211; Antiphon 6:41</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">3. O Viridissima Virga &#8211; Sequence 5:39</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">4. Caritas Habundat in Omnia &#8211; Antiphon 2:50</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">5. O Ignis Spiritus Paracliti &#8211; Sequence 7:17</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">6. O Tu Illustrata – Antiphon &#8211; instrumental 5:47</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">7. O Lucidissima Apostolorum Turba &#8211; Responsory</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;"> (solo soprano) 4:37</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">8. O Eterne Deus &#8211; Antiphon 2:28</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">9. Ave Maria &#8211; Responsory 6:52</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">10. Deus enim rorem &#8211; instrumental 2:56</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">11. Vos Flores Rosarum &#8211; Responsory 5:49</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">12. Cum Erubuerint &#8211; Antiphon &#8211; instrumental 2:06</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">13. Ave Generosa &#8211; Hymn 5:17</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #604a7b; font-family: Copperplate Gothic Bold;">14. O Ecclesia &#8211; Sequence 10:39</span></td>
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</tbody>
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		<title>Jerome Moross: Symphony: Last Judgement; Variations on a Waltz for Orchestra; Biguine: A Tall Story</title>
		<link>https://altocd.com/product/jerome-moross-symphony-last-judgement-variations-on-a-waltz-for-orchestra-biguine-a-tall-story/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:48:57 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52787</guid>

					<description><![CDATA[<p>JoAnn Falletta London Symphony Orchestra</p>
<p><strong>Catalogue Number:</strong> ALC 1496<br />
<strong>Number of Discs:</strong> 1 CD<br />
<strong>Date/Runtime:</strong> DDD 1993 Time: 71:45 <br />
<strong>Barcode:</strong> 5055354414961</p>]]></description>
										<content:encoded><![CDATA[<p>‘Dominating my Critics&#8217; Choice for 1993 are Koch &#8216;s outstanding discs of concert works by esteemed film composers &#8230; Although the disc of Moross world premieres is especially exciting, both are distinguished not only by superb sound but also by wonderfully bold and intuitive performances that capture the distinctive style of each composer” (Gramophone) “his music’s apparent simplicity and accessibility- is often quite sophisticated &#8230; this should not surprise us once we recognize counterpoint is basically the science of composition with melody; and the wellsprings of melody flowed for few composers more abundantly than for Moross” (Christopher Palmer)</p>
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<td align="left" valign="middle" height="20"><b><span style="color: #3333cc;">Symphony No. 1 (1943) [20:07] (John Alley, piano, 2nd mvt.) </span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">1. Theme &amp; Variation 4:27 2. Sonata-Scherzo 7:06</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">3. Invention 5:12 4. Fugue 3:21</span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3333cc;">The Last Judgement (1953) [23:06]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">5. I. The Resurrection of Eve: Poco allegretto 2:03</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">6. II. Eve is refused admittance into Heaven: Agitato ma non troppo 1:13</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">7. III. Adam charges Eve with the Original Sin: Allegro marcato 1:08</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">8. IV. Adam’s Story (a) Adam and Eve in Eden: Andante con moto 2:18</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">9. V. Adam’s Story (b) Adam and Eve and the Benefactor: Allegretto 1:30</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">10. VI. Adam’s Story (c) Eve and the Benefactor: Allegro moderato 4:45</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">11. VII. Eve’s Denial: Allegro ma non troppo 1:17</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">12. VIII. The Exorcising of the Evil One: Allegro molto 2:33</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">13. IX. Eve’s Story: Allegro moderato e marcato 4:47</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">14. X. The Beatification of Eve: Andante con moto 1:28</span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3333cc;">Variations on a Waltz for Orchestra (1946/66) [14:17]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">15. Waltz: Allegretto 1:16 16. Variation 1: Allegro molto 1:02</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">17. Variation 2: Con brio 1:11 18. Variation 3: Grazioso 1:31</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">19. Variation 4: Presto 1:19 20. Variation 5: Andante 2:25</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">21. Variation 6: Allegro ma non troppo 0:37</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">22. Variation 7: Allegro leggiero 0:57</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">23. Variation 8: Allegretto cantabile 2:31</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">24. Variation 9: Vivace 1:23</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">25. Biguine (1935) (with N.Z.S.O) 4:43</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #3333cc;">26. A Tall Story for Orchestra (1938) (with N.Z.S.O) 9:00</span></td>
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</tbody>
</table>
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		<title>Stand by Me: 30 Soul &#038; Chiffon HITS</title>
		<link>https://altocd.com/product/stand-by-me-30-soul-chiffon-hits/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:48:57 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52788</guid>

					<description><![CDATA[<p>Original HIT Artists</p>
<p><strong>Catalogue Number:</strong> ALN 1987 <br />
<strong>Number of Discs:</strong> 1 CD<br />
<strong>Date/Runtime:</strong> Stereo, 78:33 1957/63 <br />
<strong>Barcode:</strong> 5055354419874</p>]]></description>
										<content:encoded><![CDATA[<p>“in mid-1950’s USA the Teenager was born of the post-war boom. A new retail demographic was determined to impose their tastes away from sheet-music to newly invented 45’s, LP’s and Charts: a major worldwide industry was born” (MusicalMerit)</p>
<table>
<tbody>
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<td>1. Stand by Me &#8211; Ben E. King 2:58</td>
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<tr>
<td>2. Save the Last Dance for Me &#8211; The Drifters 2:28</td>
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<tr>
<td>3. Another Saturday Night &#8211; Sam Cooke 2:42</td>
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<td>4. Let’s Twist Again &#8211; Chubby Checker 2:17</td>
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<td>5. Please Mr. Postman &#8211; The Marvelettes 2:26</td>
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<tr>
<td>6. The Loco-Motion &#8211; Little Eva 2:22</td>
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<td>7. He’s So Fine – The Chiffons 1:51</td>
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<td>8. Don’t Make Me Over &#8211; Dionne Warwick 3:13</td>
</tr>
<tr>
<td>9. Spanish Harlem &#8211; Ben E. King 2:52</td>
</tr>
<tr>
<td>10. Take these Chains from My Heart &#8211; Ray Charles 2:55</td>
</tr>
<tr>
<td>11. These Arms of Mine &#8211; Otis Redding 2:31</td>
</tr>
<tr>
<td>12. Can I Get a Witness &#8211; Marvin Gaye 2:48</td>
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<td>13. At Last &#8211; Etta James 2:59</td>
</tr>
<tr>
<td>14. Will You Still Love Me Tomorrow? &#8211; The Shirelles 2:40</td>
</tr>
<tr>
<td>15. Tell Him! – The Exciters 2:27</td>
</tr>
<tr>
<td>16. To Know Him is to Love Him &#8211; Teddy Bears 2:22</td>
</tr>
<tr>
<td>17. Up on the Roof &#8211; The Drifters 2:34</td>
</tr>
<tr>
<td>18. You Better Move on &#8211; Arthur Alexander 2:43</td>
</tr>
<tr>
<td>19. Baby it&#8217;s You &#8211; The Shirelles 2:40</td>
</tr>
<tr>
<td>20. Just One Look &#8211; Doris Troy 2:29</td>
</tr>
<tr>
<td>21. Make it Easy on Yourself &#8211; Jerry Butler 2:39</td>
</tr>
<tr>
<td>22. Let&#8217;s Stick Together &#8211; Wilbert Harrison 2:27</td>
</tr>
<tr>
<td>23. Heat Wave &#8211; Martha Reeves &amp; The Vandellas 2:43</td>
</tr>
<tr>
<td>24. You’re No Good &#8211; Betty Everett 2:21</td>
</tr>
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<td>25. Cry to Me &#8211; Solomon Burke 2:32</td>
</tr>
<tr>
<td>26. Bring it on Home to Me &#8211; Sam Cooke 2:42</td>
</tr>
<tr>
<td>27. My Boyfriend&#8217;s Back (live) &#8211; The Angels 2:11</td>
</tr>
<tr>
<td>28. Da Doo Ron Ron – The Crystals 2:13</td>
</tr>
<tr>
<td>29. Chain Gang &#8211; Sam Cooke 2:34</td>
</tr>
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<td>30. I Can&#8217;t Stop Loving You &#8211; Ray Charles digital 4:15 2:37</td>
</tr>
<tr>
<td><strong>Total Time 78:33</strong></td>
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<tr>
<td><strong>Produced by Tony Watts Final Master: Paul Arden-Taylor</strong></td>
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</tbody>
</table>
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