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	<title>Sept 2020 &#8211; Alto CD</title>
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	<link>https://altocd.com</link>
	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Wed, 31 Jan 2024 23:46:47 +0000</lastBuildDate>
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		<title>Malcolm Arnold Symphony No.5;  Belles of St.Trinian&#8217;s, Divertimento No.2, Machines etc</title>
		<link>https://altocd.com/product/malcolm-arnold-symphony-no-5-belles-of-st-trinians-divertimento-no-2-machines-etc/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:46:18 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52419</guid>

					<description><![CDATA[<p>Douglas Bostock<br />
Munich Philharmonic Orchestra<br />
Royal Aarhus Academy Symphony Orchestra</p>
<p><strong>Catalogue Number:</strong>  ALC 1424<br />
<strong>Number of Discs:</strong> 1<br />
<strong>Date/Runtime: </strong>78:30 DDD, 1999/2001<br />
<strong>Barcode: </strong>5055354414244</p>]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“exciting reading of Arnold’s finest symphony from unexpected sources, coupled with enchanting CD debutants &#8230; The 5th is a marvellous symphony, perhaps his greatest &#8211; powerfully argued, confidently structured, and full of memorable invention. It is good to see it so well played and recorded in Munich, guided by Douglas Bostock who comes into his own in four extra works, which are all first recordings. Divertimento- a splendidly characterful triptych; there is much outrageous fun in the St Trinian’s score &#8211; bursting with irreverent ideas and effects; and the lovely, nostalgic ‘Sarabande’ of Solitaire (one of his most touching tunes).”(Gramophone)</span></p>
<table border="0" cellspacing="0">
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<td align="left" valign="middle" height="27"><b><span style="color: #333399;">Symphony No.5, Op.74 [29:55]</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333399;">1. I. Tempestuoso 9:21 2. II. Andante con moto 9:05</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333399;">3. III. Con fuoco 4:54 4. IV. Risoluto 6:33 </span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #333399;">Divertimento No.2, Op.75 [9:03] world premiere recording</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333399;">5. I. Fanfare: Allegro 2:13 6. II. Nocturne: Lento 3:12</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333399;">7. III. Chaconne: Allegro con spirito 3:37</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333399;">8. Symphonic Study: Machines [6:34] world premiere recording</span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #333399;">Solitaire (excerpts from the ballet) [5:48]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #333399;">9. Sarabande 3:55 10. Polka 1:53</span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #333399;">Homage to the Queen (ballet excerpts) [9:21]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #333399;">11. Prelude &amp; Opening Scene 4:39 12. Dance of the Insects 1:07</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333399;">13. Fire Dance 1:08 14. Finale 2:26</span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #333399;">Little Suite No.2, Op.78 [8:36]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #333399;">15. I. Overture: Allegro moderato 2:58 16. II. Ballad: Andantino 3:30</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333399;">17. III. Dance: Vivace 2:07</span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #333399;">The Belles of St. Trinians – Comedy Suite [8:33]</span></b></td>
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<td align="left" valign="middle" height="20"><i><span style="color: #333399;">world premiere recording</span></i></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333399;">18. I. Prelude: Allegro 1:37 19. II. Train to Trinians: Allegro brillante 1:41</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333399;">20. III. Flash and Miss Fritton: Andante moderato 2:03</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333399;">21. IV. Races and Games (Tribal Warfare): Allegro 1:59 </span></td>
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<td align="left" height="20"><span style="color: #333399;"> 22. V. Finale: Allegro 1:10</span></td>
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</table>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Bach ..to Guitar / Legendary Guitarists</title>
		<link>https://altocd.com/product/bach-to-guitar-legendary-guitarists/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:46:18 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52420</guid>

					<description><![CDATA[<p>Julian Bream<br />
Andrés Segovia <br />
John Williams</p>
<p><strong>Catalogue Number:</strong>  ALC 1426<br />
<strong>Number of Discs:</strong> 1<br />
<strong>Date/Runtime: </strong>73:30 ADD stereo<br />
<strong>Barcode: </strong>5055354414268</p>]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“The great Segovia is the link here as the man who popularised classical guitar, showing also how well arrangements of Bach’s music are suited to it, and those stars who followed since. Segovia was so impressed by Bream the child prodigy at age 15, that he offered to take him on tour …‘A prince of the guitar has arrived’, claimed Segovia when he first heard young John Williams”.</span></p>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000; font-size: large;">Julian Bream</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">[1] Prelude, Fugue &amp; Allegro. 13:22</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;"> </span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000; font-size: large;">Andrés Segovia</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">[2] Prelude (Cello Suite #1 BWV 1007) 2:16</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">[3] Loure (Cello Suite #3 BWV 1009) 3:40</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">[4] Siciliano (Violin Sonata #1 BWV 1001) 3:15</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">[5] Gavotte en Rondeau (Violin Partita #3 BWV 1006) 2:54 </span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">[6] Fugue (Violin Sonata #1 BWV 1001) 5:05</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">[7] Prelude for Lute (BWV 999) 1:15</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">[8] Bourrée (Lute Suite #1 BWV 996) 1:29</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">[9] Gavottes (Cello Suite #6 BWV 1012) 3:48</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">[10] Chaconne (Violin Partita #2 BWV 1004) 13:52</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;"> </span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000; font-size: large;">John Williams</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #ff0000;">Cello Suite #3 (BWV 1009 trans. Duarte) [21:55] </span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #ff0000;">[11] Prelude 3:56 [12] Allemande 4:02 [13] Courante 3:24 </span></td>
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<td align="left" valign="middle" height="20"><span style="color: #ff0000;">[14] Sarabande 2:47 [15] Bourrées 4:09 [16] Gigue 3:35</span></td>
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</table>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Berlioz: L’Enfance du Christ</title>
		<link>https://altocd.com/product/berlioz-lenfance-du-christ/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:46:18 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52421</guid>

					<description><![CDATA[<ul>
	<li><span style="font-size: 18pt; color: #ff0000;"><strong>     <a style="color: #ff0000;" href="http://altocd.com/wp-content/uploads/2020/09/ALC-1608-WEBSITE-TEXT.pdf">ALC 1608 WEBSITE TEXT</a></strong></span></li>
</ul>
<p>Sir Colin Davis <br />
London Symphony Orchestra &#38; Chorus<br />
Yann Beuron<br />
Karen Cargill <br />
William Dazeley<br />
Matthew Rose, Peter Rose<br />
Tenebrae (Director: Nigel Short)</p>
<p><strong>Catalogue Number:</strong>  ALC 1608<br />
<strong>Number of Discs:</strong> 2<br />
<strong>Date/Runtime: </strong>DDD; 2006, 96:40<br />
<strong>Barcode: </strong>5055354416088</p>
<p>&#160;</p>
<p>&#160;</p>]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>Financial Times’ Disc of the Year; New York Times’ CDs of the Year<br />
<span style="color: #0000ff;">“Performance: ***** Recording: ***** ‘Beuron, probably today&#8217;s finest lyric tenor, gives the performance an essential idiomatic core in his narration &#8230; [Tenebrae are] dramatically alert and glowing as stained glass, the angelic messages skin-pricklingly ethereal.” (BBC Music Magazine) “[Sir Colin&#8217;s] revisitation of this truly classic score is utterly and totally compelling.’ (International Record Review)</span></p>
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<td align="left" valign="middle" height="20"><b><span style="color: #333333;">Disc 1 [41:04]</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">1. Part I, Le Songe d&#8217;Hérode: Prologue &#8211; 1:53</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">2. Scene 1 &#8211; Marche Nocturne 8:25</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">3. Scenes 2 &amp; 3 &#8211; Toujours Ce Rêve! 8:49</span></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">4. Scene 4 &#8211; Les Sages de Judée 3:33</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">5. Scene 4 &#8211; Les Devins Font Des Évolutions 1:27</span></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">6. Scene 4 &#8211; La Voix Dit Vrai, Seigneur 4:11</span></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">7. Scene 5 &#8211; O Mon Cher Fils 8:20</span></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">8. Scene 6 &#8211; Joseph! Marie! 4:22</span></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;"> </span></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #333333;">Disc 2 [55:28]</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">1. Part II, La Fuite en Égypte: Ouverture 6:25</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">2. L&#8217;adieu des Bergers a la Sainte Famille (The Shepherds&#8217; Farewell) 4:32</span></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">3. Le Repos de la Sainte Famille (The Holy Family At Rest) 6:39</span></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">4. Part III, L&#8217;Arrivée à Saïs: Depuis Trois Jours 3:33</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">5. Scene 1 &#8211; Dans Cette Ville Immense 5:25</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">6. Scene 2 &#8211; Entrez, Pauvres Hébreux 7:36</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">7. Scene 2 &#8211; Trio for Two Flutes and Harp 6:23</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">8. Scene 2 &#8211; Vous Pleurez, Jeune Mère 4:27</span></td>
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<tr>
<td align="left" valign="middle" height="20"><span style="color: #333333;">9. Epilogue &#8211; Ce Fut Ainsi Que Par un Infidèle 3:08</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">10. Epilogue &#8211; O Mon Âme 7:16</span></td>
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</tbody>
</table>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Great Shakespeare Speeches:  Famous Voices</title>
		<link>https://altocd.com/product/great-shakespeare-speeches-famous-voices/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:46:18 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52422</guid>

					<description><![CDATA[<p>Richard Burton<br />
Laurence Olivier<br />
Orson Welles<br />
Alec Guinness<br />
Paul Robeson<br />
etc</p>
<p><strong>Catalogue Number:</strong>  ALN 1976<br />
<strong>Number of Discs:</strong> 1<br />
<strong>Date/Runtime: </strong>77:52 ADD stereo 1958-62 <br />
<strong>Barcode: </strong>5055354419768</p>]]></description>
										<content:encoded><![CDATA[<p>A treasure-trove of classic lines, spoken by Shakespearean stars Olivier, Burton, Gielgud, Ashcroft, Guinness, Redgrave, Finney, Welles, Robeson &amp; many&#8230;</p>
<table border="0" cellspacing="0">
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<td align="left" valign="middle" height="24"><b><span style="color: #3366ff;">1. Once more unto the breach / Henry V: Act 3/Sc.1 &#8211; L. Olivier 2:11</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">2. Upon the King Henry / V: 4/1 – L.Olivier 3:11</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">3. This day is called the feast of Crispian/ Henry V: 4/3 &#8211; R Burton 2:22</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">4. Methinks I am a prophet new inspired / Richard II: 2/1 -M. Hordern 2:57</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">5. Now is the winter of our discontent / Richard III:1/1 -L. Olivier 3:20</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">6. If it were done when &#8217;tis done / Macbeth: 1/7- A. Guinness 1:44</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">7. Is this a dagger that I see before me /Macbeth: 2/1- A.Guinness 2:36</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">8. Tomorrow and tomorrow and tomorrow/ Macbeth: 5/5 &#8211; M. Redgrave 0:52</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">9. Full fathom five / The Tempest:1 /2 &#8211; M. Field-Hyde, I Lang 2:21</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">10. Be not afear&#8217;d &#8230; / The Tempest:3/2 &#8211; P.Wymark, P.Strick, M.Malleson 1:18</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">11. Our revels now are ended / The Tempest: 4/1- R. Burton 0:45</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">12. O that this too too solid flesh /Hamlet: 1/ 2 – R.Burton 1:59</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">13. To be or not to be /Hamlet: 3/1- R.Burton 2:22</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">14. Get thee to a Nunnery /Hamlet: 3/1- R.Burton &amp; Linda Marsh 3:21</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">15. How all occasions do Conspire /Hamlet: 3/2 –R. Burton 2:06</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">16. Alas, poor Yorick/ Hamlet: 5/1–R. Burton 2:41</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">17. If music be the food of love /Twelfth Night:1/1- Robert Hardy 1:52</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">18. I left no ring with her / Twelfth Night: 2/2- Siobhan McKenna 1:55</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">19. Fie fie unknit that threatening brow/ Taming of the Shrew: 5/2- P. Ashcroft 2:50</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">20. But soft! what light through yonder &#8230; /Romeo &amp; Juliet: 2/2 -A.Finney, C.Bloom 3:25</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">21. Gallop apace you fiery-footed steeds/ Romeo &amp; Juliet: 3/2- C.Bloom 1:44</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">22. O bid me leap ../ Romeo &amp; Juliet: 4/1 – Claire.Bloom 0:41</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">23. Well Juliet, I will lie with thee tonight / Romeo &amp; Juliet: 5/1- A.Finney 1:33</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">24. How oft when men&#8230; /Romeo &amp; Juliet: 5/3 –Albert .Finney 2:50</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">25. If you prick us do we not bleed?/ Merchant of Venice: 3/1- Eric Portman 1:08</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">26. The quality of mercy / Merchant of Venice: 4/1 –P.Ashcroft 1:21</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">27. Sir, spare your threats ../The Winter&#8217;s Tale: 3/2– Elizabeth Sellars, Eric Porter 3:21</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">28. I am not what I am&#8230;/ Othello: 1/1 &#8211; Cyril Cusack 1:25</span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">29. Most potent grave and reverend Signiors / Othello: 1/3- O.Welles 2:57</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">30. If wives do fail / Othello: 4/3 Anna Massey, Celia Johnson 2:32</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">31. It is the Cause &#8230; Soft you&#8230; / Othello: 5/2 –Paul Robeson 4:31</span></b></td>
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<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">32. All the world&#8217;s a stage / As You Like It: 2/7 – J.Gielgud 1:45</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">33. It is not the fashion to see the lady/ As You Like it: Epilogue- V. Redgrave 1:49</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3366ff;">34. [Death of King Lear] King Lear: 5/3 -J. Gielgud 2:35</span></b></td>
</tr>
</tbody>
</table>
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			</item>
		<item>
		<title>German Baroque: from Hammerschmidt to Telemann</title>
		<link>https://altocd.com/product/german-baroque-from-hammerschmidt-to-telemann/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:46:17 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52417</guid>

					<description><![CDATA[<p>Jordi Savall Hesperion<br />
Nikolaus Harnoncourt <br />
Concentus Musicus Vienna</p>
<p><strong>Catalogue Number:</strong>  ALC 1420<br />
<strong>Number of Discs:</strong> 1<br />
<strong>Date/Runtime:</strong> 76:46 DDD 1986/ ADD 1975 <br />
<strong>Barcode: </strong>5055354414206</p>
<p><span style="color: #ff0000; font-size: 24pt;"><strong><a style="color: #ff0000;" href="https://altocd.com/wp-content/uploads/2020/09/FULL-NOTES.-PRINTABLE-PDF.pdf">FULL NOTES. PRINTABLE PDF</a></strong></span></p>]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">&#8220;Some of the earliest masterworks of Jordi Savall plus his famous authentic Forerunners !&#8221;</span></p>
<table>
<tbody>
<tr>
<td><strong>ANDREAS HAMMERSCHMIDT (1612?-1675) </strong></td>
</tr>
<tr>
<td><strong>Four Suites from “Erster Fleiß”/</strong></td>
</tr>
<tr>
<td><strong>Suite in d for Gamben (a 5) [14:41]</strong></td>
</tr>
<tr>
<td>1. Paduan (I, Nr. 3) [5:02] 2. Galliard (II, Nr. 39) [1:50]</td>
</tr>
<tr>
<td>3. Ballet (I, Nr. 7) [4:07] 4. Sarabande (I, Nr. 27) [0:55]</td>
</tr>
<tr>
<td>5. Courente (I, Nr. 24) [1:04] 6. Ballet (I, Nr. 26) [1:41]</td>
</tr>
<tr>
<td><strong>Suite in G for Gamben (a 5) [10:02]</strong></td>
</tr>
<tr>
<td>7. Paduan a 6 (II, Nr. 5) [4:35] 8. Galliard (II, Nr. 21) [1:27]</td>
</tr>
<tr>
<td>9. Ballet (II, Nr. 8) [1:47] 10. Sarabande (II, Nr. 41) [0:37]</td>
</tr>
<tr>
<td>11. Aria/Ballet (II, Nr. 40) [1:34]</td>
</tr>
<tr>
<td><strong>Suite in G for Winds (a 5) [13:32]</strong></td>
</tr>
<tr>
<td>12. Paduan (I, Nr. 2) [4:18] 13. Galliard (I, Nr. 34) [1:27]</td>
</tr>
<tr>
<td>14. Aria (II, Nr. 11) [2:00] 15. Courente (I, Nr. 21) [1:52]</td>
</tr>
<tr>
<td>16. Ballet (I, Nr. 8) [1:44] 17. Ballet (I, Nr. 36) [1:36]</td>
</tr>
<tr>
<td>18. Sarabande (I, Nr. 17) [0:32]</td>
</tr>
<tr>
<td><strong>Suite in C for Strings (Gamben) and Winds (a 5) [12:29]</strong></td>
</tr>
<tr>
<td>19. Paduan (II, Nr. 1) [4:55] 20. Galliard (II, Nr. 48) [1:18]</td>
</tr>
<tr>
<td>21. Ballet (II, Nr. 32) [0:52] 22. Mascharada (I, Nr. 11) [3:17]</td>
</tr>
<tr>
<td>23. Ballet (I, Nr. 33) [1:13] 24. Sarabande (I, Nr. 12) [0:51]</td>
</tr>
<tr>
<td>&nbsp;</td>
</tr>
<tr>
<td><strong>GEORG PHILIPP TELEMANN (1681-1767) TafelMusik III</strong></td>
</tr>
<tr>
<td><strong>Concentus Musicus Wien / Nikolaus Harnoncourt</strong></td>
</tr>
<tr>
<td><em>Part 3 from Suite in Bb for 2 oboes &amp; strings: </em></td>
</tr>
<tr>
<td>25. Menuet [5:08] 26. Furioso [2:17]</td>
</tr>
<tr>
<td><strong>Concerto in Eb for 2 horns &amp; strings [18:04]</strong></td>
</tr>
<tr>
<td>27. Maestoso [3:46] 28. Allegro [5:17] 29. Grave [3:39] 30. Vivace [5:21]</td>
</tr>
</tbody>
</table>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Shostakovich: Symphony No. 13 ‘Babi Yar’ Incidental Music for King Lear, Op. 58a</title>
		<link>https://altocd.com/product/shostakovich-symphony-no-13-babi-yar-incidental-music-for-king-lear-op-58a/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:46:17 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52418</guid>

					<description><![CDATA[<p>Kirill Kondrashin<br />
Moscow Philharmonic Orchestra<br />
Edward Serov<br />
St. Petersburg Chamber Orchestra<br />
Mezzo-soprano – Nina Romanova*<br />
Bass – Vitaly Gromadsky (Sym.13)</p>
<p><strong>Catalogue Number:</strong>  ALC 1422<br />
<strong>Number of Discs:</strong> 1<br />
<strong>Date/Runtime: </strong>69:05 ADD stereo 1962/ DDD 1984<br />
<strong>Barcode: </strong>5055354414220</p>]]></description>
										<content:encoded><![CDATA[<table border="0" cellspacing="0">
<colgroup width="438"></colgroup>
<tbody>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #008000; font-size: medium;">Shostakovich: Incidental Music for King Lear, Op. 58a</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[1] Return from the Hunt 0:52</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[2] At the Hut 2:04</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[3] In Regan&#8217;s Castle 1:16</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[4] The Camp 1:23</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[5] March 1:36</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[6] Trumpets 1:21</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[7] Cordelia&#8217;s Ballad* 4:37</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000;"> </span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #008000; font-size: large;">Shostakovich: Symphony No. 13 ‘Babi Yar’ </span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #008000; font-size: medium;">for Bass, Chorus and Orchestra, Op. 113 </span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[8] Babi Yar 14:55</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[9] Humour 7:49</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[10] In the Shop 10:58</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[11] Terror 10:23</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #008000; font-size: medium;">[12] Quarry 11:36</span></td>
</tr>
</tbody>
</table>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Paul Robeson: Songs of Struggle &#038; Love (Very Best of &#8230;Volume II &#8211; 29 tracks)</title>
		<link>https://altocd.com/product/paul-robeson-songs-of-struggle-love-very-best-of-volume-ii-29-tracks/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:45:57 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52382</guid>

					<description><![CDATA[<p>Paul Robeson</p>
<p><strong>Catalogue Number:</strong>  ALC 1416<br />
<strong>Number of Discs:</strong> 1<br />
<strong>Date/Runtime: </strong>76:23<br />
<strong>Barcode:</strong>5055354414169</p>]]></description>
										<content:encoded><![CDATA[<p>This collection is the companion to ALC1256 ‘Very Best of /Ol’ Man River’ and focuses more on his ‘Songs of struggle’ and on Spirituals and Lullabies Paul Robeson once said: ‘The artist must elect to fight for Freedom or for Slavery.’</p>
<table>
<tbody>
<tr>
<td><strong>[1] Summertime (Porgy and Bess) New Mayfair Orch / Greenwood 2:34</strong></td>
</tr>
<tr>
<td><strong>[2] Carry me Back to Green Pastures (Pepper) Orch / Ray Noble 2:50 </strong></td>
</tr>
<tr>
<td><strong>[3] Were You There when they Crucified my Lord? (Trad. spritual) 2:42 </strong></td>
</tr>
<tr>
<td><strong>[4] By and By (Trad. spritual) 2:24 </strong></td>
</tr>
<tr>
<td><strong>[5] John Henry (Trad; arr.Johnson) Lawrence Brown, piano 2:27</strong></td>
</tr>
<tr>
<td><strong>[6] Joe Hill (Robinson, Hayes) Lawrence Brown, piano 2:39 </strong></td>
</tr>
<tr>
<td><strong>[7] The Peat-Bog Soldiers (Moorsoldaten; arr.Eisler) Lawrence Brown 2:25</strong></td>
</tr>
<tr>
<td><strong>[8] Kevin Barry (Anon. Irish) 2:09</strong></td>
</tr>
<tr>
<td><strong>[9] Native Land (Donayevsky) Lawrence Brown, piano 2:19</strong></td>
</tr>
<tr>
<td><strong>[10] The Four Insurgent Generals (Anon. Spanish Civil War) 2:23</strong></td>
</tr>
<tr>
<td><strong>[11] Oh, How Proud Our Quiet Don (Dzerzhinsky) Lawrence Brown 3:18</strong></td>
</tr>
<tr>
<td><strong>[12] Killing Song (Sanders of the River) (Spoliansky, Wimperis) 2:19 </strong></td>
</tr>
<tr>
<td><strong>[13] Congo Lullaby (Sanders of the River) (Spoliansky, Wimperis) 3:03</strong></td>
</tr>
<tr>
<td><strong>[14] At Dawning (Cadman) 2:20 </strong></td>
</tr>
<tr>
<td><strong>[15] Didn’t my Lord Deliver Daniel ? (Trad. spiritual) 1:27 </strong></td>
</tr>
<tr>
<td><strong>[16] Steal Away to Jesus (Trad. spiritual) 2:57 </strong></td>
</tr>
<tr>
<td><strong>[17] St.Louis Blues (Handy) Orchestra / Ray Noble 3:26</strong></td>
</tr>
<tr>
<td><strong>[18] Mah Lindy Lou (Strickland) Orchestra / Ray Noble 3:11</strong></td>
</tr>
<tr>
<td><strong>[19] Cradle Song (Gretchaninov) Lawrence Brown, piano 2:07</strong></td>
</tr>
<tr>
<td><strong>[20] Passing By (Purcell:Herrick) Lawrence Brown, piano 2:19</strong></td>
</tr>
<tr>
<td><strong>[21] Lazin’ (from Big Fella) Orchestra / Eric Ansell 2:44</strong></td>
</tr>
<tr>
<td><strong>[22] Thora (Weatherley:Adams) Orchestra / Walter Goehr 3:23</strong></td>
</tr>
<tr>
<td><strong>[23] Love At My Heart (Graves:arr.Wood) Orchestra / Walter Goehr 2:03</strong></td>
</tr>
<tr>
<td><strong>[24] Encantadora Maria (Kilyeni) Orchestra / Ronnie Munro 2:38</strong></td>
</tr>
<tr>
<td><strong>[25] Ebenezer (The Proud Valley) with Male Chorus 2:26</strong></td>
</tr>
<tr>
<td><strong>[26] All Men are Brothers / Ode to Joy (Beethoven/Schiller) 2:39</strong></td>
</tr>
<tr>
<td><strong>[27] Song of the Plains (Red Army Song) (arr.Knipper) Lawrence Brown 3:05</strong></td>
</tr>
<tr>
<td><strong>[28] The Soviet Anthem (edited) with Chorus 2:06</strong></td>
</tr>
<tr>
<td><strong>[29] Jerusalem (Blake) 2:21 </strong></td>
</tr>
</tbody>
</table>
]]></content:encoded>
					
		
		
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