<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Alfred Schnittke &#8211; Alto CD</title>
	<atom:link href="https://altocd.com/product-tag/alfred-schnittke/feed/" rel="self" type="application/rss+xml" />
	<link>https://altocd.com</link>
	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Wed, 31 Jan 2024 23:44:04 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	
	<item>
		<title>Alfred Schnittke: Concerto Grosso 1, 2</title>
		<link>https://altocd.com/product/alfred-schnittke-concerto-grosso-1-2/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:43:42 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52006</guid>

					<description><![CDATA[<strong>Alfred Schnittke: Concerto Grosso 1, 2</strong>

Tatiana Grindenko (violin)
Moscow Philharmonic Soloists 
Yuri Bashmet
Oleg Kagan (violin)
Natalia Gutman (cello)
USSR Ministry of Culture
Symphony Orchestra
Gennadi Rozhdestvensky

<strong>Catalogue Number:</strong> ALC 1341 
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> Time: 61:54, stereo 1986/8
<strong>Barcode:</strong> 5055354413414]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;"><br />
(C.G No.1) “This is a special work. It begins with a dialogue between the soloists, cello and viola which seems very elaborated. Then starts a Handel-like concerto grosso sound which is in that context very mad. Soon join drums and electrical guitar to the orchestra. This is a great fun and could be called a remix of old classical music with modern parts &#8230; Orchestra, Soloists and Conductor are the best of that time in Russia” (Discogs)<br />
</span></p>
<p><strong></strong></p>
<ul>
<li>Concerto Grosso No. 1 for Two Violins, Harpsichord,<br />
Prepared Piano and Strings (1977)</li>
<li>[1] I. Prelude</li>
<li>[2] II. Toccata</li>
<li>[3] III. Recitative</li>
<li>[4] IV. Cadence</li>
<li>[5] V. Rondo</li>
<li>[6] VI. Postlude</li>
<li>Concerto Grosso No. 2 for Violin, Cello and Orchestra (1982)</li>
<li>[7] I. Andantino – Allegro</li>
<li>[8] II. Pesante</li>
<li>[9] III. Allegro</li>
<li>[10] IV. Andantino</li>
</ul>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Alfred Schnittke: Viola &#038; Cello (no.1) Concertos</title>
		<link>https://altocd.com/product/alfred-schnittke-viola-cello-no-1-concertos/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:42:57 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51886</guid>

					<description><![CDATA[<strong>Alfred Schnittke: Viola &#038; Cello (no.1) Concertos</strong>

Yuri Bashmet (viola)
Natalia Gutman (Cello)
USSR Ministry of Culture 
Symphony Orchestra
Gennady Rozhdestvensky

<strong>Catalogue Number:</strong> ALC 1311
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> Time: 77:44, DDD, 1986/7
<strong>Barcode:</strong> 5055354413117]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“Both these especially lyrical works were composed specifically for (these) star players whose recordings have generally been accepted as definitive….(Viola) Improving on Yuri Bashmet&#8217;s recordings…was never going to be an easy task. Other performers may play the piece, but Bashmet lives it” (Cello):“The Schnittke concerto was written for Gutman, and she takes possession of it with playing that blazes with emotional conviction as well as technical command…(It) comes to life…in a finale that seems to cross the anguished soul-searching of the last section of Berg&#8217;s Violin Concerto with the heaven-storming assertions that conclude Mahler&#8217;s Third Symphony. Schnittke added (this) after his near fatal illness in 1985, and its blend of triumph and foreboding is awesome” (© Gramophone) </span></p>
<ul>
<strong>Viola Concerto (1985)  (35.21)</strong></p>
<li>[1] Largo                                                       4:52</li>
<li>[2] Allegro molto                                        13:00</li>
<li>[3] Largo                                                     17:39</li>
<p><strong>Cello Concerto No.1 (1986)  (42.14)</strong></p>
<li>[4] Pesante. Moderato                                14:58</li>
<li>[5] Largo                                                     10:23</li>
<li>[6] Allegro vivace                                        3:34</li>
<li>[7] Largo                                                    13:18</li>
</ul>
]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
