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	<title>Amor Artis Chorale &#8211; Alto CD</title>
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		<title>Handel: Semele</title>
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		<pubDate>Wed, 31 Jan 2024 23:37:41 +0000</pubDate>
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					<description><![CDATA[<strong>Georg Frideric Handel: Semele</strong>

Justino Diaz • Sheila Armstrong • Helen Watts
Robert Tear • Felicity Palmer
Amor Artis Chorale • English Chamber Orchestra
Johannes Somary, conductor

<strong>Catalogue Number:</strong> ALC 2003
<strong>Number of Discs:</strong> 2
<strong>Duration:</strong> 143:46]]></description>
										<content:encoded><![CDATA[<p><span style="color: blue;">*** (3 stars) “Though he favours oratorio-like tempi, [Johannes] Somary keeps in mind an operatic flavour and the Amor Artis Chorale (pseudonymn for well-known professional recording choir) sings splendidly, often with great vigour… attractive ornamentation&#8230;. Overall the performance has much charm and spirit with superb soloists…. [T]he fine recording allows excellent detail yet is full and expansive.”<br />
– © Penguin Guide to Classical Recordings , 1999</span></p>
<p>Available again by popular demand! Vanguard Recordings&#8217; landmark recording of Handel&#8217;s Semele, first released in 1973, revealed the work as one of the composer&#8217;s most original operatic undertakings. For the recording, producer Seymour Solomon and conductor Johannes Somary assembled a cast of formidable singers, a mix of veterans and young talent on the verge of major opera and concert stage careers, and a superb chorus cherry-picked from London&#8217;s finest vocal ensembles. The interpretation straddles the grand British oratorio tradition and the then-exploding &#8220;early music&#8221; movement, providing an ample argument that Handel was indeed writing for full-bodied voices and large-scale entertainment, and yielding a sumptuous treat for lovers of opera, Baroque music, and terrific singing.</p>
<p><strong>Georg Frideric Handel (1985-1759)<br />
Semele, opera-oratorio in 3 acts<br />
Disc One (73.27)</strong></p>
<ul>
<li>1. Overture 5.59<br />
Act One, Scene I (Temple of Juno: Cadmus, Athamus, Ino &amp; Priests)</li>
<li>2. Recitative: Priest “Behold, auspicious flashes rise……” 1.55</li>
<li>3. Chorus of Priests “Lucky omens bless our rites” 3.54</li>
<li>4. Cadmus, Athamas. Recitative, arioso &amp; duet: Cadmus: “Daughter, obey” 1.14</li>
<li>5. Recitative &amp; Aria: Semele “Ah me&#8230;” 3.37</li>
<li>6. Cadmus, Ino, Athamas, Semele. Recitative: Ino “Alas ! she yields”: Quartet: response 4.28</li>
<li>7. Chorus of Priests “Avert these omens” 2.12</li>
<li>8. Cadmus, Athamas, Semele, Chorus of Priests. Recitative: Cadmus:<br />
“Again, auspicious flashes….” 2.06</li>
<li>Scene III (Cadmus joins Athamus &amp; Ino)</li>
<li>9. Cadmus, Athamas, Ino. Recitative &amp; aria: Cadmus “Ah, wretched prince…” 3.07</li>
<li>Scene IV (enter Chorus of Priests &amp; Zephyrs)</li>
<li>10. Cadmus, Chorus of Priests &amp; Augurs. Recitative: Cadmus, Chorus “See, see” 1.38</li>
<li>11. Semele, Chorus. Aria: Semele, “Endless pleasure” 4.54</li>
<li>Act Two</li>
<li>12. Sinfonia 1.52</li>
<li>Scene I (Juno &amp; Iris descend into a pleasant country)</li>
<li>13. Juno, Iris. Recitative &amp; Aria: Juno, “Awake Saturnia” 6.17</li>
<li>Scene II (Semele in Palace, Loves &amp; Zephyrs attend)</li>
<li>14. Aria: Semele “Oh sleep, why dost thou leave me?” 3.50</li>
<li>Scene III (Juno enters)</li>
<li>15. Semele, Jupiter. Aria: Semele, “Let me not another moment” 4.14</li>
<li>16. Jupiter; Athamus, Chorus of Loves &amp; Zephyrs. Recitative, Jupiter: “you are mortal” 4.55</li>
<li>17. Jupiter, Semele. Recitative: Semele “Ah, me” Aria, Jupiter: “why sigh” 3.55</li>
<li>18. Chorus of Loves &amp; Zephyrs “Now love, that everlasting boy invites” 2.43</li>
<li>19. Jupiter, Semele. Recitative &amp; Aria: Jupiter “By my command”..”Where’er you walk” 6.47<br />
Scene IV (Semele and Ino embrace, Chorus attends)</li>
<li>20. Semele, Ino, Chorus of Nymphs &amp; Swains: Recitative &amp; Aria:</li>
<li>Semele: “Dear Sister, how was your journey hither?” 3.41</li>
<li>Disc Two (70.19)</li>
<li>Act Two, Scene IV (concluded)</li>
<li>1. Duet: Semele &amp; Ino “Prepare then, ye immortal choir” 2.28</li>
<li>2. Chorus of Nymphs &amp; Swains: “Bless the glad earth” 2.58</li>
<li>Act Three</li>
<li>3. Sinfonia 1.58</li>
<li>Scene I (Juno, Iris enter the Cave of Sleep)</li>
<li>4. Recitative. &amp; aria: Juno Iris, Somnus. Juno “Somnus awake” 5.08</li>
<li>5. Iris, Juno, Somnus. Recit. Iris: “Dull God, canst though attend” Aria, Juno: 3.37</li>
<li>6. Juno, Somnus &amp; Iris. Recitative: Juno: “My will obey” 3:17</li>
<li>Scene III (Juno now as Ino)</li>
<li>7. Juno, Semele. Aria: Semele “Myself I shall adore” 7.29</li>
<li>8. Recitative &amp; aria: Juno, Semele. Juno: “Be wise, as you are beautiful” …. 4.56</li>
<li>9. Recitative &amp; aria: Juno, Semele. Juno: “Rich odours fill the fragrant air” … 4.07</li>
<li>Scene IV (Jupiter &amp; Semele )</li>
<li>10. Jupiter, Semele. Recitative: Jupiter: “Oh Semele” 2.55</li>
<li>11. Jupiter, Semele. Recitative &amp; aria: Jupiter: “Speak, speak your desire” 3.28</li>
<li>12. Aria: Semele “No, no, I’ll take no less” 5.56</li>
<li>Scene V (Jupiter alone)</li>
<li>13. Aria; Jupiter “Ah, wither is she gone?” 3.51</li>
<li>Scene VI (Juno alone)</li>
<li>14. Aria: Juno “Above measure is the pleasure” 2.21</li>
<li>Scene VII (Semele sees Jupiter descending, Lightning &amp; thunder)</li>
<li>15. Aria : Semele “Ah, me ! Too late I now repent” 4.19<br />
Scene VIII</li>
<li>16. Cadmus, Athamus, Ino, Chorus of Priests. Recitative: Ino: “of my ill-boding dream” 5.08<br />
Scene, the last (Apollo appears)</li>
<li>17. Sinfonia 1.44</li>
<li>18. Recitative &amp; aria: Apollo: “Apollo comes” Chorus: “Happy, happy” 4.31</li>
</ul>
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		<title>Handel: Judas Maccabeus</title>
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		<pubDate>Wed, 31 Jan 2024 23:37:41 +0000</pubDate>
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					<description><![CDATA[<strong>Handel: Judas Maccabeus</strong>

Heather Harper • Helen Watts
Alexander Young • John Shirley-Quirk
Amor Artis Chorale • English Chamber Orchestra
Johannes Somary, conductor

<strong>Catalogue Number:</strong> ALC 2002
<strong>Number of Discs:</strong> 2
<strong>Duration:</strong> 2:23:53]]></description>
										<content:encoded><![CDATA[<p><span style="color: blue;">&#8220;The solo singing is excellent with Alexander Young a ringing tenor, and Helen Watts singing the opening aria in Act III exquisitely. Very good recording&#8230; the effect is wholly natural – and a sense of commitment throughout from all departments.&#8221;<br />
— The Penguin Guide to Classical CDs </span></p>
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