<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Billie Holiday &#8211; Alto CD</title>
	<atom:link href="https://altocd.com/product-tag/billie-holiday/feed/" rel="self" type="application/rss+xml" />
	<link>https://altocd.com</link>
	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Wed, 31 Jan 2024 23:42:43 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	
	<item>
		<title>Billie Holiday Centenary Album: Very Best of</title>
		<link>https://altocd.com/product/billie-holiday-centenary-album-very-best-of/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:42:13 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=51785</guid>

					<description><![CDATA[<strong>Billie Holiday Centenary Album: Very Best of</strong>

Billie Holiday
Nelson Riddle
Pete Rugolo
Lester Young
Oscar Peterson
&#038; many more

<strong>Catalogue Number:</strong> ALN 1952 
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> Stereo  78:20    1937-58]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">‘a singular and unrepeatable talent, whose finest hours are remarkably revealing and often surprisingly – given her reputation – joyful &#8230; One of her innovations was to suggest a role for the singer which blended in with the musicians &#8230; While the most obvious characteristic of her singing is the lagging behind the beat, she seldom sounds tired or slow to respond  &#8230; her best singing invests the words with shades of meaning that vocalists until that point had barely looked at’ (Penguin Guide to Jazz)</span></p>
<ul>
<li>1.   Lover Come Back To Me (Romberg/Hammerstein II)                                   3.18<br />
      with Eddie Heywood’s Trio, Rec.1944</li>
<li>2.   That Old Devil Called Love (Roberts/Fisher)                                                 2.52<br />
      with Toots Camarata and his Orchestra, Rec.1944</li>
<li>3.   Lover Man (Davis/Ramirez/Sherman)                                                            3.15<br />
      with Toots Camarata and his Orchestra, Rec.1944</li>
<li>4.   God Bless the Child (Holiday/Herzog) Rec.1950                                           3.09</li>
<li>5.   Don’t Explain (Holiday/Herzog)                                                                    3.22<br />
      with Toots Camarata and his Orchestra, Rec.1944</li>
<li>6.   All of Me (Marks/Simons)                                                                               3.49<br />
      with Eddie Heywood Orchestra ft. Lester Young, Rec.1941</li>
<li>7.    Trav’lin Light (Young/Mundy/Mercer)                                                          3.16<br />
      with Paul Whiteman and his Orchestra, Rec.1942</li>
<li>8.   Fine and Mellow  (Holiday) ft. Frank Newton, Tab Smith, Rec.1939           3.10</li>
<li>9.   Good Morning Heartache (Higginbotham/Drake/Fisher)                              3.06<br />
      with Bill Stegmeyer’s Orchestra, Rec.1946</li>
<li>10. Sailboat in the Moonlight (Lombardo/Loeb) Rec.1937                                  2.49<br />
      Billie Holiday &#038; Orchestra ft. Lester Young and Buck Clayton</li>
<li>11. Gloomy Sunday (Seress/Lewis)                                                                       3.11<br />
      with Teddy Wilson and his Orchestra, Rec.1941</li>
<li>12. Billie’s Blues (Holiday)                                                                                   3.07<br />
      with Eddie Heywood’s Trio, Rec.1944</li>
<li>13. When You’re Smiling (Shay/Goodwin/Fisher)                                               3.00<br />
      with Teddy Wilson and his Orchestra ft. Lester Young, Rec.1938</li>
<li>14. Yesterdays (Kern/Harbach) ft.Oscar Peterson, Paul Quinchette, Rec.1952    2.46</li>
<li>15. He’s Funny that Way (Whiting/Moret)                                                          3.15<br />
      with Eddie Heywood’s Trio, Rec.1944</li>
<li>16. Mean to Me (Ahlert/Turk)                                                                              3.06<br />
      with Teddy Wilson and his Orchestra ft. Lester Young, Rec.1937</li>
<li>17. Crazy He Calls Me (Sigman/Russell)                                                             3.04<br />
      with Gordon Jenkins’ Orchestra ft. Bobby Hackett, Rec.1949</li>
<li>18. Solitude (Ellington/DeLange/Mills)                                                                3.08<br />
      with Bob Haggart and his Orchestra, Rec.1947</li>
<li>19. Lady Sings the Blues (Holiday)                                                                      3.44<br />
      with Tony Scott’s Orchestra, Rec.1956</li>
<li>20. Strange Fruit (Allan)                                                                                      3.02<br />
      with Tony Scott’s Orchestra ft.Charlie Shavers, Rec.1956</li>
<li>21. Body and Soul (Green/Heyman/Sour/Eyton)                                                  6.21<br />
      Billie Holiday &#038; Orchestra ft. Ben Webster, Barney Kessel, Rec.1957</li>
<li>22. Please Don’t Talk about me When I’m Gone  (Stept/Clare)                         4.19<br />
      Billy Holiday and her Orchestra ft. Benny Carter, Rec.1955</li>
<li>23. For All We Know (Coots/Lewis)                                                                     2.54<br />
     with Ray Ellis Orchestra ft. Billy Butterfield, Hank Jones, Rec.1958<br />
         [tracks 4, 8, 14 all backed by Billie Holiday Orchestra]</li>
</ul>
]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
