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<channel>
	<title>Elisabeth Schwarzkopf &#8211; Alto CD</title>
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	<link>https://altocd.com</link>
	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Thu, 27 Jun 2024 20:20:12 +0000</lastBuildDate>
	<language>en-US</language>
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		<title>Lehar: The Merry Widow Die Lustige Witwe (Complete on 1 CD)</title>
		<link>https://altocd.com/product/lehar-the-merry-widow-die-lustige-witwe-complete-on-1-cd/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:44:05 +0000</pubDate>
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					<description><![CDATA[<strong>Lehar: The Merry Widow
Die Lustige Witwe (Complete on 1 CD)</strong>

Elisabeth Schwarzkopf
Emmy Loose
Anton Niessner
Erich Kunz
Nicolai Geda
Otakar Kraus
Philharmonia/ Ackermann

<strong>Catalogue Number:</strong> ALC 1363
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> Time: 79:00, AAD, 1953
<strong>Barcode:</strong> 5055354413636]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;"><br />
“Merry Widow hats, corsets, dresses, cocktails and cigarettes all became the height of fashion.  Sheet music sales rocketed and made Lehár the richest composer in the business. From 1907, the piece was subsequently filmed three times by MGM… This classic recording features perhaps the most famous “widow” of all in Elisabeth Schwarzkopf”  © James Murray  “There is a glorious lightness to her performance; she creates a vivid character rather than just singing a string of lovely melodies … the way she caresses a phrase sends tingles up your spine.”(MusicWeb International)<br />
</span></p>
<p><strong></strong></p>
<ul>
1. Overture &#8211;                                                                                  8.29<br />
<strong>Act One</strong><br />
2.   Verehrteste Damen und Herren &#8211;                                              2.43<br />
3.   Und jetzt, meine Herrschaften  &#8211;                                               0.47<br />
4.   So kommen Sie!&#8230;Ich bin eine anständ’ge Frau &#8211;                       4.18<br />
5.   Excellenz, Excellenz! Die Glawari kommt! &#8211;                             0.11<br />
6.   Bitte meine Herr’n &#8211;                                                                  3.15<br />
7.   Gnädige Frau ich rechne es mir zu hohen &#8211;                              0.15<br />
8.   Njegus, waren Sie beim Count Danilo?  &#8211;                                 0.53<br />
9.   O Vaterland du mächst bei Tag &#8211;                                              2.07<br />
10. Ach Njegus, Geliebter, wo ist Vaterland? &#8211;                               4.00<br />
11. Damenwahl! Hört man rufen rings im Saal! &#8211;                             3.06<br />
12. Wie die Blumen in Lenze erblüh’n &#8211;                                           6.08<br />
<strong>Act Two</strong><br />
13. Ich bitte, hier jetzt zu verweilen &#8211;                                               2.49<br />
14. Nun lasst uns aber wie daheim&#8230;Viljalied &#8211;                                 5.36<br />
15. Was sagen Sie, Njegus &#8211;                                                            1.39<br />
16. Heia, Mädel, aufgeschaut &#8211;                                                        2.55<br />
17. Herr von Cascada  &#8211;                                                                  0.19<br />
18. Wie die Weiber? &#8211;                                                                      2.41<br />
19. Valencienne, bitte geben Sie mir wenigstens ein Andenken! &#8211;    0.22<br />
20. Mein Freund, Vernunft! &#8211;                                                          1.32<br />
21. Wie eine Rosenknospe &#8211;                                                            2.21<br />
22. Sieh dort den kleinen Pavillon &#8211;                                                 2.17<br />
23. Die Baronin und Herr Rosillon sind im Pavillon &#8211;                    1.19<br />
24. Ha! Ha! &#8211;                                                                                  3.08<br />
25. Nun wissen Sie, meine Herrschaften &#8211;                                       5.04<br />
26. Es waren zwei Königskinder &#8211;                                                   3.21<br />
<strong>Act Three</strong><br />
27. Njegus, was ist das mit der Musik? &#8211;                                         0.45<br />
28. Ja, wir sind es, die Grisetten &#8211;                                                    2.30<br />
29. Gospodina, pravalni! &#8211;                                                              0.43<br />
30. Bei jedem Walzerschritt &#8211;                                                          1.57<br />
31. Excellenz, man hat im Pavillon diesen fächer gefunden &#8211;          0.20<br />
32. Finale: Ja, das Studium der Weiber ist schwer &#8211;                         0.38</p>
</ul>
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		<item>
		<title>Twenty Gems of Viennese Operetta</title>
		<link>https://altocd.com/product/twenty-gems-of-viennese-operetta/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:41:28 +0000</pubDate>
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					<description><![CDATA[<strong>Twenty Gems of Viennese Operetta</strong>

Anneliese Rothenberger
Fritz Wunderlich
Elisabeth Schwarzkopf
Hilde Gueden
Nicolai Gedda

<strong>Catalogue Number:</strong> ALC 1249
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> Time 73:18 stereo  1957/1962]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;"><br />
re ALC1049 Golden Operetta) “for listeners wanting the lollipops sung by famous singers &#8230;With Schwarzkopf, Loose, Kunz and Gedda on top form they are self-recommending and so is Rita Streich &#8230; But there are many other tracks to treasure: Wunderlich, fresh &#038; ardent; Rudolf Schock brilliant &#038; heroic; Wilma Lipp, lively &#038; charming;  Jussi Björling -uninhibitedly brilliant; Richard Tauber’s caressing of phrases; Sena Jurinac’s lovely tone &#8230; readers can safely invest” (MusicWeb)<br />
</span></p>
<ul>
<li>1.   Mein Herr Marquis (Die Fledermaus:J.Strauss IL:Haffner &#038; Génée)          3.20<br />
Hilde Gueden / Orchestra of the Vienna State Opera / Robert Stolz,1960</li>
<li>2.   Komm in die Gondel (Eine Nacht in Venedig:J.Strauss II:Zell &#038; Génée)     4.01<br />
Sandor Konya / Orchestra conducted by Fried Walter    Rec.1962</li>
<li>3.   Im chambre séparée (Der Opernball:Heuberger:Léon &#038; Waldberg)            6.03<br />
Anneliese Rothenberger and Helga Hildebrand<br />
with the FFB Orchestra / Werner Schmidt-Boelke    Rec.1960</li>
<li>4.   Wer uns getraut (Der Ziegeunerbaron:J.StraussII:Schnitzer)                        3.43<br />
Karl Terkal, Hilde Gueden /Vienna Philharmonic/ Heinrich Hollreiser, 1961</li>
<li>5.   Her die Hand, es muss ja sein (Der Zigeunerbaron:J.Strauss II:Schnitzer)  2.33<br />
Hermann Prey /Philharmonia Orchestra / Otto Ackermann    Rec.1955  </li>
<li>6.  Ja das schreiben und das lessen (Der Zigeunerbaron)                                   2.37<br />
Kurt Boehme / Orchestra conducted Robert Stolz    Rec.1956</li>
<li>7.   Sei nicht bös (Der Vogelhändler:Zeller:West &#038; Held)                                 4.16<br />
Elisabeth Schwarzkopf /Philharmonia Orchestra/Otto Ackermann, 1960</li>
<li>8.  Soll ich reden?Darf ich schweigen? (Der Bettelstudent:Millöcker)(1956)   3.31<br />
Karl Terkal, Wilma Lipp/Bavarian Radio Orchestra/Werner Schmidt-Boelcke  </li>
<li>9.   Grüss mir mein Wien (Gräfin Maritza:Kálmán:Brammer)                          2.39<br />
Fritz Wunderlich / Cologne Radio Orchestra/ Fritz Marszalek  Rec.1962</li>
<li>10.  Sag ja, mein Lied, sag’ja (Gräfin Maritza:Kálmán:Brammer)                   4.13<br />
Hilde Gueden /Orchestra of the Vienna State Opera / Robert Stolz, 1960</li>
<li>11.  Zwei Märchenaugen (Der Zirkusprinzessin:Kálmán:Brammer)                 3.40<br />
Rudolf Schock with orchestra    Rec.1958</li>
<li>12.  Heut könnt einer sein Glück bei mir machen (Madame Pompadour: Fall)    2.28<br />
Hilde Gueden /Orchestra of Vienna State Opera / Robert Stolz  Rec.1960</li>
<li>13.  Hab ein blaues Himmelbett (Frasquita:Lehar:Willner &#038; Reichert)           3.22<br />
Peter Anders with Orch cond Franz Marszalek     Rec.1953</li>
<li>14.  Im heimlichen Dämmer der silbernen Ampel (Eva:Léhar)                        4.16<br />
Anneliese Rothernberger /FFB Orchestra/Werner Schmidt-Boelke Rec.1960</li>
<li>15.  Du bist meine sonne (Giuditta:Lehár:Knepler&#038;Löhner)                             3.23<br />
Waldemar Kmentt /Vienna State Opera Orchestra /Rudolf Moralt, 1958</li>
<li>16.  Hör ich Zymbalklänge (Zigeunerliebe:Léhar:Willner &#038; Bodanzky)          4.07<br />
Hilde Gueden /Orchestra of Vienna State Opera / Robert Stolz  Rec.1960</li>
<li>17.  Von Apfelblüten einen Kranz (Das Land des Lächelns:Léhar: Herzer     4.03<br />
&#038; Löhner) Nicolai Gedda /Philharmonia /Otto Ackermann    Rec.1955</li>
<li>18. Barcarolle:Leise erklingen die Glocken vom Campanile<br />
(Balkanliebe:Kattnig)                                                                                          3.36<br />
Anneliese Rothenberger/ FFB Orchestra /Werner Schmidt-Boelke  Rec.1960</li>
<li>19. Mein liebeslied muss ein walzer sein (Im Weissen Rössl: Stolz:Gilbert)     2.56<br />
Hilde Gueden &#8211; Vienna State Opera Orchestra / Robert Stolz  Rec.1960</li>
<li>20.  Ich bin nur ein armer Wandergesell (Der Vetter aus Dingsda:Kunneke:  3.07<br />
Haller &#038; Oliven) Sandor Konya/ Orchestra conducted Franz Marszalek, 1961</li>
</ul>
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			</item>
		<item>
		<title>Brahms:  German Requiem / Dvořák: 3 Biblical Songs</title>
		<link>https://altocd.com/product/brahms-german-requiem-dvorak-3-biblical-songs/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:39:57 +0000</pubDate>
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					<description><![CDATA[<strong>Brahms:  German Requiem / Dvořák: 3 Biblical Songs </strong>

Dietrich Fischer-Dieskau
Elisabeth Schwarzkopf
Philharmonia Orchestra &#038; Chorus
Otto Klemperer
(Dvorak): Fischer- Dieskau
 with Jörg Demus (piano)  

<strong>Catalogue Number:</strong> ALC 1202
<strong>Number of Discs:</strong> 1]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“Klemperer’s reading &#8230;measured and monumental, the performance defies preconceived doubts. &#8230;with dynamic contrasts underlined, the result is uniquely powerful&#8230;. Solo singing is superb and the Chorus at the peak of their form.<br />
</span></p>
<ul>
<strong>Ein Deutsches Requiem</strong></p>
<li>1.   I. Selig sind, die da Leid tragen                                            9:54</li>
<li>2.   II. Den alles Fleisch es ist wie Gras                                   14:24</li>
<li>3.   III. Herr, lehre doch mich                                                     9:49</li>
<li>4.   IV. Wie lieblich sind Deine Wohnungen                             5:46</li>
<li>5.   V. Ihr habt nun Traurigkeit                                                  6:51</li>
<li>6.   VI. Denn wir haben hier                                                     11:43</li>
<li>7.   VII. Selig sind die Toten                                                    10:10</li>
<p><strong>Antonin Dvořák: from BIBLICAL SONGS, Op.99</strong></p>
<li>8.   I. Rings um den Herrn sind Wolken und Dunkel                  2:25</li>
<li>9.   IV. Gott ist mein Hirte                                                           3:42</li>
<li>10. X. Singet ein neues Lied                                                        2:00</li>
</ul>
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		<item>
		<title>The Best of Elisabeth Schwarzkopf</title>
		<link>https://altocd.com/product/the-best-of-elisabeth-schwarzkopf/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:39:13 +0000</pubDate>
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					<description><![CDATA[<strong>The Best of Elisabeth Schwarzkopf</strong>

Elisabeth Schwarzkopf 

<strong>Catalogue Number:</strong> ALC 1163
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> A/DD, 1951/61, 69:44 mins]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“Elisabeth Schwarzkopf possessed one of the most distinctive voices of the post-war era….her range of vocal colouring was quite staggering, and few sopranos before or since have possessed a similar ability to act with their voices.” (J. Murray)</span></p>
<ul>
<li>1.   Porgi amor (Le Nozze di Figaro:Mozart)                                                              4:01</li>
<li>2.   Dove sono (Le Nozze di Figaro:Mozart)                                                               4:49<br />
      (both above as Countess Almaviva) with Vienna State Opera,<br />
      Vienna Philharmonic Orchestra / Herbert von Karajan Rec.1950</li>
<li>3.   Come scoglio (Cosi fan Tutte:Mozart)                                                                 4:38<br />
      Philharmonia Orchestra / Herbert von Karajan Rec.1954</li>
<li>4.   In quali eccessi..Mi tradi (Don Giovanni:Mozart)                                                  5:34<br />
      Phiharmonia Orchestra / Carlo Maria Giulini  Rec.1960</li>
<li>5.   Evening Hymn: Abends will ich schlafen gehn                                                 2:51<br />
      (Hansel und Gretel: Humperdinck) with Elisabeth Grummer<br />
      Philharmonia Orchestra / Herbert von Karajan  Rec.1953</li>
<li>6.   Da geht er hin (Der Rosenkavalier: R. Strauss)                                                    5:26<br />
      Philharmonia Orchestra / Herbert von Karajan  Rec.1956</li>
<li>7.   Der Musensohn (Schubert: with Edwin Fischer (Piano)  Rec.1953                         1:58</li>
<li>8.   Die Forelle (Schubert: with Edwin Fischer (Piano)  Rec.1953                                2:06</li>
<li>9.   Gretchen am Spinnrade (Schubert: with Edwin Fischer (Piano) Rec.1953             3:18</li>
<li>10. Der Nussbaum (Schumann: with Gerald Moore (Piano) Rec.1954                          3:01</li>
<li>11. Wiegenlied (R. Strauss: with Gerald Moore (Piano) Rec.1957                               4:17</li>
<li>12. Viljalied (Die Lustige Witwe:Lehár)                                                                      5:13<br />
      Chorus &#038; Philharmonia Orchestra / Otto Ackermann  Rec.1953</li>
<li>13. Sei nicht bös (Don’t be Cross) (Der Obersteiger:Zeller)                                        4:15</li>
<li>14. Meine Lippen sie küsen so heiss (Giuditta:Lehár)                                               5:04<br />
      (both above) Philharmonia Orchestra / Otto Ackermann Rec.1959</li>
<li>15. Czardas:Klänge der Heimat  (Die Fledermaus:J.Strauss)                                     4:40<br />
      Philharmonia Orchestra / Herbert von Karajan  Rec.1955</li>
<li>16. Songs My Mother Taught Me (Dvorak)                                                              2:21<br />
      with Gerald Moore (Piano) Rec.1957</li>
<li>17. Drink To Me Only With Thine Eyes (Trad.:Johnson/arr.Quilter)                           3:00<br />
      with Gerald Moore (Piano) Rec.1957 </li>
<li>18. ’S Schätzli (Trad. Swiss)                                                                                   1:58<br />
     with Gerald Moore (Piano)  Rec.1951</li>
</ul>
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		<item>
		<title>Elisabeth Schwarzkopf sings Operetta</title>
		<link>https://altocd.com/product/elisabeth-schwarzkopf-sings-operetta/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:38:06 +0000</pubDate>
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					<description><![CDATA[<strong>Elisabeth Schwarzkopf sings Operetta</strong>

Elisabeth Schwarzkopf
Chorus &#38; Orchestra Philharmonia
Otto Ackermann

<strong>Catalogue Number:</strong> ALC 1122
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> stereo 1960, 72:27]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;"> &#8220;One of the most delectable recordings of operetta arias ever made&#8230;. &#8230;.manner is irresistible, catching the Viennese style, languor and sparkle&#8230;Try for example the exquisite Sei Nicht BÃ¶s, but the whole programme is performed with supreme artistic command and ravishing tonal beautyâ€ (Penguin Guide Rosette)</span></p>
<ul>
<li>1. Gehâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />n wit im Chambre SÃ©parÃ©e (Der Opernball â€“ Heuberger)</li>
<li>2. Ich bin die Christel von der Post (Der VoglhÃ¤ndler &#8211; Zeller)</li>
<li>3. Rosenlied: Schenkt man sich Rosen in Tirol (Der VogelhÃ¤ndler)</li>
<li>4. Einer Wird Kommen (Der Zarewitsch &#8211; LehÃ¡r)</li>
<li>5. Hoch, EvoÃ«, AngÃ¨le, Dider (Der Graf von Luxemburg &#8211; LehÃ¡r)</li>
<li>6. Nonnenchor und das Lied der Laura (Nunâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s Chorus &amp; Lauraâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s Song)<br />
(Casanova &#8211; J Strauss II)</li>
<li>7. Ich schenkâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" /> mein Herz (Die Dubarry &#8211; Millocker)</li>
<li>8. Was ich im Leben beginne (Die Dubarry)</li>
<li>9. Hab ich nur deine Liebe (Boccaccio &#8211; SuppÃ©)</li>
<li>10. Heutâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" /> noch werdâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />ich Ehefrau (Der Graf von Luxemburg &#8211; LehÃ¡r)</li>
<li>11. Sei nicht bÃ¶s (Der Obersteiger &#8211; Zeller)</li>
<li>12. Meine Lippen sie kÃ¼ssen so heiss (Giuditta &#8211; LehÃ¡r)</li>
<li>13. Wien, du Stadt meine TrÃ¤ume (Sieczynski)</li>
</ul>
<p><strong>Bonus Tracks: from Elisabeth Schwarzkopf Operettas</strong></p>
<ul>
<li>14. Bitte meine Herren (Die Lustige Witwe &#8211; LehÃ¡r) with Chorus</li>
<li>15. Viljalied (Die Lustige Witwe) with Chorus</li>
<li>16. Ich danke fur die Huldigungâ€¦Ger, gern wÃ¤râ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />ich verliebt<br />
(Der Land des LÃ¤chelns &#8211; LehÃ¡r) with Chorus</li>
<li>17. Wer hat die Liebe uns ins Herz gesenkt** (Der Land des LÃ¤chelns)</li>
<li>18. Frutti di mare (Eine Nacht in Venedig &#8211; J Strauss II)</li>
<li>19. Was mir der Zufall gab (Eine Nacht in Venedig)</li>
<li>20. Gruss dich Gott, du liebes Nesterl (Wiener Blut &#8211; J Strauss II)</li>
<li>21. Czardas: KlÃ¤nge der Heimat* (Die Fledermaus &#8211; J Strauss II) (with Karajan)</li>
</ul>
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		<item>
		<title>Mozart: Don Giovanni</title>
		<link>https://altocd.com/product/mozart-don-giovanni/</link>
					<comments>https://altocd.com/product/mozart-don-giovanni/#respond</comments>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:37:42 +0000</pubDate>
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					<description><![CDATA[<strong>Mozart: Don Giovanni</strong>

Eberhard Wächter / Elisabeth Schwarzkopf / Joan Sutherland / Carlo Maria Giulini

<strong>Catalogue Number:</strong> ALC 2502
<strong>Number of Discs:</strong> 1<strong></strong>
<strong>Released:</strong> November 2010]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">&#8220;The best recording of the greatest of all operas.&#8221;<br />
– Joe McClellan, Amazon</span></p>
<p>For half a century, a rare concensus of critical opinion has deemed this landmark recording of Mozart&#8217;s Don Giovanni the finest recording of a work frequently deemed greatest opera in the repertoire. The cast is a who&#8217;s who of opera legends from the early stereo era, including (a young) Joan Sutherland, Eberhard Waechter, Giuiseppe Taddei, Gottlob Frick, and Luigi Alva, all under the direction of an energized young Carlo Maria Giulini.</p>
<p><strong>Disc 1<br />
Act One</strong></p>
<ul>
<li>1. Overture 6:16</li>
<li>2. Notte e giorno faticar 1:38</li>
<li>3. Non sperar, se non m&#8217;uccidi 1:22</li>
<li>4. Lasciala, indegno! 2:08</li>
<li>5. Leporello, ove sei? 0:28</li>
<li>6. Ah del padre in periglio 2:37</li>
<li>7. Fuggi, crudele, fuggi! 4:01</li>
<li>8. Orsù, spicciati presto 1:16</li>
<li>9. Ah, chi mi dice mai, quel barbaro dove? 3:25</li>
<li>10. Chi è là? 2:28</li>
<li>11. Madamina, il catagolo è questo 5:27</li>
<li>12. In questa forma 0:29</li>
<li>13. Giovinette che fate all&#8217;amore 1:33</li>
<li>14. Manco male è partita 2:00</li>
<li>15. Ho capito, Signor, sì 1:38</li>
<li>16. Alfin siam liberati Zerlinetta gentil 1:36</li>
<li>17. Là ci darem la mano 3:12</li>
<li>18. Fermati, scellerato! 0:40</li>
<li>19. Ah! Fuggi il traditor! 1:17</li>
<li>20. Mi par ch&#8217;oggi il demonio si diverta 0:52</li>
<li>21. Non ti fidar, o misera 3:58</li>
<li>22. Povera sventura! 0:20</li>
<li>23. Don Ottavio, son morta! 2:50</li>
<li>24. Or sai chi l&#8217;onore 2:50</li>
<li>25. Come mai creder deggio 0:24</li>
<li>26. Dalla sua pace 4:22</li>
<li>27. Io deggio ad ogni patto 1:24</li>
<li>28. Finch&#8217;han dal vino 1:21</li>
</ul>
<p><strong>Disc 2<br />
Act One (conclusion)</strong></p>
<ul>
<li>29. Masetto, senti un po 1:00</li>
<li>30. Batti, batti, o bel Masetto 3:47</li>
<li>31. Guarda un po 0:33</li>
<li>32. Presto, presto, pria ch&#8217;ei venga 1:52</li>
<li>33. Tra quest&#8217;arbori celata 2:30</li>
<li>34. Bisogna aver coraggio 2:08</li>
<li>35. Protegga il giusto cielo 2:19</li>
<li>36. Riposate, vezzose ragazze 1:21</li>
<li>37. Venite pur avanti 1:27</li>
<li>38. Ricominciate il suono! 2:47</li>
<li>39. Ecco il birbo, che t&#8217;ha offesa! 1:33</li>
<li>40. Trema, trema, o scellerato! 2:06</li>
</ul>
<p><strong>Act Two</strong></p>
<ul>
<li>1. Eh via, buffone 1:08</li>
<li>2. Leporello !&#8230;Signore? 1:34</li>
<li>3. Ah taci, inguisto coro ! 4:52</li>
<li>4. Amico, che ti par? 0:26</li>
<li>5. Eccomi a voi 1:21</li>
<li>6. Deh vieni alla finestra 1:50</li>
<li>7. V&#8217;è gente 1:07</li>
<li>8. Metà di voi qua vadano 3:13</li>
<li>9. Zitto, lascia ch&#8217;io senta 1:39</li>
<li>10. Vedrai carino 3:13</li>
<li>11. Di molte faci il lume 0:22</li>
<li>12. Sola, sola in buio loco 3:02</li>
<li>13. Ferma, briccone, dove ten vai? 2:21</li>
<li>14. Mille torbidi pensieri 2:24</li>
<li>15. Dunque quello sei tu 0:22</li>
<li>16. Ah, pietà Signori miei 1:53</li>
<li>17. Ferma, perfido, ferma 0:29</li>
<li>18. Il mio tesoro 4:39</li>
<li>19. In quali eccessi 1:48</li>
<li>20. Mi tradì, quell&#8217;alma ingrata 3:47</li>
</ul>
<p><strong>Disc 3<br />
Act Two (conclusion)</strong></p>
<ul>
<li>21. Ah, ah, ah, ah, questa è buono 3:41</li>
<li>22. O statua gentilissima 3:36</li>
<li>23. Calmatevi, idol mio 0:36</li>
<li>24. Crudele? Ah no, mio bene 1:52</li>
<li>25. Non mi dir, bell&#8217;idol mio 5:03</li>
<li>26. Ah, si sequa il suo passo 0:13</li>
<li>27. Già la mensa è preparata 4:38</li>
<li>28. L&#8217;ultima prova dell&#8217;amor mio 2:14</li>
<li>29. Che grido è questo mai? 1:14</li>
<li>30. Don Giovanni, a cenar teco 5:22</li>
<li>31. Da qual tremore insolito 1:04</li>
<li>32. Ah, dov&#8217;è il prefido? 1:40</li>
<li>33. Or che tutti, o mio tesoro 2:58</li>
<li>34. Questo è il fin 1:40</li>
</ul>
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		<title>Golden Operetta of Vienna</title>
		<link>https://altocd.com/product/golden-operetta-of-vienna/</link>
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		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:36:13 +0000</pubDate>
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					<description><![CDATA[<strong>Golden Operetta of Vienna</strong>

with Hilda Gueden • Elisabeth Schwarzkopf • Fritz Wunderlich • Anneliese Rothenberger • Nicolai Gedda • Jussi Bjorling • Richard Tauber • Sena Jurinac • Rudolf Schock • Julius Patzak • Rita Streich

<strong>Catalogue Number:</strong> ALC 1049
<strong>Number of Discs:</strong> 1
<strong>Duration:</strong> 67:50]]></description>
										<content:encoded><![CDATA[<p><strong><em>Alto</em></strong> presents eighteen essential operetta favorites performed by some of the twentieth century&#8217;s greatest singers.</p>
<ul>
<li>[1] <strong>Léhar: Das Land des Lächelns</strong> — Dein ist mein ganzes Herz! (You Are My Heart’s Delight&#8221;) (3:39)<br />
<strong>Nicolai Gedda</strong> with the Philharmonia Orchestra conducted by Otto Ackermann</li>
<li>[2] <strong>Léhar: Die Lustige Witwe</strong> — Vilja-Lied (5:17)<br />
<strong>Elisabeth Schwarzkopf</strong> / Chorus / Philharmonia Orchestra conducted by Otto Ackermann, rec. 1953</li>
<li>[3] <strong>Léhar: Die Lustige Witwe</strong> — Heia, Mädel aufgeschaut&#8221; (3:02)<br />
Elisabeth Schwarzkopf and Erich Kunz / Philharmonia Orchestra conducted by Otto Ackermann, rec. 1953</li>
<li>[4] <strong>Léhar: Die Lustige Witwe</strong> — &#8220;Wie eine Rosenknospe&#8221;<br />
<strong>Emmy Loose and Nicolai Gedda</strong> / Philharmonia Orchestra conducted by Otto Ackermann , rec. 1953</li>
<li>[5] <strong>Léhar: Giuditta</strong> — &#8220;Meine Lippen, sie küssen so heiss&#8221; (4:50)<br />
<strong>Hilde Gueden</strong> / Wiener Staatsoperorchester / Robert Stolz, rec. 1958</li>
<li>[6] <strong>Léhar: Der Zarewitsch</strong> — &#8220;Hab nur dich allein&#8221; (4:50)<br />
<strong>Fritz Wunderlich and Friederike Sailer</strong> / Stuttgarter Philharmoniker conducted by Fritz Mareczek, rec. 1957</li>
<li>[7] <strong>Léhar: Der Zarewitsch</strong> — Volgalied: &#8220;Allein! Wieder allein!&#8221; (5:35)<br />
<strong>Rudolf Schock</strong> / Orchestra conducted by Wilhelm Schüchter rec. 1957</li>
<li>[8] <strong>Zeller: Der Obersteiger</strong> — &#8220;Sei nicht bös&#8221; (3:22)<br />
<strong>Fritz Wunderlich</strong> / tuttgarter Philharmoniker conducted by Fritz Mareczek, rec. 1957</li>
<li>[9] <strong>Zeller: Der Obersteiger</strong> — &#8220;Ich bin die Christel von der Post&#8221; (1:59)<br />
<strong>Wilma Lipp</strong> / Wiener Symphoniker conducted byRudolf Moralt, rec. 1957</li>
<li>[10]<strong> Zeller: Der Obersteiger</strong> — Nightingale Song: &#8220;Wie mein ahn’l zwanzig jahr&#8221;<br />
<strong>Julius Patzak</strong> / Wiener Symphoniker conducted byRudolf Moralt, rec. 1957</li>
<li>[11] <strong>Millöcker: Der Bettelstudent</strong> — &#8220;Nur das eine bitt’ich&#8221; (3:59)<br />
<strong>Fritz Wunderlich and Friederike Sailer</strong> / Stuttgarter Philharmoniker conducted by Fritz Mareczek, rec. 1957</li>
<li>[12]<strong> Millöcker: Die Dubarry</strong> — &#8220;Ich schenck mein herr&#8221; (3:19)<br />
<strong>Anneliese Rothenberger</strong> / Sinfonieorchester des Bayerischen Rundfunks conducted by Werner Schmidt-Bölcke, rec. 1957</li>
<li>[13] <strong>Millöcker: Der Bettelstudent</strong> — &#8220;Ich hab kein Geld&#8221; (1:43)<br />
<strong>Jussi Björling</strong> / Orchestra conducted by Nils Grevillius, rec. 1937</li>
<li>[14] <strong>Tauber: Old Chelsea</strong> — My Heart And I (3:17)<br />
<strong>Richard Tauber</strong> / Orchestra conducted by Henry Geehl, rec. 1943</li>
<li>[15]<strong> J.Strauss II: Die Fledermaus </strong>— Spiel’ ich die Unschuld (4:54)<br />
<strong>Rita Streich</strong> / Philharmonia Orchestra conducted by Herbert von Karajan, rec. 1955</li>
<li>[16] <strong>J.Strauss II: Die Fledermaus</strong> — Czardas: &#8220;Klänge der Heimat&#8221; (4:05)<br />
<strong>Sena Jurinac</strong> / NWDR Radiosinfonieorchester Hamburg conducted by Wilhelm Schüchter, rec. 1950</li>
<li>[17] <strong>Kálmán: Gräfin Maritza</strong> — &#8220;Komm Tzigany&#8221; (3:03)<br />
<strong>Rudolf Schock</strong> / Chorus and Orchestra conducted by Wilhelm Schuuchter, rec. 1954</li>
<li>[18] <strong>Kálmán: Gräfin Maritza</strong> — &#8220;Kommt mir nach Varasdin&#8221; (1:32)<br />
<strong>Sari Barabas and Rupert Glawitsch</strong> / Orchestra conducted by Wilhelm Schuuchter, rec. 1954</li>
</ul>
<p>Produced by Tony Watts<br />
Final Master by Hilton Grove London</p>
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