<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>New Zealand Symphony Orchestra &#8211; Alto CD</title>
	<atom:link href="https://altocd.com/product-tag/new-zealand-symphony-orchestra/feed/" rel="self" type="application/rss+xml" />
	<link>https://altocd.com</link>
	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Fri, 03 Oct 2025 00:41:58 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	
	<item>
		<title>Miklős Rőzsa: Violin Concerto, Theme, Variations &#038; Finale; Hungarian Nocturne;  The Vintner&#8217;s Daughter (suite)</title>
		<link>https://altocd.com/product/alc1488/</link>
					<comments>https://altocd.com/product/alc1488/#respond</comments>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 07 Feb 2024 01:48:59 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52896</guid>

					<description><![CDATA[James Sedares
New Zealand Symphony Orchestra
Igor Gruppmann (violin)

<strong>Catalogue Number:</strong> ALC 1488
<strong>Number of Discs:</strong> 1 CD
<strong>Date/Runtime:</strong> Time 76.38 DDD, 1992-6
<strong>Barcode:</strong> 5055354414886
]]></description>
										<content:encoded><![CDATA[<p>“This Concerto is probably Rozsa&#8217;s most celebrated concert work: its impassioned romanticism remains wonderfully enthralling … Theme, Variations &amp; Finale was inspired by a wistful melody and helped to make Rozsa’s international reputation … Rozsa’s rhapsodic intensity and dramatic shading would soon lead to a remarkable career in Hollywood … Vintner’s Daughter, a picturesque set of variations, again shows the composer’s melodic appeal and he uses the orchestral palette as seductively as in his film music … Critics&#8217; Choice for 1993” (Gramophone)</p>
<table border="0" cellspacing="0">
<colgroup width="444"></colgroup>
<tbody>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3333cc; font-family: Arial;">Concerto for Violin and Orchestra, Op.24*[30:40]</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #3333cc; font-family: Arial;">[1] I. Allegro non troppo ma passionato 13:09</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #3333cc; font-family: Arial;">[2] II. Lento cantabile 8:46</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #3333cc; font-family: Arial;">[3] III. Allegro vivace 8:44</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><b><span style="color: #3333cc; font-family: Arial;"> </span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><b><span style="color: #3333cc; font-family: Arial;">Theme, Variations &amp; Finale, Op.13A (1933/43)[19:07]</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #3333cc; font-family: Arial;">[4] Theme, Variations 1-3 4:27</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #3333cc; font-family: Arial;">[5] Variation 4 3:55</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #3333cc; font-family: Arial;">[6] Variations 5-6 4:06</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #3333cc; font-family: Arial;">[7] Variations 7-8 3:11</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #3333cc; font-family: Arial;">[8] Finale 3:27</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #3333cc; font-family: Arial;">[9] Hungarian Nocturne, Op.28 (1964) 9:35</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3333cc; font-family: Arial;"> </span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #3333cc; font-family: Arial;">The Vintner&#8217;s Daughter, Op.23A (1953-55)[16:50]</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><i><span style="color: #3333cc; font-family: Arial;">(Twelve Variations on a French Folksong)</span></i></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #3333cc; font-family: Arial;">[10] Theme, Variations 1-4 4:03 [11] Variations 5-6 2:50</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #3333cc; font-family: Arial;">[12] Variations 7-8 2:06 [13] Variations 9-10 3:08</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #3333cc; font-family: Arial;">[14] Variations 11-12 4:41</span></td>
</tr>
</tbody>
</table>
]]></content:encoded>
					
					<wfw:commentRss>https://altocd.com/product/alc1488/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Bernard Herrmann Symphony No.1; Suite: Devil &#038; Daniel Webster; Concerto Macabre; For the Fallen</title>
		<link>https://altocd.com/product/alc1491/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:48:56 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52780</guid>

					<description><![CDATA[James Sedares (cond.)
Phoenix Symphony
New Zealand S.O
Sara Davis Buechner (pno)

<strong>Catalogue Number:</strong> ALC 1491
<strong>Number of Discs:</strong> 1 CD
<strong>Date/Runtime:</strong> DDD, 1992-5 Time 74:17
<strong>Barcode:</strong> 5055354414916]]></description>
										<content:encoded><![CDATA[<p>“Like Korngold, Herrmann was a consummate movie composer: his only Symphony -inventive, soundly constructed, always eventful and excitingly scored &#8211; successfully taps a harmonically tangy, neoromantic vein reminiscent of Barber at his best … The Devil &amp; Daniel Webster (Suite) was assembled shortly after the film&#8217;s score won its Oscar … Herrmann treats several New England folk-tunes to his own special brand of orchestral wizardry. The score is both a gentle, sepia-tinted portrait of rustic Americana and a wickedly endearing account of Mr Scratch&#8217;s devilish interventions … the 1943 berceuse For the Fallen, is a brief, but poignant lament for the soldiers killed in action &#8230; James Sedares and the NZSO are on top form throughout this valuable addition to Koch&#8217;s concert works by acclaimed film composers” (Gramophone)</p>
<table border="0" cellspacing="0">
<colgroup width="366"></colgroup>
<tbody>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #7a7146; font-family: Arial;">Symphony No.1 [36:00]</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #7a7146; font-family: Arial;">[1]   Maestoso – Allegro 13.52</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #7a7146; font-family: Arial;">[2]   Scherzo 5.56</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #7a7146; font-family: Arial;">[3]   Andante sostenuto 8.42</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #7a7146; font-family: Arial;">[4]   Rondo – Finale 7.29</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #7a7146; font-family: Arial;"> </span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #7a7146; font-family: Arial;">[5] Concerto Macabre for piano &amp; orchestra 10:55</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><i><span style="color: #7a7146; font-family: Arial;"> from the film “Hangover Square”</span></i></td>
</tr>
<tr>
<td align="left" valign="middle" height="23"><b><i><span style="color: #7a7146; font-family: Arial;">Sara Davis Buechner (piano)</span></i></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #7a7146; font-family: Arial;"> </span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #7a7146; font-family: Arial;">[6] For the Fallen – a Berceuse 6.51</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #7a7146; font-family: Arial;"> </span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><b><span style="color: #7a7146; font-family: Arial;">Suite: The Devil and Daniel Webster [20:04]</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #7a7146; font-family: Arial;">[7]  Mr Scratch 5.29</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #7a7146; font-family: Arial;">[8]  Ballad of Springfield Mountain 4.36</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #7a7146; font-family: Arial;">[9]   Sleighride 1.58</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #7a7146; font-family: Arial;">[10] The Miser’s Waltz 5.22</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"><span style="color: #7a7146; font-family: Arial;">[11] Swing Your Partners 2.37</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="21"></td>
</tr>
</tbody>
</table>
]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
