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	<title>Nicolai Gedda &#8211; Alto CD</title>
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	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Wed, 31 Jan 2024 23:42:27 +0000</lastBuildDate>
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		<title>Nicolai Gedda:  &#8220;The Cosmopolitan Tenor&#8221;</title>
		<link>https://altocd.com/product/nicolai-gedda-the-cosmopolitan-tenor/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:42:12 +0000</pubDate>
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					<description><![CDATA[<strong>Nicolai Gedda: "The Cosmopolitan Tenor"</strong>

Nicolai Gedda

<strong>Catalogue Number:</strong> ALC 1282
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> Time 74:00 AAD &#038; stereo  1953/1962]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“Gedda’s success in so many areas is a tribute to his professionalism.  Harold Rosenthal reviewing Gedda’s Carmen’ wrote ‘He is not, of course, a dramatic tenor, nor is he French;  but he is probably the best tenor singing in French opera today’ (Opera) … Gedda’s performance of Bizet’s Flower Song was described by John Steane as ‘dramatised afresh…a ‘lived’ and re-created experience’. The stylish Gedda excelled in Mozart and often performed Così fan tutte and Don Giovanni demonstrating a familiarity anything but routine …remaining tracks are from the classic operetta recordings made under Walter Legge” (James Murray)</span></p>
<ul>
<li>1.   Mes amis, écoutez l’histoire (Le Postillon de Lonjumeau:Adam)           3.49</li>
<li>2.   Aubade: Puisqu’on ne peut fléchir…Vainement …(Le Roi d’Ys:Lalo)  3.19
</li>
<li>3.   Elle ne croyait pas (Mignon:Thomas)                                                            3.32<br />
      (3 above with French National Radio Orchestra / Georges Pretre, 1962</li>
<li>4.   Quel trouble inconnu…Salut! Demeure chaste et pure (Faust:Gounod)  5.40<br />
      Orchestra of Paris Opera /André Cluytens, 1953   </li>
<li>5.   Je crois entendre encore (Les Pecheurs de Perles:Bizet)                        3.30</li>
<li>6.   Pourquoi me révillier? (Werther:Massenet)                                                 2.49<br />
       (2 above with Philharmonia Orchestra / Alceo Galliera, 1953</li>
<li>7.   Flower Song: La fleur qui tu m’avais jetée (Carmen:Bizet)                   – 4.47<br />
      with Paris Radio Symphony Orchestra / Sir Thomas Beecham, 1958</li>
<li>8.   J’ai perdu, mon Euridice (Orphée et Euridice:Gluck)                              – 4.05<br />
      with Paris Conservatoire Orchestra / Louis de Froment, 1957</li>
<li>9.   Una furtiva lagrima (L’Elisir d’Amore:Donizetti)                                     – 3.55     </li>
<li>10. Lensky’s Aria (Eugene Onegin:Tchaikovsky)                                          – 6.13<br />
      (2 above with Philharmonia Orchestra / Alceo Galliera, 1953</li>
<li>11. Brother, in the Darkness (A Life For The Tsar:Glinka)                           – 6.17<br />
      with the Lamoureux Orchestra / Igor Markevitch, 1957</li>
<li>12. Un’aura amorosa (Cosi fan tutte:Mozart)                                                – 4.25<br />
      with the Paris Conservatoire Orchestra / André Cluytens, 1958
</li>
<li>13. Il mio Tesoro (Don Giovanni:Mozart)                                                      – 4.15<br />
      with the Lamoureux Orchestra / Hans Rosbaud, 1956   </li>
<li>14. Ach so fromm (Martha:Flotow)                                                                 – 3.19<br />
      with Philharmonia Orchestra / Alceo Galliera, 1953</li>
<li>15. Als flotter Geist (Der Zigeunerbaron:J.Strauss II) Rec 1958                      – 2.32   </li>
<li>16. Sei mir gegrusst du Holdes Venezia (Eine Nacht in Venedig:J.Strauss II) 2.23
</li>
<li>17. Ich trete ins Zimmer&#8230;Immer nur lächeln (Land des Lächelns:Lehár)      4.24</li>
<li>18. Dein ist mein ganzes Herz (Das Land des Lächelns:Lehár) (1953)            3.30<br />
      (4 above) with Philharmonia Orchestra / Otto Ackermann T.16: 1954; 17-18: 1953 </li>
</ul>
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			</item>
		<item>
		<title>Twenty Gems of Viennese Operetta</title>
		<link>https://altocd.com/product/twenty-gems-of-viennese-operetta/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:41:28 +0000</pubDate>
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					<description><![CDATA[<strong>Twenty Gems of Viennese Operetta</strong>

Anneliese Rothenberger
Fritz Wunderlich
Elisabeth Schwarzkopf
Hilde Gueden
Nicolai Gedda

<strong>Catalogue Number:</strong> ALC 1249
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> Time 73:18 stereo  1957/1962]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;"><br />
re ALC1049 Golden Operetta) “for listeners wanting the lollipops sung by famous singers &#8230;With Schwarzkopf, Loose, Kunz and Gedda on top form they are self-recommending and so is Rita Streich &#8230; But there are many other tracks to treasure: Wunderlich, fresh &#038; ardent; Rudolf Schock brilliant &#038; heroic; Wilma Lipp, lively &#038; charming;  Jussi Björling -uninhibitedly brilliant; Richard Tauber’s caressing of phrases; Sena Jurinac’s lovely tone &#8230; readers can safely invest” (MusicWeb)<br />
</span></p>
<ul>
<li>1.   Mein Herr Marquis (Die Fledermaus:J.Strauss IL:Haffner &#038; Génée)          3.20<br />
Hilde Gueden / Orchestra of the Vienna State Opera / Robert Stolz,1960</li>
<li>2.   Komm in die Gondel (Eine Nacht in Venedig:J.Strauss II:Zell &#038; Génée)     4.01<br />
Sandor Konya / Orchestra conducted by Fried Walter    Rec.1962</li>
<li>3.   Im chambre séparée (Der Opernball:Heuberger:Léon &#038; Waldberg)            6.03<br />
Anneliese Rothenberger and Helga Hildebrand<br />
with the FFB Orchestra / Werner Schmidt-Boelke    Rec.1960</li>
<li>4.   Wer uns getraut (Der Ziegeunerbaron:J.StraussII:Schnitzer)                        3.43<br />
Karl Terkal, Hilde Gueden /Vienna Philharmonic/ Heinrich Hollreiser, 1961</li>
<li>5.   Her die Hand, es muss ja sein (Der Zigeunerbaron:J.Strauss II:Schnitzer)  2.33<br />
Hermann Prey /Philharmonia Orchestra / Otto Ackermann    Rec.1955  </li>
<li>6.  Ja das schreiben und das lessen (Der Zigeunerbaron)                                   2.37<br />
Kurt Boehme / Orchestra conducted Robert Stolz    Rec.1956</li>
<li>7.   Sei nicht bös (Der Vogelhändler:Zeller:West &#038; Held)                                 4.16<br />
Elisabeth Schwarzkopf /Philharmonia Orchestra/Otto Ackermann, 1960</li>
<li>8.  Soll ich reden?Darf ich schweigen? (Der Bettelstudent:Millöcker)(1956)   3.31<br />
Karl Terkal, Wilma Lipp/Bavarian Radio Orchestra/Werner Schmidt-Boelcke  </li>
<li>9.   Grüss mir mein Wien (Gräfin Maritza:Kálmán:Brammer)                          2.39<br />
Fritz Wunderlich / Cologne Radio Orchestra/ Fritz Marszalek  Rec.1962</li>
<li>10.  Sag ja, mein Lied, sag’ja (Gräfin Maritza:Kálmán:Brammer)                   4.13<br />
Hilde Gueden /Orchestra of the Vienna State Opera / Robert Stolz, 1960</li>
<li>11.  Zwei Märchenaugen (Der Zirkusprinzessin:Kálmán:Brammer)                 3.40<br />
Rudolf Schock with orchestra    Rec.1958</li>
<li>12.  Heut könnt einer sein Glück bei mir machen (Madame Pompadour: Fall)    2.28<br />
Hilde Gueden /Orchestra of Vienna State Opera / Robert Stolz  Rec.1960</li>
<li>13.  Hab ein blaues Himmelbett (Frasquita:Lehar:Willner &#038; Reichert)           3.22<br />
Peter Anders with Orch cond Franz Marszalek     Rec.1953</li>
<li>14.  Im heimlichen Dämmer der silbernen Ampel (Eva:Léhar)                        4.16<br />
Anneliese Rothernberger /FFB Orchestra/Werner Schmidt-Boelke Rec.1960</li>
<li>15.  Du bist meine sonne (Giuditta:Lehár:Knepler&#038;Löhner)                             3.23<br />
Waldemar Kmentt /Vienna State Opera Orchestra /Rudolf Moralt, 1958</li>
<li>16.  Hör ich Zymbalklänge (Zigeunerliebe:Léhar:Willner &#038; Bodanzky)          4.07<br />
Hilde Gueden /Orchestra of Vienna State Opera / Robert Stolz  Rec.1960</li>
<li>17.  Von Apfelblüten einen Kranz (Das Land des Lächelns:Léhar: Herzer     4.03<br />
&#038; Löhner) Nicolai Gedda /Philharmonia /Otto Ackermann    Rec.1955</li>
<li>18. Barcarolle:Leise erklingen die Glocken vom Campanile<br />
(Balkanliebe:Kattnig)                                                                                          3.36<br />
Anneliese Rothenberger/ FFB Orchestra /Werner Schmidt-Boelke  Rec.1960</li>
<li>19. Mein liebeslied muss ein walzer sein (Im Weissen Rössl: Stolz:Gilbert)     2.56<br />
Hilde Gueden &#8211; Vienna State Opera Orchestra / Robert Stolz  Rec.1960</li>
<li>20.  Ich bin nur ein armer Wandergesell (Der Vetter aus Dingsda:Kunneke:  3.07<br />
Haller &#038; Oliven) Sandor Konya/ Orchestra conducted Franz Marszalek, 1961</li>
</ul>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Bizet: Carmen</title>
		<link>https://altocd.com/product/bizet-carmen/</link>
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		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:37:42 +0000</pubDate>
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					<description><![CDATA[<strong>Bizet: Carmen</strong>

Victoria de los Angeles / Nicolai Gedda / Sir Thomas Beecham

<strong>Catalog Number: </strong>ALC 2503
<strong>Number of Discs:</strong> 3

<strong>Time: </strong>162 mins, stereo]]></description>
										<content:encoded><![CDATA[<p><span style="color: blue;">&#8220;Victoria de los Angeles gets under the skin of the complex title role as few mezzos have&#8211;so much so that it is easy to take for granted her alluring timbre and meticulous musicianship.&#8221;<br />
– Jed Distler<br />
&#8220;It certainly stands the test of time, sparkling, swaggering and seducing in a way that is uniquely Beecham&#8217;s.&#8221;<br />
– Edward Greenfield, Gramophone</span></p>
<p><strong>Disc 1<br />
Act One</strong></p>
<ul>
<li>1. Prelude 3:33</li>
<li>2. Sur la place chacun passé 5:54</li>
<li>3. Avec la garde montante 4:10</li>
<li>4. C&#8217;est bien là n&#8217;est-ce pas 1:38</li>
<li>5. La cloche a sonné 4:50</li>
<li>6. Habanera: L&#8217;amour est un oiseau rebelle 4:33</li>
<li>7. Carmen! sur tes pas, nous nous pressons tous! 1:25</li>
<li>8. Quels regards! Quelle effronterie! 1:00</li>
<li>9. Parle-moi de ma mère 10:30</li>
<li>10. Reste là, maintenant, pendant que je lirai 2:02</li>
<li>11. Que se passé-t-il donc la-bas… Au secours! Au secours! 3:10</li>
<li>12. Mon officier, c&#8217;etait une querelle 4:20</li>
<li>13. Seguidilla: Pres des ramparts de Séville 5:27</li>
<li>14. Voici l&#8217;ordre; partez 2:21</li>
</ul>
<p><strong>Disc 2<br />
Act Two</strong></p>
<ul>
<li>1. Entr&#8217;acte 1:55</li>
<li>2. Chanson Bohème: Les tringles des sistres tintaient 4:49</li>
<li>3. Messieurs, Pastia me dit 1:00</li>
<li>4. Vivat! vivat le Toréro 1:10</li>
<li>5. Toreador Song: Votre toast, je peux vous le render 4:55</li>
<li>6. La belle, un mot: 2:09</li>
<li>7. Nous avons en tête une affaire 5:00</li>
<li>8. Mais qui donc attends-tu? 0:34</li>
<li>9. Halte-là.! Qui va-là 1:38</li>
<li>10. Enfin, c&#8217;est toi! 0:55</li>
<li>11. Tout doux, Monsieur, tout doux 2:56</li>
<li>12. Au Quartier! Pour &#8216;appel! 2:45</li>
<li>13. Flower Song: La fleur que tu m&#8217;avais jetée 4:46</li>
<li>14. Non, tu ne m&#8217;aimes pas 5:05</li>
<li>15. Holà Carmen! Holà! Holà! 4:56</li>
</ul>
<p><strong>Disc 3<br />
Act Three</strong></p>
<ul>
<li>1. Entracte 2:29</li>
<li>2. Écoute, écoute compagnon écoute! 4:26</li>
<li>3. Reposons-nous une heure ici, mes camarades 3:04</li>
<li>4. Card Song: Melons! Coupons! 6:21</li>
<li>5. Eh bien? 0:31</li>
<li>6. Quant au douanier c&#8217;est notre affaire 3:25</li>
<li>7. C&#8217;est des contrebandiers…Je dis que rien ne m&#8217;épouvante 6:21</li>
<li>8. Je ne me trompe pas…c&#8217;est lui sur ce rocher 0:30</li>
<li>9. Quelques lignes plus pas 3:25</li>
<li>10. Holà, holà! José! 8:46</li>
</ul>
<p><strong>Act Four</strong></p>
<ul>
<li>1. Entr&#8217;acte 2:29</li>
<li>2. A deux cuartos! A deux cuartos! 2:14</li>
<li>3. Les voici! voici la quadrille! 7:32</li>
<li>4. C&#8217;est toi! C&#8217;est moi! 5:35</li>
<li>5. Viva! viva! la course est belle 3:47</li>
</ul>
]]></content:encoded>
					
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		<item>
		<title>Golden Operetta of Vienna</title>
		<link>https://altocd.com/product/golden-operetta-of-vienna/</link>
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		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:36:13 +0000</pubDate>
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					<description><![CDATA[<strong>Golden Operetta of Vienna</strong>

with Hilda Gueden • Elisabeth Schwarzkopf • Fritz Wunderlich • Anneliese Rothenberger • Nicolai Gedda • Jussi Bjorling • Richard Tauber • Sena Jurinac • Rudolf Schock • Julius Patzak • Rita Streich

<strong>Catalogue Number:</strong> ALC 1049
<strong>Number of Discs:</strong> 1
<strong>Duration:</strong> 67:50]]></description>
										<content:encoded><![CDATA[<p><strong><em>Alto</em></strong> presents eighteen essential operetta favorites performed by some of the twentieth century&#8217;s greatest singers.</p>
<ul>
<li>[1] <strong>Léhar: Das Land des Lächelns</strong> — Dein ist mein ganzes Herz! (You Are My Heart’s Delight&#8221;) (3:39)<br />
<strong>Nicolai Gedda</strong> with the Philharmonia Orchestra conducted by Otto Ackermann</li>
<li>[2] <strong>Léhar: Die Lustige Witwe</strong> — Vilja-Lied (5:17)<br />
<strong>Elisabeth Schwarzkopf</strong> / Chorus / Philharmonia Orchestra conducted by Otto Ackermann, rec. 1953</li>
<li>[3] <strong>Léhar: Die Lustige Witwe</strong> — Heia, Mädel aufgeschaut&#8221; (3:02)<br />
Elisabeth Schwarzkopf and Erich Kunz / Philharmonia Orchestra conducted by Otto Ackermann, rec. 1953</li>
<li>[4] <strong>Léhar: Die Lustige Witwe</strong> — &#8220;Wie eine Rosenknospe&#8221;<br />
<strong>Emmy Loose and Nicolai Gedda</strong> / Philharmonia Orchestra conducted by Otto Ackermann , rec. 1953</li>
<li>[5] <strong>Léhar: Giuditta</strong> — &#8220;Meine Lippen, sie küssen so heiss&#8221; (4:50)<br />
<strong>Hilde Gueden</strong> / Wiener Staatsoperorchester / Robert Stolz, rec. 1958</li>
<li>[6] <strong>Léhar: Der Zarewitsch</strong> — &#8220;Hab nur dich allein&#8221; (4:50)<br />
<strong>Fritz Wunderlich and Friederike Sailer</strong> / Stuttgarter Philharmoniker conducted by Fritz Mareczek, rec. 1957</li>
<li>[7] <strong>Léhar: Der Zarewitsch</strong> — Volgalied: &#8220;Allein! Wieder allein!&#8221; (5:35)<br />
<strong>Rudolf Schock</strong> / Orchestra conducted by Wilhelm Schüchter rec. 1957</li>
<li>[8] <strong>Zeller: Der Obersteiger</strong> — &#8220;Sei nicht bös&#8221; (3:22)<br />
<strong>Fritz Wunderlich</strong> / tuttgarter Philharmoniker conducted by Fritz Mareczek, rec. 1957</li>
<li>[9] <strong>Zeller: Der Obersteiger</strong> — &#8220;Ich bin die Christel von der Post&#8221; (1:59)<br />
<strong>Wilma Lipp</strong> / Wiener Symphoniker conducted byRudolf Moralt, rec. 1957</li>
<li>[10]<strong> Zeller: Der Obersteiger</strong> — Nightingale Song: &#8220;Wie mein ahn’l zwanzig jahr&#8221;<br />
<strong>Julius Patzak</strong> / Wiener Symphoniker conducted byRudolf Moralt, rec. 1957</li>
<li>[11] <strong>Millöcker: Der Bettelstudent</strong> — &#8220;Nur das eine bitt’ich&#8221; (3:59)<br />
<strong>Fritz Wunderlich and Friederike Sailer</strong> / Stuttgarter Philharmoniker conducted by Fritz Mareczek, rec. 1957</li>
<li>[12]<strong> Millöcker: Die Dubarry</strong> — &#8220;Ich schenck mein herr&#8221; (3:19)<br />
<strong>Anneliese Rothenberger</strong> / Sinfonieorchester des Bayerischen Rundfunks conducted by Werner Schmidt-Bölcke, rec. 1957</li>
<li>[13] <strong>Millöcker: Der Bettelstudent</strong> — &#8220;Ich hab kein Geld&#8221; (1:43)<br />
<strong>Jussi Björling</strong> / Orchestra conducted by Nils Grevillius, rec. 1937</li>
<li>[14] <strong>Tauber: Old Chelsea</strong> — My Heart And I (3:17)<br />
<strong>Richard Tauber</strong> / Orchestra conducted by Henry Geehl, rec. 1943</li>
<li>[15]<strong> J.Strauss II: Die Fledermaus </strong>— Spiel’ ich die Unschuld (4:54)<br />
<strong>Rita Streich</strong> / Philharmonia Orchestra conducted by Herbert von Karajan, rec. 1955</li>
<li>[16] <strong>J.Strauss II: Die Fledermaus</strong> — Czardas: &#8220;Klänge der Heimat&#8221; (4:05)<br />
<strong>Sena Jurinac</strong> / NWDR Radiosinfonieorchester Hamburg conducted by Wilhelm Schüchter, rec. 1950</li>
<li>[17] <strong>Kálmán: Gräfin Maritza</strong> — &#8220;Komm Tzigany&#8221; (3:03)<br />
<strong>Rudolf Schock</strong> / Chorus and Orchestra conducted by Wilhelm Schuuchter, rec. 1954</li>
<li>[18] <strong>Kálmán: Gräfin Maritza</strong> — &#8220;Kommt mir nach Varasdin&#8221; (1:32)<br />
<strong>Sari Barabas and Rupert Glawitsch</strong> / Orchestra conducted by Wilhelm Schuuchter, rec. 1954</li>
</ul>
<p>Produced by Tony Watts<br />
Final Master by Hilton Grove London</p>
]]></content:encoded>
					
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