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	<title>organ &#8211; Alto CD</title>
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	<link>https://altocd.com</link>
	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Fri, 03 Oct 2025 00:43:31 +0000</lastBuildDate>
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		<title>J.S. Bach: St. John Passion, BWV 245</title>
		<link>https://altocd.com/product/alc2033/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Fri, 03 Oct 2025 00:43:31 +0000</pubDate>
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					<description><![CDATA[Brandenburg Consort
King’s College Choir, Cambridge
Stephen Cleobury, organ
Roy Goodman, conductor

<strong>Catalogue Number:</strong> ALC 2033
<strong>Number of Discs:</strong> 2 CD
<strong>Date/Runtime:</strong> 138:12
<strong>Barcode:</strong>  5055354420337]]></description>
										<content:encoded><![CDATA[<p>Alto returns the acclaimed 1996 recordings of J.S. Bach’s St. John Passion by the King’s College Choir, Cambridge under the direction of Stephen Cleobury, and joined by an impressive array of Baroque specialists headed by the tenor John Mark Ainsley (Evangelist), the bass Stephen Richardson as Christ, soprano Catherine Bott, alto Michael Chance, and baritone Stephen Varcoe. The orchestra, the Brandenburg Consort, founded by Roy Goodman, was one of the leading period-instrument ensembles specializing in the music J.S. Bach and his contemporaries.</p>
<p><em>St. John Passion</em> was first performed in 1724 as part of a church service during Holy Week at St.Thomas’ Church in Leipzig with other items being added the following year, included in this recording (‘1725 setting’), although later Bach reverted to the original 1724 version. With its trial scenes St John Passion is noticeably more dramatic than the <em>St. Matthew Passion</em> which followed a couple of years later.</p>
<p>“A lively, well-paced version with original instruments and excellent team of characterful soloists, with the fresh-toned (King’s Choir) boy trebles adding dramatic bite. What especially distinguishes this set is that the alternative numbers that Bach wrote for a revival in 1725, are given in an appendix, including the Chorale fantasy in place of the opening …Most enjoyable” —Penguin Guide, 3 stars</p>
<p>“fine contributions especially from Stephen Varcoe, and an exceptionally immediate and affecting ‘Es ist vollbracht’ from Michael Chance.” —Gramophone</p>
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		<item>
		<title>William Byrd: Anthems, Motets, Services</title>
		<link>https://altocd.com/product/alc1486/</link>
					<comments>https://altocd.com/product/alc1486/#respond</comments>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 07 Feb 2024 01:48:48 +0000</pubDate>
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					<description><![CDATA[Hereford Cathedral
Choir
Geraint Bowen
Peter Dyke, organ

&#60;strong&#62;Catalogue Number:&#60;/strong&#62; ALC 1486
&#60;strong&#62;Number of Discs:&#60;/strong&#62; 1 CD
&#60;strong&#62;Date/Runtime:&#60;/strong&#62; Time: 65:16 DDD, 2005
&#60;strong&#62;Barcode:&#60;/strong&#62; 5055354414862]]></description>
										<content:encoded><![CDATA[<p>“William Byrd was undoubtedly the greatest English composer of his time, fully equal to his continental contemporaries Palestrina, Lassus and Victoria &#8230; what is also remarkable</p>
<table border="0" cellspacing="0">
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<tbody>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #7030a0; font-family: Arial;">Psallite Domino (from Gradualia 1607) 1:15</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #7030a0; font-family: Arial;">Ne irascaris (from Cantiones sacrae 1589) 8:20</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #7030a0; font-family: Arial;">Laetentur caeli (from Cantiones sacrae 1589) 3:45</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #7030a0; font-family: Arial;">Senex puerum portabat (from Gradualia 1605) 1:40</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><b><span style="color: #7030a0; font-family: Arial;">Sing joyfully 2:43</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><b><span style="color: #7030a0; font-family: Arial;">Non vos relinquam (from Gradualia 1607) 1:51</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><b><span style="color: #7030a0; font-family: Arial;">Vigilate (from Cantiones sacrae 1589) 4:37</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><b><span style="color: #7030a0; font-family: Arial;">Justorum animae (from Gradualia 1605) 2:49</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><b><span style="color: #7030a0; font-family: Arial;">Haec dies (from Cantiones sacrae 1591) 2:31</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><b><span style="color: #7030a0; font-family: Arial;">Teach me, O Lord 3:40</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><b><span style="color: #7030a0; font-family: Arial;">Rorate coeli desuper (from Gradualia 1605) 4:21</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><b><span style="color: #7030a0; font-family: Arial;">Ave verum corpus (from Gradualia 1605) 4:28</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><span style="color: #7030a0; font-family: Arial;">Second Service: Magnificat 4:06</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><span style="color: #7030a0; font-family: Arial;">Second Service: Nunc dimittis 2:16</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><b><span style="color: #7030a0; font-family: Arial;">Exsurge, Domine (from Cantiones sacrae 1591) 4:12</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><b><span style="color: #7030a0; font-family: Arial;">Sacerdotes Domini (from Gradualia 1607) 1:25</span></b></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><span style="color: #7030a0; font-family: Arial;">Short Service: Magnificat 3:22</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="20"><span style="color: #7030a0; font-family: Arial;">Short Service: Nunc dimittis 2:05</span></td>
</tr>
<tr>
<td align="left" valign="middle" height="24"><b><span style="color: #7030a0; font-family: Arial;">Laudibus in sanctis (from Cantiones sacrae 1591) 5.41</span></b></td>
</tr>
</tbody>
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		<item>
		<title>Vision of Peace / The Monks of Ampleforth Abbey</title>
		<link>https://altocd.com/product/vision-of-peace-the-monks-of-ampleforth-abbey/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:43:19 +0000</pubDate>
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					<description><![CDATA[<strong>Vision of Peace / The Monks of Ampleforth Abbey</strong>

Monks of Ampleforth
Dom. Benjamin O'Sullivan
(choir master)
Dom. Laurence McTaggart
(organ)

<strong>Catalogue Number:</strong> ALC 1322
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> 
<strong>Barcode:</strong> 5055354413223
]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">&#8220;Ampleforth Abbey is a rare oasis of calm in our hectic world.&#8221; (Gramophone)<br />
&#8220;a collection of items that illustrate different moments in the life of a monk, from his early morning awakening through to nightfall, from the day of hi s vows to the final lowering of his coffin&#8221; &#8221;<br />
&#8220;it is really telling us about something utterly serious: they sing their chant well and with understandin g, enhanced by the deep re verbe ration of their lofty chapel.&#8221; (Gramophone)</span></p>
<p><strong></strong></p>
<ul>
<li>[1]    The Great Bell                                                                                          (2:38)</li>
<li>[2]    Tibi Dixit Cor Meum                                                                               (1:42)</li>
<li>[3]    Laetatus Sum                                                                                            (1:50)</li>
<li>[4]    Suscipe                                                                                                     (3:19)</li>
<li>[5]    Veni Creator Spiritus                                                                                (3:04)</li>
<li>[6]    Where charity and love are found                                                            (2:07)</li>
<li>[7]    Inclitos Christi                                                                                          (2:44)</li>
<li>[8]    Benedictus Deus                                                                                       (1:39)</li>
<li>[9]    Ave Maris Stella                                                                                       (2:55)</li>
<li>[10]  The Reading from the Rule of St Benedict and the Confession        (3.28)</li>
<li>[11]  The Psalms of Compline                                                                          (5:30)</li>
<li>[12]  The Hymn at Nightfall                                                                             (1:14)</li>
<li>[13]  The Verse                                                                                                 (0:17)</li>
<li>[14]  Nunc Dimittis                                                                                           (1:33)</li>
<li>[15]  Litany, Prayer and Blessing                                                                     (2:14)</li>
<li>[16]  Hymn to the Virgin Mary                                                                        (2:46)</li>
<li>[17]  Scriptural Meditation                                                                               (5:10)</li>
<li>[18]  Quinque Prudentes Virgines                                                                    (1:16)</li>
<li>[19]  De Lamentatione Jeremiae Prophetae                                                      (3:36)</li>
<li>[20]  Christus Factus Est                                                                                  (2:23)</li>
<li>[21]  Te Deum                                                                                                  (4:03)</li>
<li>[22]  Miserere Mei                                                                                           (5:28)</li>
<li>[23]  Regem Cui                                                                                               (6:14)</li>
<li>[24]  Ego Sum                                                                                                   (0.41)</li>
<li>[25]  In Paradisum /Chorus Angelorum                                                            (l:11)</li>
<li>[26]  Suscipe                                                                                                     (0:40)</li>
<li>[27]  Urbs Jerusalem Beata                                                                              (2:34)</li>
</ul>
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			</item>
		<item>
		<title>Organ Extravaganza !- de Montfort &#038; Holbrook</title>
		<link>https://altocd.com/product/organ-extravaganza-de-montfort-holbrook/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:39:35 +0000</pubDate>
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					<description><![CDATA[<strong>Organ Extravaganza !- de Montfort &#038; Holbrook</strong>

Kevin Bowyer

<strong>Catalogue Number:</strong> ALC 1187
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> DDD, 1998/2000 Time 78:34]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">‘two of England’s most powerful organs played superbly just for entertainment’<br />
(Organist’s Review): ‘reference performances recorded with stunning impact’<br />
</span></p>
<ul>
<strong>The Taylor organ in the De Montfort Hall, Leicester</strong></p>
<li>1.     Toccata Giubiloso (Jeremy Nicholas)                                 3:38</li>
<li>2.     Danse Macabre (Saint-Saens arr E.H.Lemare)                       7:49</li>
<li>3.     Prelude in C# minor (Rachmaninov arr Vierne)                    4:06</li>
<li>4.     Devil&#8217;s Galop &#8211; &#8220;Dick Barton&#8221; (Williams arr Blackmore)           1:38</li>
<li>5.     Penguins&#8217; Playtime (Nigel Ogden)                                      2:29</li>
<li>6.     In a Persian Market (Ketelbey arr Matthews)                       6:09</li>
<li>7.     Toccata sur &#8220;Pat le Facteur&#8221; (Edward Marsh)                     5:04</li>
<li>8.     Etude Symphonique (Bossi)                                               4:36</li>
<li>9.     Tuba Tune (Norman Cocker)                                               4:28</li>
<p><strong>The Hill, Norman &#038; Beard organ in the Royal Hospital School Chapel, Holbrook, Suffolk</strong></p>
<li>10.  March: The Dam Busters (Eric Coates arr. Edward Marsh)   4:13</li>
<li>11.  In Party Mood &#8211; &#8220;Housewives&#8217; Choice&#8221; Theme<br />
       (Jack Strachey arr. George Blackmore)                                  4:14</li>
<li>12.  Marche aux Flambeaux (Scotson Clark ed. Edward Marsh)  4:15</li>
<li>13.  The Parade of the Tin Soldiers (Leon Jessel)                     3:28</li>
<li>14.  Stars and Stripes Forever (J.P. Sousa arr. Edward Marsh)  3:46</li>
<li>15.  Funeral March of a Marionette &#8211; &#8220;Hitchcock&#8221; Theme<br />
       (Gounod arr. W.T. Best)                                                      4:30</li>
<li>16.  Colonel Bogey (Kenneth J. Alford)                                      4:36</li>
<li>17.  Chanson de Matin (Elgar arr. A. Herbert Brewer)                  2:54</li>
<li>18.  Toccata (Joseph Jongen)                                                    4:39</li>
</ul>
]]></content:encoded>
					
		
		
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