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	<title>Rudolf Barshai &#8211; Alto CD</title>
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	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Thu, 27 Jun 2024 19:19:47 +0000</lastBuildDate>
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		<title>Mozart: Sinfonia Concertante K364  Violin Concertos No.1 K207 &#038; No.3 K216</title>
		<link>https://altocd.com/product/mozart-sinfonia-concertante-k364-violin-concertos-no-1-k207-no-3-k216/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:47:04 +0000</pubDate>
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					<description><![CDATA[<p><strong>David Oistrakh (violin)</strong><br />
<strong>Moscow Chamber Orchestra </strong><br />
<strong>conductor Rudolf Barshai (also Viola in K364) </strong><br />
<strong>Moscow Philharmonic Orchestra </strong><br />
<strong>Kirill Kondrashin (VC1)</strong></p>
<p><strong>Catalogue Number:</strong> ALC 1454<br />
<strong>Number of Discs:</strong> 1CD<br />
<strong>Date/Runtime:</strong> 75:23 stereo 1960-63<br />
<strong>Barcode:</strong> 5055354414541</p>]]></description>
										<content:encoded><![CDATA[<p><span style="color: #000080;">“you can’t go wrong with Oistrakh’s pre-authenticity Mozart. True, this is big-boned, dyed in the wool Mozart, 1960’s style. Tempi are relaxed, textures quite heavy and the ethos masculine and robust … subtle shadings are there – but the prevailing spirit is strong-limbed engagement. K216 was always one of his best pieces of Mozart playing … he also contributes his own, rather good, cadenzas … second movement characteristically expressive and full of the artist’s noble warmth, and a spirit of romance enlivens the finale. Sinfonia Concertante opens at a real maestoso-qualified Allegro. Directed from the viola by Barshai … once again, there’s real affection in the Andante and the finale is nicely buoyant” (MusicWeb)</span></p>
<table>
<tbody>
<tr>
<td><strong>Sinfonia Concertante in Eb major, K364 [30:34]</strong></td>
</tr>
<tr>
<td>[1] Allegro maestoso 12:50</td>
</tr>
<tr>
<td>[2] Andante 11:54</td>
</tr>
<tr>
<td>[3] Presto 5:49</td>
</tr>
<tr>
<td><strong>Violin Concerto No.3 in G major, K216 [23:17]</strong></td>
</tr>
<tr>
<td>[4] Allegro 8:44</td>
</tr>
<tr>
<td>[5] Adagio 8:17</td>
</tr>
<tr>
<td>[6] Rondeau: Allegro 6:15</td>
</tr>
<tr>
<td><strong>Violin Concerto No.1 in Bb major, K207* [21:14]</strong></td>
</tr>
<tr>
<td>[7] Allegro moderato 7:22</td>
</tr>
<tr>
<td>[8] Adagio 7:49</td>
</tr>
<tr>
<td>[9] Presto 6:02</td>
</tr>
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</table>
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		<title>Shostakovich Symphony No.4</title>
		<link>https://altocd.com/product/shostakovich-symphony-no-4/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:39:13 +0000</pubDate>
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					<description><![CDATA[<strong>Shostakovich Symphony No.4</strong>

WDR Orchestra
Rudolf Barshai

<strong>Catalogue Number:</strong> ALC 1169
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> DDD 62:02,  2002]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“Barshai’s performance possesses real urgency and weight of sonority …sense of concentration…satisfying formal coherence…Barshai’s credentials with the composer could hardly be better demonstrated” ( © Gramophone)</span></p>
<ul>
<li>1.  Allegretto poco moderato         27:12   </li>
<li>2.  Moderato con moto                   8:45</li>
<li>3.  Largo – Allegro                        26:04</li>
</ul>
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		<item>
		<title>Prokofiev: Symphonies 5 &#038; 1 “Classical”</title>
		<link>https://altocd.com/product/prokofiev-symphonies-5-1-classical/</link>
					<comments>https://altocd.com/product/prokofiev-symphonies-5-1-classical/#respond</comments>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:36:36 +0000</pubDate>
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					<description><![CDATA[<strong>Prokofiev: Symphonies Nos. 1 “Classical” &#38; 5</strong>

Rudolf Barshai / Philharmonia Orchestra

<strong>Catalogue Number:</strong> ALC 1086
<strong>Number of Discs:</strong> 1]]></description>
										<content:encoded><![CDATA[<p><span style="color: blue;">“This newcomer can hold its head high among any rivals; in terms of detail, presence and body, it is first class. The perspective is natural, the definition, particularly at the bottom end of the aural spectrum, quite outstanding, and there is impressive clarity. Rudolf Barshai gets cultured playing from the Philharmonia Orchestra and gives a fine account of the score. The performance is well thought out, tempos are judiciously chosen and the architecture of the work carefully shaped… The same goes for the Classical Symphony.”<br />
— Gramophone</span></p>
<p><strong>The essential Prokofiev symphonies conducted by one of the composer&#8217;s beloved colleagues – now available at super-value price!</strong></p>
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