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	<title>Sibelius &#8211; Alto CD</title>
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	<description>Classical Music and Nostalgia CDs</description>
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	<item>
		<title>Grieg &#038; Sibelius Favourites ‘From Fjord &#038; Forest’</title>
		<link>https://altocd.com/product/grieg-sibelius-favourites-from-fjord-forest/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:39:35 +0000</pubDate>
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					<description><![CDATA[<strong>Grieg &#038; Sibelius Favourites ‘From Fjord &#038; Forest’</strong>

New Sym. Orchestra 
of London / 
Charles Mackerras
RPO/ Mackerras
RPO/ Schmidt &#038; Ermler

<strong>Catalogue Number:</strong> ALC 1191
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> Time: 71:22 stereo 1961 &#038; DDD 1995]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">‘I enjoyed this (Mackerras) record very much indeed, for its excellent performances, and for its variety, sensibly arranged to afford the greatest enjoyment -a good blend of the very familiar and the less well known&#8230;.Mackerras is as sympathetic to such things as the Grieg Elegiac Melodies as he is effective with Finlandia.  Sibelius&#8217; beautiful Elegy gets a particularly lovely performance. A highly enjoyable miscellany’ (Gramophone)<br />
</span></p>
<ul>
<li>[1]    Grieg orch Huppertz: Wedding Day at Troldhaugen*            5:51<br />
<strong>Grieg:</strong> Two Elegiac Melodies Op.34* </li>
<li>[2]     The Heart Wounds       2:54       [3]    Last Spring      4:41<br />
<strong>Grieg:</strong> Norwegian Melodies Op.63 No.2*</li>
<li>[4]    Cow-Keeper’s Tune      3:17        [5]   Country Dance 2:11</li>
<li>[6]    Sibelius: Valse Triste* Op.44                                               5:06<br />
<strong>Sibelius:</strong> from King Christian Suite*</li>
<li>[7]    Elegie                            5:27         [8]   Musette           2:21<br />
<strong>Sibelius:</strong> from Pelleas and Melisande Suite* Op.46</li>
<li>[9]    Entr’acte                        2:29        [10] At the Castle Gate 3:19</li>
<li>[11]  Grieg: Holberg Suite &#8211; 1st movement (RPO/Simonov)              2:48</li>
<li><strong>Grieg:</strong> from Peer Gynt Suite (RPO/Ermler)</li>
<li>[12]  Morning                                                                               4:20</li>
<li>[13]  Anitra’s Dance                                                                     3:30</li>
<li>[14]  Hall of the Mountain King                                                      2:30</li>
<li>[15]  Sibelius: Intermezzo from Karelia Suite (RPO/Mackerras)      3:44</li>
<li>[16]  Sibelius: The Swan of Tuonela Op.22/3 (RPO/Schmidt)          8:17<br />
         (Cor angais solo: Geoffrey Browne)</li>
<li>[17] Sibelius: Finlandia (RPO/Mackerras)                                    8:29</li>
</ul>
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			</item>
		<item>
		<title>Sibelius: Symphonies Nos. 2 &#038; 5</title>
		<link>https://altocd.com/product/sibelius-symphonies-nos-2-5/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:39:13 +0000</pubDate>
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					<description><![CDATA[<strong>Sibelius: Symphonies Nos. 2 &#038; 5</strong>

Royal Philharmonic Orchestra
Sir Charles Mackerras (1-4);
Ole Schmidt (5-7)

<strong>Catalogue Number:</strong> ALC 1189
<strong>Number of Discs:</strong> 1
<strong>Date/Runtime:</strong> DDD, 72:21,   1994/6]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“eminently recommendable account of Sibelius&#8217;s Second&#8230;. good, well-chosen tempos and no want of tenderness at the Andante sostenuto theme&#8230;. Mackerras holds the structure together “ (Gramophone) “Sibelians need this disc. Schmidt’s Fifth could easily stand as the only version in someone’s collection. &#8230; Rob Barnett (MusicWeb International)  “Ole Schmidt’s excellent Nielsen symphonies cycle long made me want to hear more of him on disc&#8230;.” (c) Gramophone </span></p>
<ul>
<strong>Symphony No.2 in D major, Op.43</strong></p>
<li>[1]  Allegretto                                                                     9:34</li>
<li>[2]  Tempo andante, ma rubato                                       13:44</li>
<li>[3]  Vivacissimo                                                                 6:01</li>
<li>[4]  Allegro moderato                                                      13:45</li>
<p><strong>Symphony No.5 in E flat major, Op.82</strong></p>
<li>[5]  Tempo molto moderato                                             12:11</li>
<li>[6]  Andante mosso                                                            8:37</li>
<li>[7]  Allegro molto                                                              8:17</li>
</ul>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Sibelius: Piano Music</title>
		<link>https://altocd.com/product/sibelius-piano-music/</link>
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		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:37:42 +0000</pubDate>
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					<description><![CDATA[<p><strong>Sibelius: Piano Music</strong></p>
<p>&#160;</p>
<p><strong>Annette Servedai</strong></p>
<p><strong>Catalog Number:</strong> ALC 5001<br />
<strong>Number of Discs:</strong> 5 (deluxe box, extensive notes)<br />
<strong>Time: 351 mins, DDD 1992/5</strong></p>]]></description>
										<content:encoded><![CDATA[<p><img fetchpriority="high" decoding="async" class="size-medium wp-image-4925 alignleft" src="http://altocd.com/wp-content/uploads/2011/06/ALC-5001-do-1-320x320.jpg" alt="" width="320" height="320" /></p>
<p><span style="color: blue;"><span style="color: blue;">3 Stars: &#8220;A sympathetic and sensitive guide to this repertoire. â€¦ well recorded. She produces a wide range of keyboard colour and a good dynamic range. On the whole the set makes a clear first choice in this repertoire&#8221;<br />
&#8211; Penguin Guide<br />
&#8220;[Annette Servedai] is not one of the bash and glitter school. Her approach reaches the heart of the music by stealth. â€¦ Soft playing which is yet deep in tone;&#8221;<br />
&#8211; Musical Opinion</span></span></p>
<p><strong>ALC 5001 A Sibelius: Piano Music Disc 1 Annette Servadei (piano) </strong></p>
<p><strong>Ten Piano Pieces, Op.24 Ten Bagatelles, Op.34<br />
</strong>[1] No.1 Impromptu 2:59 [17] No.1 Valse 2:07<br />
[2] No.2 Romance 7:24 [18] No.2 Air de danse 0:53<br />
[3] No.3 Caprice 2:55 [19] No.3 Mazurka 1:31<br />
[4] No.4 Romance 3:11 [20] No.4 Couplet 1:33<br />
[5] No.5 Valse 2:21 [21] No.5 Boutarde 1:43<br />
[6] No.6 Idyll 3:41 [22] No.6 RÃ©verie 2:18<br />
[7] No.7 Andantino 2:51 [23] No.7 Danse pastorale 1:08<br />
[8] No.8 Nocturne 3:06 [24] No.8 Joueur de harpe 1:38<br />
[9] No.9 Romance 4:09 [25] No.9 Reconnaissance 0:53<br />
[10] No.10 Barcarola 4:13 [26] No.10 Souvenir 2:52</p>
<p><strong>Six Impromptus, Op.5</strong></p>
<p>[11] No.1 1:51<br />
[12] No.2 1:57<br />
[13] No.3 2:07<br />
[14] No.4 2:34<br />
[15] No.5 3:30<br />
[16] No.6 2:55</p>
<p>TOTAL TIME 69:31<strong><br />
</strong>Recorded Christ&#8217;s Hospital Horsham April 1992: Original engineer: John Taylor<br />
Mastered for alto by Paul Arden-Taylor (www.dimnmore-records.co.uk)</p>
<p><strong>ALC 5001B Sibelius: Piano Music Disc 2 Annette Servadei (piano) </strong></p>
<p>[1] <strong>Valse Triste</strong>, <strong>Op.44</strong> 4:45<strong> Six Finnish Folk Songs</strong><br />
[2<strong>] Spagnuolo</strong> 0:53 [17] No.1 Minum Kaltani 1:05<br />
[3] <strong>Till tranaden</strong> 1:44 [18] No.2 Sydamestani rakastan 1:19<br />
[4] <strong>Mandolinato </strong> 1:08 [19] No.3 Ilta tulee, ehto joutuu 1:04<br />
[5] <strong>Morceau Romantique</strong> 2:06 [20] No.4 Tuopa tytto, kaunis tytto 1:08<br />
[6] <strong>Kavaljeren</strong> 1:26 [21] No.5 Velisurmaaja 1:20</p>
<p>[22] No.6 Haamuistelma 0:51</p>
<p><strong>PensÃ©es Lyriques, Op.40<br />
</strong>[7] No.1 Valsette 0:58<strong> Ten Piano Pieces, Op.58</strong><br />
[8] No.2 Chant sans paroles 1:40 [23] No.1 Reverie 4:41<br />
[9] No.3 Humoresque 1:15 [24] No.2 Scherzino 1:39<br />
[10] No.4 Minuetto 2:46 [25] No.3 Air varie 5:16<br />
[11] No.5 Berceuse 1:56 [26] No.4 Der Hirt 2:43<br />
[12] No.6 PensÃ©e mÃ©lodique 1:27 [27] No.5 Des Abends 4:55<br />
[13] No.7 Rondoletto 1:17 [28] No.6 Dialogue 2:23<br />
[14] No.8 Scherzando 1:01 [29] No.7 Tempo di Minuetto 3:10<br />
[15] No.9 Petite sÃ©rÃ©nade 2:21 [30] No.8 Fischerlied 2:53<br />
[16] No.10 Polonaise 1:37 [31] No.9 Standchen 2:37</p>
<p>[32] No.10 Sommerlied 3:03<strong><br />
</strong>TOTAL TIME 70:13<br />
Recorded Christ&#8217;s Hospital Horsham july/August 1992: Original engineer: John Taylor<br />
Mastered for alto by Paul Arden-Taylor (www.dimnmore-records.co.uk)</p>
<p>&nbsp;</p>
<p><strong>ALC 5001C Sibelius: Piano Music Disc 3 Annette Servadei (piano) </strong></p>
<p>&nbsp;</p>
<p><strong>Piano Sonata in F major, Op.12 Sonatina No.3 in B flat major<br />
</strong>[1] Allegro molto 6:35 [13] Andante &#8211; Allegro moderato 3:47<br />
[2] Andantino 8:00 [14] Andante 2:12<br />
[3] Vivacissimo 4:29 [15] Allegretto 1:44</p>
<p>&nbsp;</p>
<p><strong>Kyllikki (3 Lyric Pieces), Op.41 Two Rondinos, Op.68<br />
</strong>[4] Largamente &#8211; Allegro 3:12 [16] No.1 in G sharp minor:Andantino 3:07<br />
[5] Andantino 5:13 [17] No.2 in C sharp minor: Vivace 1:52<br />
[6] Commodo 3:36</p>
<p><strong>Three Sonatinas, Op.67 Four Lyric Pieces, Op.74</strong></p>
<p>&nbsp;</p>
<p><strong>Sonatina No.1 in F sharp minor </strong>[18] No.1 Eclogue 4:52<strong><br />
</strong>[7] Allegro 3:05 [19] No.2 Soft West Wind 2:17<br />
[8] Largo 2:40 [20] No.3 At the Dance 1:51<br />
[9] Allegro moderato 1:53 [21] No.4 In the Old Home 2:49</p>
<p><strong>Sonatina No.2 in E major<br />
</strong>[10] Allegro 2:21<br />
[11] Andantino 2:33<br />
[12] Allegro 1:37<br />
<strong><br />
</strong>TOTAL TIME 71:21<br />
Recorded St. George€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s, Brandon Hill, Bristol April 1993: engineer: John Taylor<br />
Mastered for alto by Paul Arden-Taylor (www.dimnmore-records.co.uk)</p>
<p><strong>ALC 5001D Sibelius: Piano Music Disc .4 Annette Servadei (piano) </strong></p>
<p>[1] <strong>Kallion Kirkon Kellozavel</strong>, <strong>Op.65</strong> 2:50<strong> Five Pieces for Piano (The Flowers), Op.85</strong></p>
<p><strong>Five Pieces for Piano (The Trees), Op.75 </strong>[20] No.1 Bellis 1:24<strong><br />
</strong>[2] No.1 NÃ¤r ronnen blommar 2:09 [21] No.2 Oeillet 2:06<br />
[3] No.2 Den ensamma furan 2:14 [22] No.3 Iris 3:28<br />
[4] No.3 Aspen 3:39 [23] No.4 Aquileja 1:41<br />
[5] No.4 Bjorken 1:26 [24] No.5 Campanula 2:26<br />
[6] No.5 Granen 2:41</p>
<p><strong> Six Pieces for Piano, Op.94</strong></p>
<p><strong>Thirteen Pieces for Piano, Op.76<br />
</strong>[25] No.1 Danse 1:06</p>
<p>[7] No.1 Esquisse 0:58 [26] No.2 Novellette 1:04<br />
[8] No.2 Etude 1:20 [27] No.3 Sonnet 2:24<br />
[9] No.3 Carillon 1:19 [28] No.4 Berger et bergerette 2:18<br />
[10] No.4 Humoresque 1:17 [29] No.5 Melodie 2:08<br />
[11] No.5 Consolation 2:22 [30] No.6 Gavotte 1:49<br />
[12] No.6 Romanzetta 1:42<br />
[13] No.7 Affettuoso 1:56<strong> Six Bagatelles, Op.97</strong><br />
[14] No.8 PiÃ¨ce enfantine 0:52 <br />
[15] No.9 Arabesque (Musical Box) 1:12 [31] No.1 Humoreske I 1:47<br />
[16] No.10 Elegiaco 1:50 [32] No.2 Lied 2:04<br />
[17] No.11 Linnaea 2:20 [33] No.3 Kleiner Walzer 1:30<br />
[18] No.12 Capriccietto 0:58 [34] No.4 Humoristcher Marsch 1:17<br />
[19] No.13 Harlequinade 1:20 [35] No.5 Impromptu 1:28</p>
<p>[36] No.6 Humoreske II 1:45</p>
<p>TOTAL TIME 66:28<br />
Recorded St. George&#8217;s Brandon Hill, Bristol, Feb 1994: Original engineer: John Taylor<br />
Mastered for alto by Paul Arden-Taylor (www.dimnmore-records.co.uk)</p>
<p><strong>ALC 5001E Sibelius: Piano Music Disc 5 Annette Servadei (piano) </strong></p>
<p>[1] <strong>Valse Lyrique</strong>, Op.96a 5:26<strong> Five Characteristic Impressions, Op.103 </strong><br />
[2] <strong>Autrefois</strong>, Op.96b 5:42<br />
[3] <strong>Valse Chevaleresque</strong>, Op.96c 5:31 [17] No.1 The Village Church 2:52</p>
<p>[18] No.2 The Fiddler 2:22</p>
<p><strong>Eight Petits Morceaux, Op.99 </strong>[19] No.3 The Oarsman 2:34<strong><br />
</strong>[20] No.4 The Storm 1:46</p>
<p>[4] No.1 PiÃ¨ce Humoristique 1:19 [21] No.5 In Mournful Mood 1:35<br />
[5] No.2 Esquisse 0:47 <br />
[6] No.3 Souvenir 1:19<strong> Five Esquisses, Op.114</strong><br />
[7] No.4 Impromptu 1:02<br />
[8] No.5 Couplet 1:26 [22] No.1 Maisema 2:28<br />
[9] No.6 Animoso 1:51 [23] No.2 Talvikuva 2:25<br />
[10] No.7 Moment de valse 1:19 [24] No.3 Metsalampi 2:25<br />
[11] No.8 Petite marche 1:24 [25] No.4 Metsalaulu 2:37</p>
<p>[26] No.5 Kevatnaky 1:37</p>
<p><strong>Cinq Morceaux Romantiques, Op.101<br />
</strong>[12] No.1 Romance 3:53 [27] <strong>Finlandia</strong>, Op.26 9:12<br />
[13] No.2 Chant du soir 1:49<br />
[14] No.3 ScÃ¨ne lyrique 2:27<br />
[15] No.4 Humoresque 2:37<br />
[16] No.5 ScÃ¨ne romantique 3:13 TOTAL TIME 73:41</p>
<p>Produced by Roland Clarke &amp; Annette Servadei;<br />
Recorded St. George€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s Brandon Hill, Bristol, July 1994: Original engineer: John Taylor<br />
Mastered for alto by Paul Arden-Taylor (www.dimnmore-records.co.uk)</p>
]]></content:encoded>
					
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		<item>
		<title>Sibelius: Symphony No. 1 / Karelia Suite / The Swan of Tuonela / Finlandia</title>
		<link>https://altocd.com/product/sibelius-symphony-no-1-karelia-suite-the-swan-of-tuonela-finlandia/</link>
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		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:36:36 +0000</pubDate>
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					<description><![CDATA['
<strong>Sibelius: Symphony No. 1 / Karelia Suite / The Swan of Tuonela / Finlandia</strong>

Sir Alexander Gibson / Royal Philharmonic Orchestra

<strong>Catalogue Number:</strong> ALC 1089
<strong>Number of Discs:</strong> 1]]></description>
										<content:encoded><![CDATA[<p><span style="color: blue;">“The new recording on Collins by Sir Alexander Gibson (a Sibelius specialist) … is easily his best version and can hold its head high among the competition. … [T]he orchestral playing [is] thoroughly committed and involving, and is, predictably, free from eccentricities: in short, it is a performance of integrity. &amp;hellip [The recording] is able to accommodate climaxes with greater comfort… microphone placing secures greater transparency from the strings although there is no lack of vividness and presence.”<br />
— Gramophone</span></p>
<p><strong>A Gramophone Sibelius favorite returns to the catalogue – at super value price for the first time!</strong></p>
]]></content:encoded>
					
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