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	<title>Sir Colin Davis &#8211; Alto CD</title>
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	<description>Classical Music and Nostalgia CDs</description>
	<lastBuildDate>Wed, 31 Jan 2024 23:46:46 +0000</lastBuildDate>
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		<title>Berlioz: L’Enfance du Christ</title>
		<link>https://altocd.com/product/berlioz-lenfance-du-christ/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:46:18 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52421</guid>

					<description><![CDATA[<ul>
	<li><span style="font-size: 18pt; color: #ff0000;"><strong>     <a style="color: #ff0000;" href="http://altocd.com/wp-content/uploads/2020/09/ALC-1608-WEBSITE-TEXT.pdf">ALC 1608 WEBSITE TEXT</a></strong></span></li>
</ul>
<p>Sir Colin Davis <br />
London Symphony Orchestra &#38; Chorus<br />
Yann Beuron<br />
Karen Cargill <br />
William Dazeley<br />
Matthew Rose, Peter Rose<br />
Tenebrae (Director: Nigel Short)</p>
<p><strong>Catalogue Number:</strong>  ALC 1608<br />
<strong>Number of Discs:</strong> 2<br />
<strong>Date/Runtime: </strong>DDD; 2006, 96:40<br />
<strong>Barcode: </strong>5055354416088</p>
<p>&#160;</p>
<p>&#160;</p>]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>Financial Times’ Disc of the Year; New York Times’ CDs of the Year<br />
<span style="color: #0000ff;">“Performance: ***** Recording: ***** ‘Beuron, probably today&#8217;s finest lyric tenor, gives the performance an essential idiomatic core in his narration &#8230; [Tenebrae are] dramatically alert and glowing as stained glass, the angelic messages skin-pricklingly ethereal.” (BBC Music Magazine) “[Sir Colin&#8217;s] revisitation of this truly classic score is utterly and totally compelling.’ (International Record Review)</span></p>
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<td align="left" valign="middle" height="20"><b><span style="color: #333333;">Disc 1 [41:04]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">1. Part I, Le Songe d&#8217;Hérode: Prologue &#8211; 1:53</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">2. Scene 1 &#8211; Marche Nocturne 8:25</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">3. Scenes 2 &amp; 3 &#8211; Toujours Ce Rêve! 8:49</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">4. Scene 4 &#8211; Les Sages de Judée 3:33</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">5. Scene 4 &#8211; Les Devins Font Des Évolutions 1:27</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">6. Scene 4 &#8211; La Voix Dit Vrai, Seigneur 4:11</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">7. Scene 5 &#8211; O Mon Cher Fils 8:20</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">8. Scene 6 &#8211; Joseph! Marie! 4:22</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;"> </span></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #333333;">Disc 2 [55:28]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">1. Part II, La Fuite en Égypte: Ouverture 6:25</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">2. L&#8217;adieu des Bergers a la Sainte Famille (The Shepherds&#8217; Farewell) 4:32</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">3. Le Repos de la Sainte Famille (The Holy Family At Rest) 6:39</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">4. Part III, L&#8217;Arrivée à Saïs: Depuis Trois Jours 3:33</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">5. Scene 1 &#8211; Dans Cette Ville Immense 5:25</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">6. Scene 2 &#8211; Entrez, Pauvres Hébreux 7:36</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">7. Scene 2 &#8211; Trio for Two Flutes and Harp 6:23</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">8. Scene 2 &#8211; Vous Pleurez, Jeune Mère 4:27</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">9. Epilogue &#8211; Ce Fut Ainsi Que Par un Infidèle 3:08</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #333333;">10. Epilogue &#8211; O Mon Âme 7:16</span></td>
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		<item>
		<title>Berlioz: Grande Messe des Morts / ‘Requiem&#8217;</title>
		<link>https://altocd.com/product/berlioz-grande-messe-des-morts-requiem/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:45:56 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52380</guid>

					<description><![CDATA[<p>Sir Colin Davis<br />
Barry Banks <br />
L.S.O. Chorus <br />
London Philharmonic Choir <br />
London Symphony Orchestra</p>
<p><strong>Catalogue Number:</strong>  ALC 1607<br />
<strong>Number of Discs:</strong> 2<br />
<strong>Date/Runtime:</strong>DDD, 2012: 94:04<br />
<strong>Barcode: </strong>5055354416071</p>]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">Grammy Nomination 2014; Gramophone Magazine’s Editor’s Choice; MusicWeb International’s Recording of the Month: &#8216;[Davis’] last-ever Berlioz recording, demonstrates yet again his unique empathy with and understanding of Berlioz’s music as well as his authority in conducting it.&#8217;</span><br />
<span style="color: #0000ff;">Classical Source: ‘Those two concerts in Saint Paul’s were colossal events. I attended the first and have rarely been so moved by the magnificence of stately music superbly rendered … and captured here with remarkable fidelity.’ The Arts Desk: ‘This is an essential purchase – a first-rate reading of a religious work combining entertainment and spiritual uplift.’</span></p>
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<td align="left" valign="middle" height="21"><b><span style="color: #808000; font-family: Arial; font-size: medium;">Disc 1 [52:56]</span></b></td>
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<td align="left" valign="middle" height="24"><span style="color: #808000; font-family: Arial; font-size: medium;">[1] I. Requiem et Kyrie 12:14</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #808000; font-family: Arial; font-size: medium;">[2] II. Dies irae 13:38</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #808000; font-family: Arial; font-size: medium;">[3] III. Quid sum miser 3:23</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #808000; font-family: Arial; font-size: medium;">[4] IV. Rex tremendae 6:43</span></td>
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<td align="left" valign="middle" height="21"><span style="color: #808000; font-family: Arial; font-size: medium;">[5] V. Quaerens me 5:10</span></td>
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<td align="left" valign="middle" height="25"><span style="color: #808000; font-family: Arial; font-size: medium;">[6] VI. Lacrymosa 11:46</span></td>
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<td align="left" valign="middle" height="25"><span style="color: #808000; font-family: Arial; font-size: medium;"> </span></td>
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<td align="left" valign="middle" height="25"><span style="color: #808000; font-family: Arial; font-size: medium;">Disc 2 [41:08]</span></td>
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<td align="left" valign="middle" height="25"><span style="color: #808000; font-family: Arial; font-size: medium;">[1] VII. Offertoire (Domine Jesu Christe) 11:48</span></td>
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<td align="left" valign="middle" height="25"><span style="color: #808000; font-family: Arial; font-size: medium;">[2] VIII. Hostias 3:47</span></td>
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<td align="left" valign="middle" height="25"><span style="color: #808000; font-family: Arial; font-size: medium;">[3] IX. Sanctus 11:27</span></td>
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<td align="left" valign="middle" height="25"><span style="color: #808000; font-family: Arial; font-size: medium;">[4] X. Agnus Dei 14:05</span></td>
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		<item>
		<title>Berlioz: Symphonie Fantastique / Shepherds’ Farewell  / Romeo &#038; Juliet (exc)</title>
		<link>https://altocd.com/product/berlioz-symphonie-fantastique-shepherds-farewell-romeo-juliet-exc/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:45:55 +0000</pubDate>
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					<description><![CDATA[<p>London Symphony Orchestra<br />
Sir Colin Davis</p>
<p>Catalogue Number: ALC 1370<br />
Number of Discs: 1<br />
Date/Runtime: DDD, 2006: Time 69:20<br />
Barcode: ###</p>]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“Berlioz’s greatest interpreter of modern times recorded it three times, but this most recent version is the most gripping and satisfying, deftly treading a fine line between self-revelation and self-indulgence. The volcanic outpourings of feeling are as intense as they should be, yet in the quieter moments – Davis achieves a wonderfully expressive pianissimo, in which every detail seems to convey meaning’ (Gramophone)</span></p>
<ul>
<li>[1] <strong>Shepherds’ Farewell (L’Enfance du Christ, Op.25)* </strong> 4:33</li>
<li>[2] <strong>Romantic Excerpt (Romeo et Juliette, Op.17) </strong> 7:20</li>
<li>Scene 1c &#8211; “Premiers transports que nul n’oublie!”</li>
<li><strong>Symphonie Fantastique Op.14/H48</strong> [57:10]</li>
<li>[3] I. Rêveries – Passions 15:49</li>
<li>[4] II. Un Bal 6:35</li>
<li>[5] III. Scène aux champs 17:16</li>
<li>[6] IV. Marche au supplice 7:01</li>
<li>[7] V. Songe d’une nuit de sabbat 10:27</li>
</ul>
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		<title>Dvořák: Symphonies Nos. 7 &#038; 8</title>
		<link>https://altocd.com/product/dvorak-symphonies-nos-7-8/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:45:55 +0000</pubDate>
				<guid isPermaLink="false">https://amuletts.com/altocd/?post_type=product&#038;p=52366</guid>

					<description><![CDATA[<p>London Symphony Orchestra <br />
Sir Colin Davis</p>
<p><strong>Catalogue Number: </strong>ALC 1406<br />
<strong>Number of Discs:</strong> 1<br />
<strong>Date/Runtime:</strong>Total Time 79:08 DDD 1999-2001<br />
<strong>Barcode: </strong>5055354414060</p>]]></description>
										<content:encoded><![CDATA[<p><span style="color: #0000ff;">“This beautiful performance deserves to win many new friends for Dvořák&#8217;s most Brahmsian symphony. Davis’s love of this music shines out of every bar.” (Gramophone)</span><br />
<span style="color: #0000ff;">“culminating in a towering account of the finale, which unlike many, here emerges as a fully satisfying conclusion”</span><br />
<span style="color: #0000ff;">“More successfully than any other recording, Davis captures the slow movement&#8217;s elusive heart of darkness.”</span></p>
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<td align="left" valign="middle" height="20"><b><span style="color: #33cccc; font-size: medium;">Symphony No. 7 in D Minor, Op. 70 (1884-5) [39:57]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #33cccc; font-size: medium;">[1] I. Allegro maestoso 11:09</span></td>
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<td align="left" valign="middle" height="24"><span style="color: #33cccc; font-size: medium;">[2] II. Poco Adagio 11:20</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #33cccc; font-size: medium;">[3] III. Scherzo. Vivace 7:40</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #33cccc; font-size: medium;">[4] IV. Finale. Allegro 9:46</span></td>
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<td align="left" height="20"><b><span style="color: #33cccc; font-size: medium;"> </span></b></td>
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<td align="left" valign="middle" height="20"><b><span style="color: #33cccc; font-size: medium;">Symphony No. 8 in G Major, Op. 88 (1889) [39:05]</span></b></td>
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<td align="left" valign="middle" height="20"><span style="color: #33cccc; font-size: medium;">[5] I. Allegro con brio 10:02</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #33cccc; font-size: medium;">[6] II. Adagio 11:19</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #33cccc; font-size: medium;">[7] III. Allegretto grazioso – Molto Vivace 6:59</span></td>
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<td align="left" valign="middle" height="20"><span style="color: #33cccc; font-size: medium;">[8] IV. Allegro ma non troppo 10:44</span></td>
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