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	<title>Utah Symphony &#8211; Alto CD</title>
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	<lastBuildDate>Wed, 31 Jan 2024 23:48:55 +0000</lastBuildDate>
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		<title>ERNEST BLOCH (1880-1959) &#8216;Israel&#8217; Symphony Schelomo (Rhapsody for Cello) ; Three Jewish Poems</title>
		<link>https://altocd.com/product/ernest-bloch-1880-1959-israel-symphony-schelomo-rhapsody-for-cello-three-jewish-poems/</link>
		
		<dc:creator><![CDATA[amuletts]]></dc:creator>
		<pubDate>Wed, 31 Jan 2024 23:48:34 +0000</pubDate>
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					<description><![CDATA[<p>Utah Symphony, Maurice Abravanel, Zara Nelsova (cello*), New Zealand Symphony, James Sedares</p>
<p><strong>Catalogue Number:</strong> ALC 1477<br />
<strong>Number of Discs:</strong> 1 CD<br />
<strong>Date/Runtime:</strong> Time: 74:33 ADD/DDD 1967/93 <br />
<strong>Barcode:</strong> 5055354414770</p>]]></description>
										<content:encoded><![CDATA[<p><span style="color: #000080;" data-darkreader-inline-color="">“Bloch’s Israel Symphony is a large-scale work anticipating the Hollywood film composers’ styles for biblical epics … the vigour and spontaneity of Abravanel’s Utah performances … transferred to CD with great success” [Penguin Guide] “Nelsova’s Schelomo , with Abravanel&#8217;s support, is a fitting setting for the cellist who was Bloch&#8217;s own choice for the work.” “The Three Jewish Poems hints towards Respighi’s Roman triptych (then yet to be composed) &#8230; Bloch’s subtly coloured canvasses seem custom-built for an age increasingly attracted to late-romantic musical tone-painting. We are therefore greatly indebted to Sedares for these clear-headed, sensitively turned performances, extremely well engineered. Anyone with a taste for atmospheric evocations cannot fail to enjoy” [Gramophone]</span></p>
<table>
<tbody>
<tr>
<td><strong>Trois Poèmes Juifs (Three Jewish Poems) (1913) [25:46]</strong></td>
</tr>
<tr>
<td>[1] Dance: Poco animato 8:53</td>
</tr>
<tr>
<td>[2] Rite: Calmo (Andante moderato) 7:16</td>
</tr>
<tr>
<td>[3] Funeral Procession: Lento assai 9:36</td>
</tr>
<tr>
<td><strong><em>New Zealand Symphony Orchestra / James Sedares</em></strong></td>
</tr>
<tr>
<td><em>Recorded October 1993 at Symphony House, Wellington, New Zealand</em></td>
</tr>
<tr>
<td><em>Producer/Engineer: Michael Fine Assistant Producer: Tamra Saylor Fine</em></td>
</tr>
<tr>
<td><em>Production Coordinator: Susan Napodano Technical Assistant: Geoffrey Eyles</em></td>
</tr>
<tr>
<td>[4] Schelomo, Hebraic Rhapsody for Cello and Orchestra* [19:19]</td>
</tr>
<tr>
<td><strong><em>Zara Nelsova, cello* / Utah Symphony Orchestra / Abravanel</em></strong></td>
</tr>
<tr>
<td><strong>‘Israel’ Symphony [29:10]</strong></td>
</tr>
<tr>
<td>[5] Adagio molto, ‘Prayer in the Desert’ 4:30</td>
</tr>
<tr>
<td>[6] Allegro agitato, ‘Yom Kippur’ 13:09</td>
</tr>
<tr>
<td>[7] Moderato, ‘Succoth’ 11:03</td>
</tr>
<tr>
<td><em>Blanche Christensen &amp; Jean Basinger Fraenkel, sopranos </em></td>
</tr>
<tr>
<td><em>Christina Politis &amp; Diane Heder, altos Don Watts, bass</em></td>
</tr>
<tr>
<td><strong><em>Utah Symphony Orchestra / Maurice Abravanel</em></strong></td>
</tr>
<tr>
<td><em>(4-7) Recorded April 1967 in Salt Lake City, Utah; Producer: Seymour Solomon </em></td>
</tr>
<tr>
<td><em>Engineer: Ed Friedner; Digital Remastering: David Baker</em></td>
</tr>
<tr>
<td>&nbsp;</td>
</tr>
<tr>
<td>[4-7] Licensed from Vanguard Classics, [1]-[3] from Koch International</td>
</tr>
<tr>
<td>Mastered for Alto by Paul Arden-Taylor (www.dinmore-records.co.uk)</td>
</tr>
</tbody>
</table>
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