Description
[Haendel]: “it is little short of scandalous that a violinist of such mastery should have made so few recordings over the years.” (Gramophone)
“with Haendel’s incredibly assured tone and technical mastery, she could perform the instrumental equivalent of the singer’s telephone book and still entrance listeners.” (Classics Today)
[Hassid]: “a peerless technique and an arresting and frequently original interpretative approach. His technical security and cleanness of attack are awesome, his tone at once vibrant, virile and indescribably pure and sweet.” (Brian Crimp)
| Ida Haendel & Gerald Moore |
| [1] Andante and Presto –Tartini arr. Bridgewater CLP1021-1953 6:47 |
| [2] Caprice in A Minor, Op.1 No.24 –Paganini CLP1021-1953 7:37 |
| [3] Nigun (No.2 from ‘Baal Shem’) –Bloch CLP1021-1953 6:17 |
| [4] Slavonic Dance E minor, Op.46 No.2 – |
| Dvořák arr Kreisler C4262 & 7P151 30/7/53 CLP1021 4:40 |
| [5] Waltz in Ab major, Op.39/15 – |
| Brahms arr. Hochstein CLP1021-1953 2:29 |
| [6] Six Romanian Folk Dances –Bartók arr. Székely CLP1021-1953 6:04 |
| [7] Habanera –Ravel B9994-18/5/50 3:02 |
| [8] Polonaise Brillante No.1 –Wieniawski C3818-21/9/48 4:34 |
| [9] Scherzo Impromptu –Grieg B10135-18/5/50 2:24 |
| [10] Hoe Down (Rodeo) –Copland B9994 18/5/50 2:56 |
| Josef Hassid & Gerald Moore (3 recording sessions, 1940) |
| [11] Mélodie, Op.42 No.3 –Tchaikovsky OEA8550 B9074 3:10 |
| [12] Humoresque, Op.101 No.7 –Dvořák arr. Kreisler 2EA9052: C3219 3:26 |
| [13] Meditation (Thais) –Massenet arr. Marsick 2EA9053; C3208 4:00 |
| [14] La Capricieuse, Op.17 –Elgar OEA8803; B9074 3:25 |
| [15] Playera, Op.23/1 (Danzas Españolas No.5)–Sarasate 2EA8801 C3185 4:07 |
| [16] Zapateado, Op.23/2 (Danzas Españolas No.6)–Sarasate 2EA8802 C3185 3:30 |
| [17] Caprice Viennois, Op.2 –Kreisler 2EA8900; C3208 3:43 |
| [18] Hebrew Melody, Op.33 –Achron 2EA9051: C3219 4:41 |
