Description
“The Classical guitarist who as a performer and developer of repertory was a towering figure in the history of the instrument: Julian Bream’s love affair with the classical guitar began after he heard a recording of Andrés Segovia. His debut at the Wigmore Hall, London, in 1951 proclaimed the arrival of a seminal figure in the history of the instrument around the world” (John Duarte, John Amis / The Guardian)
| Johann Sebastian Bach (1685-1750) |
| [1] Partita for Violin No.2 in D Minor, BWV 1004 – Chaconne 15:41 |
| [2] Prelude in C Minor BWV 999 (played in D Minor) –1:42 |
| Suite in E Minor, BWV 996: [3] Sarabande 4:15 [4] Bourrée 1:35 |
| From: Partita for Lute in C Minor, BWV 997 (played in A Minor) – |
| [5] Prelude 2:51 [6] Fugue 6:37 |
| Fernando Sor (1778-1839) |
| from Estudios [7] Estudio No.5 (Op.35,No.22) 2:03 |
| [8] No.12 (Op.6,No.6) 4:33 [9] No.9 (Op.31,No.20) 1:11 |
| [10] Minuetto from Sonata, Op.22 3:45 |
| [11] Largo from Fantasia No.2, Op.7 4:31 |
| [12] Rondo Allegretto, From Sonata, Op. 22 1:44 |
| [13] Andante largo, Op.5, No.5 6:23 |
| Joaquín Turina (1882-1949) Homenaje a Tárrega, Op.69 |
| [14] Garrotín 2:27 [15] Soleares 2:08 |
| [16] Fandanguillo, Op.36 5:20 |
| [17] Andante from Sonata in D Minor Op.61 4:47 |
| [18] Ráfaga, Op.53 2:47 |
| Manuel de Falla (1876-1946) |
| [19] Homenaje ‘Le Tombeau de Claude Debussy’ 3:45 |
