Description
“all performances warmly sympathetic…sound with full amplitude and plenty of range to suit the music” “operatic excerpts make up a warmly enjoyable programme” (Penguin Guide 3 stars); “Zuill Bailey proves a superbly stylish soloist in the single-movement Cello Concerto ….and I enjoyed it a lot. What a wonderfully compact and affecting work ! “ “Excellent sound: not to be missed.” (Gramophone)
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Suite: Much Ado About Nothing, Op.11 (excerpts)
- [1] 1. Ouverture 5:14
- [2] 3. Mummenschanz (Hornpipe) – Prelude Act 2 2:26
- [3] 4. Festmusik – Act 2 Scene 1 3:30
- [4] 6. Gartenmusik (Garden Music) – Prelude Act 3 3:54
- [5] 7. Intermezzo – An Open Scene 2:08
- [6] 8. Holzapfel und Schlehwein – Prelude Act 3 Scene 2 2:33
- [7] 9. Madchen im Brautgemach (Girl in Bridal Chamber) Prelude Act 4 3:34
- [8] 12. Trauermusik – Prelude Act 5 4:59
- [9] 14. Schlusstanz – Finale Act 5 2:37
- [10] Prelude to Act 2 of Die Tote Stadt, Op.12 7:26
(Karen Robertson, soprano; Tibor Pazmanay, organ)
- [11] Cello Concerto in C, Op.37 12:45
- [12] Interlude from Das Wunder der Heliane, Op.20 8:28
- [13] Polka 1:28
- [14] Mazurka 2:19
- [15] Waltz
Suite: Straussiana
