Description
(Miniatures) ‘The Smetana and Kodály are both evocative works and so attractive … The recording, both of violin and piano, excellent, and well balanced’ (Vignettes) ‘the fiddle playing is superb, especially in the Wieniawskis, Träumerei, the delightful Sarasate dance and the attractive Nováček, which is magically played’ … ‘many short encores here are gems. Milstein would toss these off with ease, whilst the audience would be spellbound, waiting for more’ (Gramophone)
| 1. Smetana – From Má Vlast (No.2) 4:39 |
| 2. Gluck arr.Kreisler – Dance of the Blessed Spirits 2:45 |
| 3. Wieniawski – Mazurka Op.19 No.2 3:13 |
| 4. Vivaldi – Siciliano from Concerto in E flat ‘Il Retiro’ 3:09 |
| 5. Kodály arr. Milstein – It Rains in the Village 1:30 |
| 6. Chopin arr.Milstein – Nocturne C sharp minor No.20, op.posth. 3:39 |
| 7. Ries – Perpetuum mobile 2:45 |
| 8. Nardini – Larghetto from Sonata in B flat 2:49 |
| 9. Brahms arr.Joachim – Hungarian Dance No.2 in D minor 3:08 |
| 10. Massenet arr.Marsick – Meditation from Thais 4:03 |
| 11. Stravinsky arr. Dushkin – Russian Maiden’s Song 3:15 |
| 12. Paradis arr. Dushkin – Sicilienne 2:39 |
| 13. Rimsky-Korsakov arr.Hartmann – Flight of the Bumblebee 1:15 |
| 14. Brahms arr.Hochstein – Waltz Op.39 No.15 1:26 |
| 15. Poldini arr. Kreisler – The Dancing Doll 2:34 |
| 16. Wieniawski – Polonaise brillante No.1 in D, Op.4) 4:25 |
| 17. Falla arr.Kochanski – Asturiana 2:19 |
| 18. Falla arr.Kochanski – Jota 2:44 |
| 19. Ravel – Berceuse on the name of Gabriel Fauré 2:05 |
| 20. Sarasate – Romanza Andaluza 4:08 |
| 21. Schumann arr.Hullweck – Traumerei 2:33 |
| 22. J.S.Bach arr.Wilhelmj – Air from Suite No.3 4:39 |
| 23. Novacek – Perpetuum Mobile 2:37 |
| 24. Tchaikovsky – Melodie 3:32 |
| 25. Debussy arr.Hartmann- The Maid with the Flaxen Hair 2:08 |
| 26. Wieniawski – Scherzo-Tarantelle Op.16 3:43 |
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